Logan Tom
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Logan Tom continues volleyball career in Indonesia

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The U.S. women’s volleyball team spent January clinching a Rio Olympic berth in Nebraska. Logan Tom, the program’s most recognizable name spanning the previous three Olympic cycles, spent the time moving to Indonesia.

Tom, 34, hasn’t been a part of the national team in three years and doesn’t expect to be called for a fifth consecutive Olympics in August.

But she’s not done playing.

Tom, the top scorer at the Beijing 2008 Games and the “glue” of the London 2012 team, started an abbreviated three-month season for an Indonesian club this month.

“I honestly didn’t know Indonesia had a league,” she said in a Skype interview about one week after arriving. “It was the first offer that piqued my curiosity, just because it’s a new place I haven’t been to.”

Tom was the youngest player on the Sydney 2000 Olympic women’s team, at age 19 following her freshman year at Stanford. She earned the nickname “Doogie,” after Doogie Howser, M.D.

She went on to earn Olympic silver medals in 2008 and 2012.

Tom “tore everything” in her left ankle on a bad landing training for her Brazil club team in February 2013. She decided to return to Stanford to finish her degree while considering if she wanted to continue in the sport.

While back in the U.S., Tom said she told USA Volleyball that she, once recovered from the injury, would be available for the national team that summer, should they need her.

She later received a phone call from Karch Kiraly, a two-time Olympic indoor champion. Kiraly served as an assistant coach for the London Olympic team and was elevated to head coach one month after the Games.

“I got a phone call saying, ‘Thank you for the time you put into USA Volleyball, but we won’t be needing your services anymore,'” she said.

Tom said she respected the decision but was caught off-guard by how the news was delivered.

“It was more how it was done than what was done,” she said. “I thought it was a good relationship [with Kiraly]. He was probably the coach I was most close to, 2012 and before. That wasn’t the best feeling.”

Kiraly declined to discuss why Tom is no longer part of the national team.

“One of the important and difficult parts of this job is that my staff and I, our USA team staff and I, have to make important roster and personnel decisions that can, to some outsiders, appear confusing, even up to enraging, and those decisions have to be made,” Kiraly said in a phone interview.

Tom said she and Kiraly haven’t spoken since.

It’s not always a painless exit when national team stalwarts bow out. Landon DonovanAbby Wambach and Kobe Bryant‘s retirements from international play came under different circumstances, with perhaps Wambach the only one who exited smoothly.

And the fact is, the U.S. women’s national team pool has gotten younger under Kiraly.

The last three Olympic teams, not coached by Kiraly, all had at least three players in their 30s, including five in 2012.

Under Kiraly, the 2014 World Championship-winning roster included one player older than 29. The 2015 World Cup roster included no players older than 28. The 2016 Olympic qualifying tournament roster included one player older than 29. Tom is older than every player on those squads.

Tom, who had played club volleyball in Brazil, Italy, Switzerland, Spain, Russia, Japan, China and Turkey, plus a domestic beach volleyball stint, decided in late 2013 to finish her degree at Stanford’s program in Florence, Italy.

One of her old club managers learned Tom was in Italy, called and asked if she would be interested in playing for a club in northern Italy in 2014. She signed a one-year contract and began a six-hour commute three days per week from school to club.

“It’s always been better for me to be over-busy than under-busy,” Tom said. “I wanted to try playing because I hadn’t played on my ankle in about a year. To see if I could play, if I still loved to play, or if it was something I still wanted to do.”

She still enjoyed it, and graduated, so Tom played another season in 2015 in Cannes, France, ending last May.

“If I don’t know what I truly want to do right now, I still have the option to go play [volleyball],” she reasoned.

She disconnected from the sport over the summer, save a football/volleyball camp with former Pittsburgh Steelers safety Troy Polamalu in American Samoa. (Tom’s father, Melvyn Tom, of Hawaii, played nine NFL seasons in the 1960s and ’70s.)

Clubs called, but Tom deemed herself unavailable until the intriguing offer from Indonesia to play a shortened, three-month season. She signed in September to start playing in February 2016.

“Short season, three months, which is good for me,” she said. “I grew up playing Asian-style volleyball. It’s my favorite style to play, because it’s more defense and more technical.”

A club in Ankara, Turkey, then requested her services for the fall, so she tacked that on before flying to Jakarta. The 6-foot, 1-inch Tom is holding up well in Indonesia, playing with younger, shorter teammates. Most are Indonesian, except for veteran Brazilian Olympian Mari.

“I’m 34, getting old for any kind of professional athlete,” Tom said. “But I feel really good. It’s funny, when you get older, you learn what your body needs. Working out, keeping in shape, keeping my body healthy has become a lifestyle for me, much more than when I was younger.”

