Like fine art, ice dancing greatness in eye of beholder

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SOCHI, Russia – Ice dancing, more than anything at the Winter Games, is subjective. There are a lot of judged sports at the Olympics, of course, but none of them are quite so mystifying for an average person to gauge. Put a complete novice at the judge’s table for halfpipe, ski jumping or even pairs figure skating, and there’s a pretty good chance they would get at least SOME of it right. Hey, if nothing else, we can all tell it’s bad when someone falls down.

But ice dancing? What is there to hold onto? There are no jumps in ice dancing, no falls, rarely even a noticeable stumble. There are moments where one skater must mirrors the other’s actions, but most of the best teams seem to move and spin in perfect synchronicity. There are difficult lifts but, again, the best ice dancers seem to do these flawlessly and without apparent effort. There is the way the dance meets the music, but people will feel differently about that.

Meryl Davis and Charlie White have dedicated the vast majority of their lives to this bewildering sport. Monday night, they climbed the summit. They won their gold medal – with a record score, no less. It was the first ice dancing gold medal ever for Americans. They had spent almost three-quarters of their lives preparing for it.

What made Meryl and Charlie the best ice dancers in the world Monday night? That’s a loaded question, isn’t it? There are undoubtedly Canadians who think they weren’t. One of them, a Toronto Star columnist named Rosie DiManno, was so outraged by Davis and White outscoring Canada’s Tessa Virtue and Scott Moir in the short program Sunday that she led her column like so: “The villainy of ice dancing knows no bounds.”

VIDEO: Davis, White break down their routine

A little later – in case anyone missed the point — she added, “If the fix is not in against Tessa Virtue and Scott Moir then I’m the Princess of Wales.” Ms. DiManno was not going for subtlety.

She might not represent the majority of Canadian opinion on the matter – I don’t know. But there are certainly Canadians who think Virtue and Moir were better. The majority of Russians at the Iceberg Skating Palace did not seem happy with Davis and White winning gold, either. Davis and White’s seemingly (to me) brilliant dance was met with quite a lot of silence, and their sky-high score of 116.63 drew more than a few whistles of disagreement. Well, obviously, those same fans were sky-high for Russian bronze medalists Yelena Ilinykh and Nikita Katsalapov instead.

WATCH: FULL REPLAY OF ICE DANCING FREE SKATE

This is ice dancing. And, I think, it’s more art than sport. Well, the judges are trained to look at it through the more technical lens we attach to sports. They are trained to understand the components, the elements, the concepts of transitions and linking and footwork and skating skills and all that stuff.

But let’s be honest: The real judges in all these sports are the people watching on television. We live in an American Idol, America’s Got Talent world. People won’t watch anything unless they can judge for themselves. In our house, we as a family sit on the couch and judge cooking shows even though, you know, we can’t actually TASTE the food.

So we judge these ice dancers based on whatever we happen to base it on.

“Interestingly, I think that’s part of the allure of what we do,” said Virtue when asked about the capriciousness of scoring. “It’s that balance of athleticism and art. … We have to stay true to our product, stay true to our material and block out that added noise. We have to be true to what we are doing.”

VIDEO: Davis, White “in shock” after first Olympic gold

This is a remarkable statement on ice dancing and all other judged sports, I think. And when you get down to it – past all the griping about judging, the personal views, the nationalism that goes with the Olympics – this is how Davis and White won gold. They were true to their sport and each other ever since they were under 10 years old.

How true? Look: When someone asked them what was the closest they ever came to breaking up, they kind of looked at each other, shrugged, and said they didn’t always get along but they never came close to breaking up.

That’s hard to imagine – a boy and a girl have been ice dancing since they were nearly 10 and have NEVER come close to breaking up? But even if it’s an exaggeration (and there’s no reason to believe it is), Davis and White just had bigger thoughts going than whether or not to break up. They have been ferociously dedicated to being the best ice dancers on earth.

