Gracie Gold soars as Ashley Wagner sinks to fourth at U.S. Figure Skating Championships

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BOSTON — What a difference a year can make.

Twelve months ago at the U.S. Figure Skating Championships, Gracie Gold skated as the reigning junior champion in her first senior Nationals and bombed in her short program, finishing ninth and inspiring not-so-golden headlines.

But she rebounded from that start, winning the free skate and finishing second, setting up the 18-year-old for Olympic hype over the last year.

Thursday night at the U.S. Championships Gracie was golden from the start, attacking her short program in front of an enthused TD Garden crowd in Boston and claiming first place with a 72.12.

And the skater who beat her a year ago? Two-time national champion Ashley Wagner didn’t hit her triple-triple combination, a mistake that would drop her to fourth leading into the free skate.

But now with the National – and Olympic – pressure on Gold’s shoulders, can she be as good of a front-runner as she was an underdog?

“I had a wonderful performance tonight and I got a really great score,” Gold said of her 72.12, her best short ever. “It’s a new program for me so there were a couple of unknowns going in, but I was really glad that I was able to trust my training because I’ve worked really hard with Frank.”

“Frank” is Frank Carroll, the legendary skating coach of Michelle Kwan and Evan Lysacek whom Gold began working with in September and the impetus behind her switch to Gershwin’s “Three Preludes” for her short program, a decision made just weeks ago.

The current junior national champion, 15-year-old Polina Edmunds, closed the night out with a standing-ovation performance, putting her ahead of Wagner in second. Mirai Nagasu, an Olympian in 2010, was third.

“I think that I’m in a great position going into the long program – I really am happy with where I am,” Wagner told NBCOlympics.com after her skate. “Tara Lipinski stopped by as I got off the ice and told me, ‘Fourth is exactly where I was [in 1998].’ So I think I have to fight, but I prefer to fight.”

Wagner will have to fight plenty hard as she tries to work off a six-point-plus deficit against Gold, who beat her in the free skate at Nationals a year ago. Wagner finished with a 64.71; Edmunds scored a 66.75 and Nagasu a 65.44.

Olympic hopefuls Christina Gao and Agnes Zawadzki both struggled in their short programs, Gao bobbling on a step sequence and finishing sixth and Zawadzki doubling a planned triple jump, plummeting to 13th. The Colorado-based Zawadzki buried her face in her hands as her scores flashed up, fighting back tears.

But there were tears of joy for Gold, who in an Olympic season has been up and down while Wagner had been the solid one coming in.

Gold, a Boston native and now Los Angeles resident, opened with a triple Lutz-triple toe combination that was high but seamless, then executed a triple loop and double Axel later in the program, receiving loud approval from a big crowd in TD Garden.

Nagasu was the one who got the most raucous cheers of the night as the 20-year-old – who has had four years of struggles since just missing out on the Olympic podium in Vancouver – delivered a sturdy and stirring program, the 2008 national champ skating to another Gershwin piece, “The Man I Love.”

Edmunds was the 21st of 21 skaters Thursday night, but didn’t seemed phased by the occasion or the fact that she was in her first senior competition.

“I’m not really surprised,” the San Jose native said. “I know everything I need to do so when I came out here tonight I just got into the zone.”

For Gold, she might have her first medal to match her name at the senior level herself.

“You know, it’s all about tunnel vision for me,” Gold told reporters about keeping her focus. “For me it’s about turning off all social media, not texting, just putting on my headphones and skating the program I skate in practice.”

Castelli/Shnapir deliver for home crowd in pairs

Football takes significant step in Olympic push

Flag Football
Kirby Lee-USA TODAY Sports
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Football took another step toward possible Olympic inclusion with the IOC executive board proposing that the sport’s international federation — the IFAF — be granted full IOC recognition at a meeting in October.

IOC recognition does not equate to eventual Olympic inclusion, but it is a necessary early marker if a sport is to join the Olympics down the line. The IOC gave the IFAF provisional recognition in 2013.

Specific measures are required for IOC recognition, including having an anti-doping policy compliant with the World Anti-Doping Agency and having 50 affiliated national federations from at least three continents. The IFAF has 74 national federations over five continents with almost 4.8 million registered athletes, according to the IOC.

The NFL has helped lead the push for flag football to be added for the 2028 Los Angeles Games. Flag football had medal events for men and women at last year’s World Games, a multi-sport competition including Olympic and non-Olympic sports, in Birmingham, Alabama.

