Kevin Pearce

Q&A with Kevin Pearce as ‘The Crash Reel’ sets to air

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The HBO debut of “The Crash Reel,” a documentary on snowboarding and the sport’s growing risks, shouldn’t be anything new for Kevin Pearce.

He’s seen the film, he’s lived the film and he’s been asked (and asked and asked) about the film. The opportunity to watch it on TV at his parents’ home in “the middle of nowhere” in Vermont on Monday night (9 ET) is still exciting.

“Pretty badass,” as Pearce put it.

Pearce is the focus of the 1-hour, 49-minute chronological compilation of home movies, interviews and snowboard footage directed by the Oscar-nominated Lucy Walker.

While Pearce never reached the Olympics, the film is very much about the Games from the opening scene. Key dates are identified as “XXX days before the Vancouver Olympics,” such as Dec. 31, 2009, 49 days before the Games.

A six-second clip from that New Year’s Eve morning is played three times throughout the film. Pearce is shown on a halfpipe run in a red jacket and dark pants with people on a ski lift in the background. He attempts the sport’s new, bar-raising trick, the cab double cork (a twisting double back flip). He misses. His head hits the snow, face first, with a sickening thud.

The rest of the film dives into Pearce’s rivalry with Shaun White and emotionally steps through his rehab from a traumatic brain injury. Freeskier Sarah Burke, who died on the same halfpipe in a training accident in 2012, makes a few short but powerful appearances in the film.

We’ll hold off on further details to let viewers learn on their own, but it sufficiently earned its place at the Sundance Film Festival and SXSW.

Pearce took time to answer questions about the film and his future in a telephone interview.

Q: What did you hope to accomplish with this film?

Pearce: What I really wanted was mainly to spread the word and spread the awareness of what a traumatic brain injury entails because I never had any idea until I had to muscle through it and drive through all the hard stuff and come back from it. I really tried to show people what was involved in the whole process, the power of family. What a supportive family can do to help somebody who is suffering, how it shows a family can help you come back and recover from what you’re faced with.

Q: What did you learn from seeing the finished product?

Pearce: I think really what I learned from it is what’s possible in life. It was super helpful seeing where I was, seeing what I put friends and family through and where I was at the end. I’m still fighting, but I got through the hardest parts of it. I made my way back.

Q: The footage of your crash is shown a few times in the film. What do you think when you see it now?

Pearce: If I had a tiny bit more speed and a little more air time, I would have been fine. Someone says it in the film that it was a perfect storm. Everything lined up perfectly that one moment for everything to go completely wrong. Unlucky, how close I was to being perfectly fine.

It’s also hard to think about because what has happened since, and what has come of it. It’s hard to know how to look at it. Was it so bad, or was it good? I woke up this morning and was able to brush my teeth, and a lot of people can’t say that. I look at it both ways. How lucky I am and how unlucky I am.

Q: Have you been back to the scene of the crash?

Pearce: I went back to Park City twice, went the last two years for Sundance, but I haven’t gone down to the mountain yet. It wouldn’t do that much for me to go back there. It’s not like this thing I’ve got to get back up there and come back to that halfpipe. I don’t really need to go near or have any interest of going near that pipe.

Q: Are there any safety measures you would like to see taken in snowboarding?

Pearce: Not at all. These kids should be allowed to do whatever they want. That’s why snowboarding is so special is because there are no rules. There’s nobody telling you what to do. I think helmets should be mandatory in these competitions, but for the most part they are.

It would be very hard on me if (because of me) there become rules in snowboarding. It would feel like I changed the sport.

Q: What are you up to now, and what’s ahead in the future?

Pearce: Public speaking. I’ve been getting out and sharing my story and trying to spread the message of safety and traumatic brain injuries and to share what I’ve been through and try to help kids in that sense. I’ve been announcing the X Games and then also other events. It’s a good way to stay in the sport and stay active in snowboarding.

Q: Are you going to the Olympics in Sochi?

Pearce: I actually am going to Sochi. I am going and carrying the torch at opening ceremonies for Nike.

Shoma Uno wins Skate America as Jason Brown clears quad hurdle

CHICAGO, IL - OCTOBER 22: Shoma Uno of Japan competes in the men short program at 2016 Progressive Skate America at Sears Centre Arena on October 22, 2016 in Chicago, Illinois. (Photo by Tasos Katopodis/Getty Images)
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Japan’s Shoma Uno became the youngest man to win Skate America since 2002, while Jason Brown landed a quadruple jump en route to second place in Hoffman Estates, Ill., on Sunday.

