Q&A with Kevin Pearce as ‘The Crash Reel’ sets to air

Kevin Pearce
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The HBO debut of “The Crash Reel,” a documentary on snowboarding and the sport’s growing risks, shouldn’t be anything new for Kevin Pearce.

He’s seen the film, he’s lived the film and he’s been asked (and asked and asked) about the film. The opportunity to watch it on TV at his parents’ home in “the middle of nowhere” in Vermont on Monday night (9 ET) is still exciting.

“Pretty badass,” as Pearce put it.

Pearce is the focus of the 1-hour, 49-minute chronological compilation of home movies, interviews and snowboard footage directed by the Oscar-nominated Lucy Walker.

While Pearce never reached the Olympics, the film is very much about the Games from the opening scene. Key dates are identified as “XXX days before the Vancouver Olympics,” such as Dec. 31, 2009, 49 days before the Games.

A six-second clip from that New Year’s Eve morning is played three times throughout the film. Pearce is shown on a halfpipe run in a red jacket and dark pants with people on a ski lift in the background. He attempts the sport’s new, bar-raising trick, the cab double cork (a twisting double back flip). He misses. His head hits the snow, face first, with a sickening thud.

The rest of the film dives into Pearce’s rivalry with Shaun White and emotionally steps through his rehab from a traumatic brain injury. Freeskier Sarah Burke, who died on the same halfpipe in a training accident in 2012, makes a few short but powerful appearances in the film.

We’ll hold off on further details to let viewers learn on their own, but it sufficiently earned its place at the Sundance Film Festival and SXSW.

Pearce took time to answer questions about the film and his future in a telephone interview.

Q: What did you hope to accomplish with this film?

Pearce: What I really wanted was mainly to spread the word and spread the awareness of what a traumatic brain injury entails because I never had any idea until I had to muscle through it and drive through all the hard stuff and come back from it. I really tried to show people what was involved in the whole process, the power of family. What a supportive family can do to help somebody who is suffering, how it shows a family can help you come back and recover from what you’re faced with.

Q: What did you learn from seeing the finished product?

Pearce: I think really what I learned from it is what’s possible in life. It was super helpful seeing where I was, seeing what I put friends and family through and where I was at the end. I’m still fighting, but I got through the hardest parts of it. I made my way back.

Q: The footage of your crash is shown a few times in the film. What do you think when you see it now?

Pearce: If I had a tiny bit more speed and a little more air time, I would have been fine. Someone says it in the film that it was a perfect storm. Everything lined up perfectly that one moment for everything to go completely wrong. Unlucky, how close I was to being perfectly fine.

It’s also hard to think about because what has happened since, and what has come of it. It’s hard to know how to look at it. Was it so bad, or was it good? I woke up this morning and was able to brush my teeth, and a lot of people can’t say that. I look at it both ways. How lucky I am and how unlucky I am.

Q: Have you been back to the scene of the crash?

Pearce: I went back to Park City twice, went the last two years for Sundance, but I haven’t gone down to the mountain yet. It wouldn’t do that much for me to go back there. It’s not like this thing I’ve got to get back up there and come back to that halfpipe. I don’t really need to go near or have any interest of going near that pipe.

Q: Are there any safety measures you would like to see taken in snowboarding?

Pearce: Not at all. These kids should be allowed to do whatever they want. That’s why snowboarding is so special is because there are no rules. There’s nobody telling you what to do. I think helmets should be mandatory in these competitions, but for the most part they are.

It would be very hard on me if (because of me) there become rules in snowboarding. It would feel like I changed the sport.

Q: What are you up to now, and what’s ahead in the future?

Pearce: Public speaking. I’ve been getting out and sharing my story and trying to spread the message of safety and traumatic brain injuries and to share what I’ve been through and try to help kids in that sense. I’ve been announcing the X Games and then also other events. It’s a good way to stay in the sport and stay active in snowboarding.

Q: Are you going to the Olympics in Sochi?

Pearce: I actually am going to Sochi. I am going and carrying the torch at opening ceremonies for Nike.

2023 French Open women’s singles draw, scores

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At the French Open, Iga Swiatek of Poland eyes a third title at Roland Garros and a fourth Grand Slam singles crown overall.

The tournament airs live on NBC Sports, Peacock and Tennis Channel through championship points in Paris.

Swiatek, the No. 1 seed from Poland, can join Serena Williams and Justine Henin as the lone women to win three or more French Opens since 2000.

Turning 22 during the tournament, she can become the youngest woman to win three French Opens since Monica Seles in 1992 and the youngest woman to win four Slams overall since Williams in 2002.

FRENCH OPEN: Broadcast Schedule | Men’s Draw

But Swiatek is not as dominant as in 2022, when she went 16-0 in the spring clay season during an overall 37-match win streak.

She retired from her most recent match with a right thigh injury last week and said it wasn’t serious. Before that, she lost the final of another clay-court tournament to Australian Open champion Aryna Sabalenka of Belarus.

Sabalenka, the No. 2 seed, and Elena Rybakina of Kazakhstan, the No. 4 seed and Wimbledon champion, are the top challengers in Paris.

No. 3 Jessica Pegula and No. 6 Coco Gauff, runner-up to Swiatek last year, are the best hopes to become the first American to win a Grand Slam singles title since Sofia Kenin at the 2020 Australian Open. The 11-major drought is the longest for U.S. women since Seles won the 1996 Australian Open.

MORE: All you need to know for 2023 French Open

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2023 French Open Women’s Singles Draw

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2023 French Open men’s singles draw, scores

French Open Men's Draw
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The French Open men’s singles draw is missing injured 14-time champion Rafael Nadal for the first time since 2004, leaving the Coupe des Mousquetaires ripe for the taking.

The tournament airs live on NBC Sports, Peacock and Tennis Channel through championship points in Paris.

Novak Djokovic is not only bidding for a third crown at Roland Garros, but also to lift a 23rd Grand Slam singles trophy to break his tie with Nadal for the most in men’s history.

FRENCH OPEN: Broadcast Schedule | Women’s Draw

But the No. 1 seed is Spaniard Carlos Alcaraz, who won last year’s U.S. Open to become, at 19, the youngest man to win a major since Nadal’s first French Open title in 2005.

Now Alcaraz looks to become the second-youngest man to win at Roland Garros since 1989, after Nadal of course.

Alcaraz missed the Australian Open in January due to a right leg injury, but since went 30-3 with four titles. Notably, he has not faced Djokovic this year. They could meet in the semifinals.

Russian Daniil Medvedev, who lost in the French Open first round in 2017, 2018, 2019 and 2020, is improved on clay. He won the Italian Open, the last top-level clay event before the French Open, and is the No. 2 seed ahead of Djokovic.

No. 9 Taylor Fritz, No. 12 Frances Tiafoe and No. 16 Tommy Paul are the highest-seeded Americans, all looking to become the first U.S. man to make the French Open quarterfinals since Andre Agassi in 2003. Since then, five different American men combined to make the fourth round on eight occasions.

MORE: All you need to know for 2023 French Open

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2023 French Open Men’s Singles Draw

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