Football is one of nine sports that have been reported to be in the running to be proposed by LA 2028 to the IOC to be added for the 2028 Games only. LA 2028 has not announced which, if any sports, it plans to propose.

Under rules instituted before the Tokyo Games, Olympic hosts have successfully proposed to the IOC adding sports solely for their edition of the Games.

For Tokyo, baseball-softball, karate, skateboarding, sport climbing and surfing were added. For Paris, skateboarding, sport climbing and surfing were approved again, and breaking will make its Olympic debut. Those sports were added four years out from the Games.

For 2028, the other sports reportedly in the running for proposal are baseball and softball, breaking, cricket, karate, kickboxing, lacrosse, motorsports and squash.

All of the other eight sports reportedly in the running for 2028 proposal already have a federation with full IOC recognition (if one counts the international motorcycle racing federation for motorsports).

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Helen Maroulis stars in wrestling documentary, with help from Chris Pratt

Helen Maroulis, Chris Pratt
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One of the remarkable recent Olympic comeback stories is the subject of a film that will be shown nationwide in theaters for one day only on Thursday.

“Helen | Believe” is a documentary about Helen Maroulis, the first U.S. Olympic women’s wrestling champion. It is produced by Religion of Sports, the venture founded by Gotham Chopra, Michael Strahan and Tom Brady. Showing details are here.

After taking gold at the 2016 Rio Games, Maroulis briefly retired in 2019 during a two-year stretch in which she dealt with concussions and post-traumatic stress disorder. The film focuses on that period and her successful bid to return and qualify for the Tokyo Games, where she took bronze.

In a poignant moment in the film, Maroulis described her “rock bottom” — being hospitalized for suicidal ideations.

In an interview, Maroulis said she was first approached about the project in 2018, the same year she had her first life-changing concussion that January. A wrestling partner’s mother was connected to director Dylan Mulick.

Maroulis agreed to the film in part to help spread mental health awareness in sports. Later, she cried while watching the 2020 HBO film, “The Weight of Gold,” on the mental health challenges that other Olympians faced, because it resonated with her so much.

“When you’re going through something, it sometimes gives you an anchor of hope to know that someone’s been through it before, and they’ve overcome it,” she said.

Maroulis’ comeback story hit a crossroads at the Olympic trials in April 2021, where the winner of a best-of-three finals series in each weight class made Team USA.

Maroulis won the opening match against Jenna Burkert, but then lost the second match. Statistically, a wrestler who loses the second match in a best-of-three series usually loses the third. But Maroulis pinned Burkert just 22 seconds into the rubber match to clinch the Olympic spot.

Shen then revealed that she tore an MCL two weeks earlier.

“They told me I would have to be in a brace for six weeks,” she said then. “I said, ‘I don’t have that. I have two and a half.’”

Maroulis said she later asked the director what would have happened if she didn’t make the team for Tokyo. She was told the film still have been done.

“He had mentioned this isn’t about a sports story or sports comeback story,” Maroulis said. “This is about a human story. And we’re using wrestling as the vehicle to tell this story of overcoming and healing and rediscovering oneself.”

Maroulis said she was told that, during filming, the project was pitched to the production company of actor Chris Pratt, who wrestled in high school in Washington. Pratt signed on as a producer.

“Wrestling has made an impact on his life, and so he wants to support these kinds of stories,” said Maroulis, who appeared at last month’s Santa Barbara Film Festival with Pratt.

Pratt said he knew about Maroulis before learning about the film, which he said “needed a little help to get it over the finish line,” according to a public relations company promoting the film.

The film also highlights the rest of the six-woman U.S. Olympic wrestling team in Tokyo. Four of the six won a medal, including Tamyra Mensah-Stock‘s gold.

“I was excited to be part of, not just (Maroulis’) incredible story, but also helping to further advance wrestling and, in particular, female wrestling,” Pratt said, according to responses provided by the PR company from submitted questions. “To me, the most compelling part of Helen’s story is the example of what life looks like after a person wins a gold medal. The inevitable comedown, the trauma around her injuries, the PTSD, the drive to continue that is what makes her who she is.”

Maroulis, who now trains in Arizona, hopes to qualify for this year’s world championships and next year’s Olympics.

“I try to treat every Games as my last,” she said. “Now I’m leaning toward being done [after 2024], but never say never.”

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