You know, American ice dancing used to be almost irrelevant on the world stage. The first Olympic ice dancing competition was in 1976 – the United States won bronze. America would not win another Olympic medal for 30 years. More to the point, they almost never even came close. In the four Winter Olympics between 1992 and 2002, the best any American ice dancing team finished was seventh.

VIDEO: Virtue, Moir claim silver

“It took some time for the United States to find its voice in ice dancing,” says Tanith Belbin, who is the girlfriend of White and who teamed with Ben Agosto to win America’s first ice dancing silver medal in 2006. “But once competitors and coaches were able to find their own style, they began to separate themselves from the more dominant European teams.”

Davis and White were the team that took the new American style of ice dancing to its height. They were the first Americans to win a world title in 2011 and then they won another two years later. People who know tell me that they blended technical near-perfection with a mesmerizing musical rhythm – if you watch closely you see that the speed of their skating seems perfectly set to the tempo of the song, as if they are being pulled along by the musical notes.

Their journey has been inextricably linked with Virtue and Moir, who beat them for gold at the 2010 Games (Davis and White won silver). They all train at the same Michigan rink. Davis and White and are coached by Marina Zoueva, who also coaches Virtue and Moir. They have been the best two ice dancing teams for years now, and at times it seems they have only each other to push. So they have all taken the sport higher and higher; each team has had to keep forcing their way skyward or fall.

“There’s a lot pressure knowing that if you’re not perfect you can forget about your dreams,” White says. “And that constant trying for perfection for you to look in the mirror and figure out what it’s going to take to get there.”

This was what Davis and White faced for almost a decade. Every day, they were inspired and unnerved by the skating genius of Virtue and Moir. And vice versa.

VIDEO: Davis, White explain origins of their program

And this struggle to find higher ground was at the very heart of Davis and White’s performance Monday night. They danced to the symphonic suite “Scheherazade,” based on Arabian Nights, and to get it just right they worked with a Persian dancer in addition to their coach and choreographer. They listened to the music again until they felt like they could climb inside it. They wanted to know the stories behind the music, the motivations for the notes. They wanted to express that in their skating.

Does that background come through for someone watching? I asked Charlie White that a few months ago and he said that, yeah, he thinks it does come through in the subtlest ways. It might not be something people can see or hear, but it adds a depth that people will subconsciously feel. This is what you hope with art, anyway: That it will convey something deeper than what is obvious and on the surface.

Then great art to one person is a silver or bronze medal to another. That’s just how ice dancing goes. Davis and White not only became the first Americans to ever win a gold medal in ice dancing, they became the first Americans at these Olympics to win a gold medal in a non-Winter X Games sport. With their winning personalities they are sure to become big stars when they get home.

RELATED: Davis, White “completely unprepared for this moment”

But I suspect the greatest part of it all was that moment after they finished their free skate Monday. They knew it was going to win them the gold medal. They had to know that. They embraced for a long time. It was the best they had ever skated, the very best, and it happened on the world stage, in front of a somewhat frosty audience, with the most intense pressure and death stares all around them. They had done it.

Then the score came. Then the realization: They were gold medalists. Then, in a blur, there was the flower ceremony, then reporters surrounded them, then they were sitting at a press conference and then more and more and more.

Through it all, they were somewhat foggy. They had been skating together since they were barely 10 years old, and always they stayed in the moment. That was what anchored them.

Distractions? Stay in the moment.

Pressure? Stay in the moment.

Injury? Stay in the moment.

There was always another practice, another duty, another tournament, another program, another song, another challenge.

Stay in the moment. Stay in the moment.

And then, finally, they had won gold. There was no moment left to stay in.

“How do you feel?” the reporters asked because that’s what reporters always ask.

“To be honest with you,” Meryl Davis said, and she smiled because it was just so ridiculous, “I don’t think we know how we feel.”

