SOCHI, Russia – Sure it’s easy to get caught up in the scoring. Figure skating scoring is inscrutable and bizarre and it has a long history of corruption. It’s easy to get caught up in the numbers of Thursday’s ladies free skate because it’s possible, even likely, that your eyes and the scores did not matched.
But if you look too hard at the scores, you might miss something else. Thursday night, a 27-year-old Italian named Carolina Kostner took to the ice. Eight years ago, she was the darling of the Torino Games, the great figure skating hope for Italy. She fell on her first jump and never contended. The last time she was at the Olympics – four years ago in Vancouver – she fell three times. And she broke down. There’s a YouTube video of an interview with her mother, and I dare you to watch it not to cry. There’s not a word of English in the entire video. I still dare you to watch it and not cry.
After Vancouver, Kostner got hurt, and she lost hope. “I thought, ‘I have reached my limit,’” she would say. “This is my limit.” She became a student. She tried to forget. But she missed skating. The Olympics are in her blood. Her father was a member of an Olympic hockey team. Her cousin Isolde Kostner won two bronze medals in alpine skiing. Carolina did not want to believe Vancouver was her limit. Instead she told herself to stop trying to be perfect and start skating for herself, for the joy.
She took the ice in Sochi, and “Bolero” began to play, and she landed her first jump, a triple lutz. From there, the music swept her away. She landed every jump. She skated with this big, beautiful smile on her face. The crowd – with hardly an Italian in the place – was mesmerized by her. When she finished the best performance of her life, the joy on her face was indescribable. She had done it.
Thursday, a 17-year-old Russian named Adelina Sotnikova took the ice. She had once been the skating prodigy of Russia. She won the national championship when she was 12. Around the Vancouver Games, when people first began talking of an Olympics in Russia, the feeling was that it would be Sotnikova’s Games. She was the future.
And then … she wasn’t. The fizzling phenom is a common story in sports. Sotnikova so dominated the junior ranks – she was junior world champion in 2011 – but her skating didn’t transfer easily to the next level. She would say that she wanted to prove her maturity, prove that she could skate like a woman and not just like a little girl. Instead, her performances were uneven. Her athletic brilliance – she skates one of the most difficult routines in the world – was often overshadowed by dramatic failures. She almost never skated a clean free skate.
Meanwhile, a new Russian skating prodigy – there’s always a new prodigy – named Yulia Lipnitskaya came along. It was Lipnitskaya, not the older Sotnikova, who skated for Russia in the team competition early in these Olympics. There, she skated so beautifully that the world fell in love with Yulia. Sotnikova steamed. “I was really angry,” she would say of not getting chose to skate at least once for the team. And, “it made me skate mad.”
By the time she stepped on the ice Thursday, Lipnitskaya had already skated … and fallen. The Russian crowd had invested so much in Yulia (and had gasped with the same shock when she fell for the second straight day) you wondered if they had anything left to give. Sotnikova began her skate. Her first jump sequence was a triple lutz into a triple toe loop … I’m told it’s the hardest two-jump combination in women’s skating. She landed both jumps perfectly.
And then she, like Kostner, seemed to light up. The Russian crowd, of course, helped her. They cheered every landing as if it was a hockey goal. When Sotnikova had her one slight bobble – a double loop that sort of spun her around – the crowd did not seem to notice. They had found their hero, and Sotnikova skated an inspired performance. They cheered her through it. She finished strong. And when she had finished the best performance of her life, she beamed and held her arms up in the air. Bouquets and teddy bears came flying in from everywhere in the crowd, and the sound was the loudest I have heard in Russia. She had done it.
Thursday, the last skater of the evening was a 23-year-old woman from South Korea named Yuna Kim. She had won the gold medal at the Vancouver Olympics with a performance so dazzling and flawless that many people believed even then she was the best figure skater who ever lived.
After Vancouver, she quit skating. Her heart was not in it. Before Vancouver, she would say, “I thought I would die for gold.” After winning under the most intense pressure, she no long felt that same motivation, that same hunger. There was probably no athlete on earth – maybe retired Indian cricket legend Sachin Tendulkar—who had the weight of a country so squarely on his or her shoulders as Yuna Kim at Vancouver. They called her “Queen Yuna” and expected her to get gold.
When she won that gold, she became one of the most famous people in the country. She walked away from skating and hosted her own reality ice skating show. She did countless commercials (it is estimated she makes more than $10 million a year in endorsements). She performed as a singer on television from time to time. She was the headliner at her own ice skating shows. She was also a key reason why South Korea was awarded the 2018 Winter Olympics.
Skater Michelle Kwan, who accompanied Yuna Kim at times in South Korea, says it’s simply like nothing she has ever seen – the love people there feel for Yuna Kim.
After a year and a half away did she come back … at which point she promptly hurt her foot. For every other skater at the Olympics, there was a “Best season-to-date score” listed by her name on the scoreboard. But not for Kim. She had not skated all season. Nobody knew what to expect, least of all Kim. She would say that before her short skate Wednesday, she had never been more nervous.
She took the ice Thursday to the song “Adios Nonino,” and she, like Sotnikova, faced a triple lutz and triple toe loop to start. And she landed both easily. The Russian crowd undoubtedly had cold feelings because they wanted their Sotnikova to win gold. But they could not help but get caught up in the beauty of Kim’s skating. Nobody in the world skates quite like her. She is so smooth and graceful that you are never quite sure how she builds up so much speed. She skated a brilliant and clean performance. And when it ended, the cheers were not as loud as for Sotnikova, but loud enough and filled with the deepest respect for an artist. She, too, had done it.
Sure, it’s easy to get caught up in the scoring. The three performances, all so brilliant, all achieved under the white hot line of a magnifying glass, won the skaters gold, silver and bronze … exactly as it should have been. But who deserved the gold? Who deserved the silver? Who deserved the bronze?
“My bronze feels like gold,” said the bronze medalist.
“I was just relieved I skated cleanly,” said the silver medalist.
“I didn’t believe my eyes,” said the gold medalist.
I prefer it like that, all of them as winners. But, of course, the Olymipcs are not like that. You know, I assume, the names behind those medals. You will know that Adelina Sotnikova did win the gold to Russia’s great joy. Yuna Kim won silver and many skating experts thought she deserved better. Carolina Kostner won bronze and there were those who thought she was better than one or the other or both.
There was a lot of heat in the moments after. There was crying. There were arguments. There was a lot of Twitter fury. Figure skating scoring will always be a story because people will always see figure skating with their hearts. That’s the messiness of the sport. Then, that’s also the point of it.