Kevin Pearce

Q&A with Kevin Pearce as ‘The Crash Reel’ sets to air

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The HBO debut of “The Crash Reel,” a documentary on snowboarding and the sport’s growing risks, shouldn’t be anything new for Kevin Pearce.

He’s seen the film, he’s lived the film and he’s been asked (and asked and asked) about the film. The opportunity to watch it on TV at his parents’ home in “the middle of nowhere” in Vermont on Monday night (9 ET) is still exciting.

“Pretty badass,” as Pearce put it.

Pearce is the focus of the 1-hour, 49-minute chronological compilation of home movies, interviews and snowboard footage directed by the Oscar-nominated Lucy Walker.

While Pearce never reached the Olympics, the film is very much about the Games from the opening scene. Key dates are identified as “XXX days before the Vancouver Olympics,” such as Dec. 31, 2009, 49 days before the Games.

A six-second clip from that New Year’s Eve morning is played three times throughout the film. Pearce is shown on a halfpipe run in a red jacket and dark pants with people on a ski lift in the background. He attempts the sport’s new, bar-raising trick, the cab double cork (a twisting double back flip). He misses. His head hits the snow, face first, with a sickening thud.

The rest of the film dives into Pearce’s rivalry with Shaun White and emotionally steps through his rehab from a traumatic brain injury. Freeskier Sarah Burke, who died on the same halfpipe in a training accident in 2012, makes a few short but powerful appearances in the film.

We’ll hold off on further details to let viewers learn on their own, but it sufficiently earned its place at the Sundance Film Festival and SXSW.

Pearce took time to answer questions about the film and his future in a telephone interview.

Q: What did you hope to accomplish with this film?

Pearce: What I really wanted was mainly to spread the word and spread the awareness of what a traumatic brain injury entails because I never had any idea until I had to muscle through it and drive through all the hard stuff and come back from it. I really tried to show people what was involved in the whole process, the power of family. What a supportive family can do to help somebody who is suffering, how it shows a family can help you come back and recover from what you’re faced with.

Q: What did you learn from seeing the finished product?

Pearce: I think really what I learned from it is what’s possible in life. It was super helpful seeing where I was, seeing what I put friends and family through and where I was at the end. I’m still fighting, but I got through the hardest parts of it. I made my way back.

Q: The footage of your crash is shown a few times in the film. What do you think when you see it now?

Pearce: If I had a tiny bit more speed and a little more air time, I would have been fine. Someone says it in the film that it was a perfect storm. Everything lined up perfectly that one moment for everything to go completely wrong. Unlucky, how close I was to being perfectly fine.

It’s also hard to think about because what has happened since, and what has come of it. It’s hard to know how to look at it. Was it so bad, or was it good? I woke up this morning and was able to brush my teeth, and a lot of people can’t say that. I look at it both ways. How lucky I am and how unlucky I am.

Q: Have you been back to the scene of the crash?

Pearce: I went back to Park City twice, went the last two years for Sundance, but I haven’t gone down to the mountain yet. It wouldn’t do that much for me to go back there. It’s not like this thing I’ve got to get back up there and come back to that halfpipe. I don’t really need to go near or have any interest of going near that pipe.

Q: Are there any safety measures you would like to see taken in snowboarding?

Pearce: Not at all. These kids should be allowed to do whatever they want. That’s why snowboarding is so special is because there are no rules. There’s nobody telling you what to do. I think helmets should be mandatory in these competitions, but for the most part they are.

It would be very hard on me if (because of me) there become rules in snowboarding. It would feel like I changed the sport.

Q: What are you up to now, and what’s ahead in the future?

Pearce: Public speaking. I’ve been getting out and sharing my story and trying to spread the message of safety and traumatic brain injuries and to share what I’ve been through and try to help kids in that sense. I’ve been announcing the X Games and then also other events. It’s a good way to stay in the sport and stay active in snowboarding.

Q: Are you going to the Olympics in Sochi?

Pearce: I actually am going to Sochi. I am going and carrying the torch at opening ceremonies for Nike.

Young U.S. relay team can’t match Great Britain, Russia (video)

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It’s no coincidence that the U.S. men’s 4x200m freestyle relay team had its worst finish since 2001, a bronze in Budapest on Friday.

From 2002 through 2016, either Michael Phelps or Ryan Lochte was part of the quartet (and usually both of them were).

But with Phelps retired and Lochte suspended, a much younger foursome swam at worlds, including three men who had no Olympic final experience.

The U.S. led after three of four legs, but Great Britain anchor James Guy (2015 World 200m free champion) had the fastest split of all 32 swimmers by .78.

Guy zoomed past American Zane Grothe as the Brits repeated as world champs in the relay by .98 over Russia, which was a half-second ahead of the U.S. for silver.

Grothe, who is better in the 400m and 800m frees, split three seconds slower than Guy. He was the slowest American by nearly a second (when accounting for slower leadoff legs due to flat starts).

One swimmer the U.S. left off the final quartet was Conor Dwyer, a relay finalist member at every Olympics worlds since 2011. But Dwyer, the Rio 200m free bronze medalist, was fourth in the 200m free at nationals and even slower leading off the U.S. 4x200m in the morning heats.

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Simone Biles gets biopic

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Simone Biles is executive producing her own biopic, “The Simone Biles Story” (working title) set to premiere in early 2018 on Lifetime.

The film is based on her biography, “Courage to Soar,” and will reveal “the sacrifices and dedication it took her to become one of the greatest and most celebrated athletes in the world,” according to a press release.

Biles is a co-executive producer with three others, including her agent.

Biles follows Gabby Douglas, whose biopic, “The Gabby Douglas Story,” premiered on Lifetime in early 2014 after her 2012 Olympic all-around title.

Biles is expected to return to gymnastics training late this year or early next year.

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