Joe Posnanski is the national columnist for NBC Sports. Follow him on twitter @JPosnanski

Jessica Pegula upset in French Open third round

Jessica Pegula French Open
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Jessica Pegula, the highest-ranked American man or woman, was upset in the third round of the French Open.

Elise Mertens, the 28th seed from Belgium, bounced the third seed Pegula 6-1, 6-3 to reach the round of 16. Pegula, a 29-year-old at a career-high ranking, had lost in the quarterfinals of four of the previous five majors.

Down 4-3 in the second set, Pegula squandered three break points in a 14-minute game. Mertens then broke Pegula to close it out.

Pegula’s exit leaves No. 6 seed Coco Gauff, last year’s runner-up, as the last seeded hope to become the first U.S. woman to win a major title since Sofia Kenin at the 2020 Australian Open. The 11-major span without an American champ is the longest for U.S. women since Monica Seles won the 1996 Australian Open.

FRENCH OPEN DRAWS: Women | Men | Broadcast Schedule

Mertens, who lost in the third or fourth round of the last six French Opens, gets 96th-ranked Russian Anastasia Pavlyuchenkova, the 2021 French Open runner-up, for a spot in the quarterfinals.

Earlier, ninth-seeded Russian Daria Kasatkina became the first player to reach the fourth round. She won 6-0, 6-1 over 69th-ranked American Peyton Stearns, the 2022 NCAA champion from Texas.

Sloane Stephens, the 2017 U.S. Open champion, is the lone American woman left in the bottom half of the draw. She plays Kazakh Yulia Putintseva later Friday. Gauff, Bernarda Pera and Kayla Day remain in the top half.

Friday’s featured men’s matches: Top seed Carlos Alcaraz versus 26th seed Denis Shapovalov of Canada, and No. 3 Novak Djokovic against No. 29 Alejandro Davidovich Fokina of Spain.

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Fred Kerley flies into Florence via Grenada; Diamond League broadcast schedule

Fred Kerley
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American Fred Kerley is about to race on a fourth different continent this year, but the seeds for this season — and all of his medal-winning seasons — were planted on the sand, grass and pavement of Grenada.

Kerley, the world 100m champion, headlines Friday’s Diamond League meet in Florence, Italy. Peacock streams it live from 2-4 p.m. ET. CNBC airs coverage Saturday at 1 p.m. ET.

It was to be a showdown between Kerley and the Olympic 100m champion, Marcell Jacobs of Italy. But Jacobs withdrew on Tuesday due to the nerve pain that has pushed back the start of his outdoor season. Jacobs withdrew from six scheduled races with Kerley dating to May 2022 due to a series of health issues since winning that surprise gold in Tokyo.

Kerley, who traded social media barbs with Jacobs earlier this spring, indicated a detente in a press conference Thursday.

“I’m not upset that he’s not competing, just wish him health and that he gets back to competing at 100 percent,” he said.

When speaking of himself, Kerley kept his trademark confidence. He wore a hat with a goat on it on Thursday and repeated that his focus is on two numbers: 9.69 (Tyson Gay‘s American record in the 100m) and 9.58 (Usain Bolt‘s world record). Kerley’s personal best, in two-plus years since dropping down from the 400m, is 9.76.

He resides in South Florida, a place that allows an outdoor athlete to train year-round. Kerley eschews that. He annually flies to Grenada for up to six-week stays.

“[I] work on a lot of specific stuff in Grenada to get me to the level I need to be when Budapest comes around,” Kerley said, referring to August’s world championships in the Hungarian capital, where he will bid to become the first man to repeat as world 100m champion since Bolt in 2013 and 2015.

Why Grenada? His South Carolina-based coach, Alleyne Francique, competed at three Olympics for the Spice Island, including placing fourth in the 400m at the 2004 Athens Games. That was the best Olympic finish for any Grenada athlete until Kirani James won a 400m medal of every color at the last three Games.