She’s been aided by Dr. Jason Han, a former taekwondo athlete who started HealthFit and is one of the members of the Juice Athlete Compound in Pasadena, Calif. Tom worked closely with Han before heading to Turkey.

“I had been static for about five months and needed somebody to get me going in about two weeks,” Tom said. “He kicked my ass. Every session, there were always about three or four times where I was like, oh my god, I can’t do this.”

Tom’s plan after the Indonesian season is to visit New Zealand. After? She hasn’t thought that far ahead.

“I just kind of go where life takes me,” Tom said.

MORE: U.S. women’s volleyball team clinches Olympic berth

Novak Djokovic rolls at French Open; top women escape

Novak Djokovic
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Novak Djokovic began what could be a march to his 18th Grand Slam title, sweeping Swede Mikael Ymer 6-0, 6-2, 6-3 in the French Open first round on Tuesday.

The top seed Djokovic lost just seven points in the first set. He gets Lithuanian Ricardas Berankis in the second round in a half of the draw that includes no other man with French Open semifinal experience.

Djokovic had plenty going for him into Roland Garros, seeking to repeat his 2016 run to the title. The chilly weather is similar to four years ago.

As is Djokovic’s form. His only loss in 2020 was when he was defaulted at the U.S. Open for hitting a ball in anger that struck a linesperson in the throat.

Djokovic got a break with the draw when No. 3 seed Dominic Thiem was put in No. 2 Rafael Nadal‘s half. The Serbian also won his clay-court tune-up event in Rome, where he received warnings in back-to-back matches for breaking a racket and uttering an obscenity.

“I don’t think that [the linesperson incident] will have any significant negative impact on how I feel on the tennis court,” Djokovic said before Roland Garros. “I mean, I won the tournament in Rome just a week later after what happened in New York.

“I really want to be my best version as a player, as a human being on the court, and win a tennis match. Because of the care that I have for that, I sometimes express my emotions in good way or maybe less good way.”

If Djokovic can lift the Coupe des Mousquetaires two Sundays from now, he will move within two of Roger Federer‘s career Slams record. Also notable: He would keep Nadal from tying Federer’s record and head into the Australian Open in January, his signature Slam, with a chance to match Nadal at 19.

FRENCH OPEN DRAWS: Men | Women | TV Schedule

Earlier Tuesday, No. 2 Karolina Pliskova and No. 4 Sofia Kenin each needed three sets to reach the second round.

The Czech Pliskova rallied past Egyptian qualifier Mayar Sherif 6-7 (9), 6-2, 6-4. Pliskova, the highest-ranked player without a major title, next gets 2017 French Open champion Jelena Ostapenko of Latvia.

“Let’s not talk about my level [of play],” Pliskova said. “I think there is big room for improvement.”

Kenin, the American who won the Australian Open in February, outlasted Russian Liudmila Samsonova 6-4, 3-6, 6-3.

“It doesn’t matter how you win — ugly, pretty, doesn’t matter,” Kenin said on Tennis Channel.

She gets Romanian Ana Bogdan in the second round. Only one other seed — No. 14 Elena Rybakina — is left in Kenin’s section en route to a possible quarterfinal.

American Jen Brady, who made a breakthrough run to the U.S. Open semifinals, was beaten by Danish qualifier Clara Tauson  6-4, 3-6, 9-7.

Sam Querrey nearly made it eight American men into the second round, serving for the match in the third set. But he succumbed to 13th-seeded Russian Andrey Rublev 6-7 (5), 6-7 (4), 7-5, 6-4, 6-3. It’s still the best first-round showing for U.S. men since nine advanced in 1996.

The second round begins Wednesday, highlighted by Serena Williams and Rafael Nadal.

MORE: Halep, Comaneci and the genesis of a Romanian friendship

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Alysa Liu grows on the ice and adds inches, too

Liu and Scali in San Francisco
Courtesy Massimo Scali
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Word on the street is Alysa Liu has grown.

The two-time reigning U.S. figure skating champion said that’s true… to a degree. The two inches of height she added between last season and her 15th birthday in August don’t change Liu’s perspective.

“I just went from really short to very short,” Liu said, wryly, via telephone after a training session last week in San Francisco. “I’m up to 5-0. I like the five-foot number, but it’s still short.”

Anyway, the more important measure will be how much Liu has grown as a skater since her successful 2019-20 debut in international junior competition.

As is the case for all skaters, especially those in North America, such skating growth risks being temporarily stunted by restrictions on training and lack of competition caused by the coronavirus pandemic. And physical growth, even if it is only two inches, can also be problematic.

In Liu’s case, issues related to the pandemic have complicated her sudden shift to a new coaching team in late June, when she announced a split from Laura Lipetsky, who had coached her since age 5. Cancellation of the Junior Grand Prix series is giving Liu more travel-free time to adapt to the new situation, although, ironically, travel restrictions are keeping her from having the two-country, three-coach arrangement work the way it was planned.