Uno, the 18-year-old Grand Prix Final bronze medalist, landed three quadruple jumps in his free skate after planting two in his leading short program Saturday.

Uno fell on triple jumps in both programs but still scored 279.34 total points, prevailed by 10.96 over Brown and became the youngest man to win Skate America since France’s Brian Joubert in 2002.

Reigning U.S. champion Adam Rippon was third, flipping places with Brown after the short program. Full results are here.

Brown, the 2015 U.S. champion, totaled personal-best scores in the free skate (182.63) and overall (268.38) en route to his third straight Skate America medal. Brown matched his career-best Grand Prix finish.

Brown had never landed a clean, fully rotated quad in competition before, and while Sunday’s jump was called under-rotated, it was still a benchmark for the 21-year-old.

“To hit it and be like, ‘Oh my god, keep going, keep going,'” Brown said on NBC. “I just dreamed about landing that quad in the program. I felt like it kept getting closer, but today it finally hit. … Now I know I can do it under pressure. I can do it skating last. I can do it at a Grand Prix, so I can do it anywhere.”

Rippon attempted one quad this weekend, falling in a free skate he said he had only been practicing for a week and a half.

“I’m pleased with what I did today,” Rippon said. “It was a strong program for October. … This is a good start to the season, and I really want to build on this.”

Brown and Rippon positioned themselves well to become the first American men to qualify for the Grand Prix Final since Jeremy Abbott in 2011, should they be in podium contention at their next Grand Prix starts.

Rippon returns for Trophée de France in three weeks. Brown next competes at NHK Trophy in five weeks.

The Grand Prix season continues this week at Skate Canada, highlighted by world champion Yevgenia Medvedeva of Russia, Olympic champion Yuzuru Hanyu of Japan and the Grand Prix return of 2010 Olympic ice dance champions Tessa Virtue and Scott Moir of Canada.

MORE: Full figure skating season broadcast schedule

Gracie Gold details weight issues in figure skating after Skate America struggles


Gracie Gold said she has struggled with weight issues this whole year and in recent seasons in reported comments after she finished fifth at Skate America on Saturday and then clarified them on Instagram Sunday.

“You don’t often see — there aren’t that many — you just don’t see overweight figure skaters for a reason,” Gold said Saturday, according to USA Today. “It’s just something I’ve struggled with this whole year and in previous seasons. It’s just difficult when you’re trying to do the difficult triple jumps. It’s something that I am addressing, but it’s obviously not where it should be for this caliber of competition.

“It’s just not what’s required for this sport. It’s a lean body sport, and it’s just not what I have currently.”

Gold fell once in her Skate America short program and twice in her free skate en route to her lowest Grand Prix finish (excluding Grand Prix Finals) since her debut at 2012 Skate Canada.

Gold also finished sixth out of six skaters in her first competition this season, the free-skate-only Japan Open on Oct. 1.

Gold was fourth at the world championships in April, falling from first after the short program. The U.S. champion was still dealing with that “worlds depression” in the summer, even considering skipping the fall Grand Prix season.

Her next scheduled competition is in three weeks at Trophée de France in Paris, which she won last season.

“We just need to adjust my physical shape and mental shape and see if the program can be salvaged for the rest of the year,” Gold said Saturday, according to

Gold’s update on Sunday on Instagram is below.

MORE: Full figure skating season broadcast schedule

To all my fans and friends. Thank you for the concern you have voiced. My comments in the mixed zone were spoken in the heat of emotion. To clarify, I feel that my results this far in the season are a result of my decision to live a more "normal life" this past summer. I traveled and really took time off from being an elite athlete. For a figure skater, there is an ideal body weight for top performance. It's different for each athlete. That doesn't mean scary skinny, but rather a lean, wiry composition. I realize that I am at a healthy weight and I am rapidly regaining the strength and tone I desire. I just started back a little later than I needed to for peak fitness in October. In reading Christine Brennan's story I realize that I came across pretty negatively. In fact, rather than being unhappy with my programs, I think they are the best I've ever had! I remain committed to my sport and quest for World and Olympic success.

A photo posted by Gracie Gold (@graciegold95) on