Francique recruited Kerley to Texas A&M out of junior college in 2015. When Kerley turned pro in 2017, he moved to the ALTIS training facility in Arizona. After a year, he went back to Francique at College Station — “It didn’t work out for me. I won’t say anything bad about the program,” he said in 2019, according to Track and Field News. Kerley has since moved to Florida, but Francique still coaches him remotely from South Carolina and with him for meet travel.

Kerley has trained in Grenada’s national stadium in St. George’s, which in 2017 was named after James. But a more unique venue for Kerley is a paved hill near the home of one of Francique’s friends.

“There’s no traffic, so it’s a good area to train,” Francique said.

There are few distractions there, aside from chickens, ducks and cattle. Francique noted that in the three seasons that Kerley trained in Grenada, he won bronze (2019 Worlds 400m), silver (Tokyo Olympic 100m) and gold (2022 Worlds 100m).

“So next year, maybe, he breaks a world record,” Francique said.

Here are the Florence entry lists. Here’s the schedule of events (all times Eastern):

12:30 p.m. — Women’s Discus
12:45 — Men’s Triple Jump
1:15 — Men’s Shot Put
1:43 — Women’s Pole Vault
2:04 — Women’s 400m Hurdles
2:15 — Men’s 200m
2:20 — Men’s High Jump
2:25 — Women’s 3000m Steeplechase
2:42 — Women’s Long Jump
2:44 — Women’s 100m
2:56 — Men’s 110m Hurdles
3:06 — Men’s 5000m
3:28 — Women’s 400m
3:39 — Men’s 100m
3:49 — Women’s 1500m

Here are five events to watch:

Women’s Pole Vault — 1:43 p.m. ET
Just like the Diamond League season opener in Doha, the field has the top five from the last year’s worlds, led by Americans Katie Moon and Sandi Morris, the gold and silver medalists. Moon is the world leader this year indoors and outdoors, though she no-heighted at last Saturday’s Los Angeles Grand Prix. Come August’s worlds, she will look to become the first woman to repeat as world champ in the pole vault in 16 years. Morris, who was third in Doha, eyes her first global outdoor title after four silvers between the Olympics and worlds.

Women’s Long Jump — 2:42 p.m. ET
A gathering of the world’s most accomplishes active jumpers — Olympic and world champion Malaika Mihambo of Germany, Olympic and world medalist Ese Brume of Nigeria — and the top Americans — Quanesha Burks and Tara Davis-Woodhall. They’re all chasing 7.08 meters, the world’s best leap this year recorded by Jamaican Ackelia Smith, a University of Texas sophomore.

Men’s 5000m — 3:06 p.m. ET
Field includes Olympic 5000m champion Joshua Cheptegei of Uganda, Olympic 10,000m champion Selemon Barega of Ethiopia and world silver medalist Jacob Krop of Kenya as well as reigning U.S. 5000m and 10,000m champions Grant Fisher and Joe Klecker. Cheptegei, the world record holder, was ninth at last July’s worlds and since has strictly raced on the roads and in cross country.

Men’s 100m — 3:39 p.m. ET
The entire podium from last year’s worlds meets here: Kerley and countrymen Marvin Bracy-Williams and Trayvon Bromell. It’s a similar field to last Sunday, when Kerley prevailed by five hundredths over South African Akani Simbine. Simbine is back, as is Kenyan Ferdinand Omanyala, who is the world’s fastest man this year (9.84) but was third in Rabat.

Women’s 1500m — 3:49 p.m. ET
Kenyan Faith Kipyegon, a double Olympic and double world champion, ran the world’s fastest time of 2023 at the Diamond League opener in Doha on May 5. Then last weekend, four different Ethiopians ran faster. Kipyegon figures to be faster in Florence than she was in Doha given the addition of Brit Laura Muir, the Olympic silver medalist and world bronze medalist, in her outdoor season debut.

Correction: An earlier version of this story reported that Francique is based in Texas. He moved from Texas to South Carolina.

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