“I don’t think it affects the long-term plan that much,” Liu said. “I still have my school schedule [where she will finish her high school education before the 2021-22 season, her first as an international senior]. I’m training hard. I’m getting stronger.

“I wasn’t surprised the Junior Grand Prix was cancelled. I’m a little sad I can’t go, but I get to stay home and train, so it’s all good. I do like competing a lot, and I guess I’ll miss that feeling, but because of corona[virus], there is nothing I can do, so I just accepted it.”

As of now, Liu can’t go to Toronto to work face-to-face with coach Lee Barkell, the newest member of the team, and choreographer Lori Nichol, with whom the skater began collaborating last season.

Massimo Scali, the three-time Italian Olympic ice dancer based in the Bay Area who began helping Lipetsky with Liu a month before the 2020 U.S. Championships, now is her in-person coach. Barkell and Nichol contribute via several FaceTime or Zoom sessions each week. Once entry restrictions from the U.S. to Canada are eased, Liu intends to visit regularly while continuing to live with her family in the Bay Area.

Of course, little has gone as might have been planned for Liu over the last two seasons.

In January 2019, at 13, she stunningly became the youngest ever to win a U.S. singles title. In January 2020, at 14, she became the youngest to win two. In the process, Liu became the first U.S. woman to land two triple Axels in a free skate and the first to land a quadruple jump, the former at 2019 nationals, the latter at her 2019 Junior Grand Prix debut.

She won both her 2019 Junior Grand Prix series events. She finished a close second to Russia’s Kamila Valieva at the 2019 Junior Grand Prix Final and a distant third to Valieva at the 2020 World Junior Championships. That made her the first U.S. woman to win a Junior Grand Prix Final medal since 2012 and just the second to win a world junior medal during that period.

Taking over as primary coach of a skate with such a resume carries a burden, especially for a coach like Scali whose entire knowledge base and coaching experience is based in ice dance.

Scali and Liu
Scali and Liu at the Yerba Buena Ice Skating and Bowling Center in San Francisco. Courtesy Massimo Scali

“There is a little pressure on me, for sure,” Scali said. “She is an extremely talented skater and an amazing human being. But I know that I have a terrific team behind me, working really well together. My pressure is doing the best for Alysa to improve where she has to improve.”

Barkell is dealing with a different set of challenges: working remotely with a skater he barely knows.

“It was a bit difficult in the beginning, verbally explaining exercises, technique, corrections, etc., instead of being able to show Alysa,” Barkell said in a text message. “But we have figured out ways to make this work. Alysa is very coachable and has been very receptive to new ideas.

“We [myself, Massimo and Lori] are focusing on development of speed and power in her overall skating and continued development and consistency in all of her jumps. We all realize some of these changes will not happen overnight.”

There is a rule of thumb that says figure skaters need between 18 months and two years to get fully comfortable working with new coaches. For Liu, that time frame dovetails nicely with the next Olympic season.

Liu plans to give her first progress report by recording this week her new short and long programs, by choreographed by Nichol, for judging in U.S. Figure Skating’s international selection pool (ISP) points challenge competition. The performances are to go online Oct. 6.

The short uses music from Nino Rota’s score for the Fellini movie, “La Strada.” The long draws from “The Storm,” a work by the Hungarian composer/pianist Balázs Havasi that Nichol had choreographed for Carolina Kostner in the 2018-19 season, when an injury kept Kostner from competing with that program.

Liu’s jump layouts this season include a triple Axel in the short program with two triple Axels and a quadruple Lutz in the long. She may wait until later competitive events to include them. She plans to skate at the USFS Championship Series competitions in Spokane, Wash., November 10-15 and Henderson, Nevada Nov. 24-28.

“I just want to do good programs for whatever competitions are available,” Liu said. “It will take me a long time to get everything perfect. But I have been working hard on skating skills, and hopefully people can see a difference.”

Barkell handles nearly all the jump instruction, although Scali said is learning enough from watching the remote sessions to be aware of what Liu is supposed to do. Nichol is primary choreographer, with the concept, the music cuts and the steps coming from her.

Scali, who has done choreography for ice dancers, makes occasional choreographic suggestions. But his focus is the areas of skating covered by component scores (PCS).

Liu’s PCS was 6.31 points lower than Valieva’s in the world junior free skate. And Liu’s aggregate PCS for the two programs at 2020 nationals was 9.35 points behind that of runner-up Mariah Bell, but a whopping 18.66 margin over Bell in technical scores – most from jumps – made Liu an easy winner.

Scali and Liu
Scali and Liu at the Yerba Buena Ice Skating and Bowling Center in San Francisco. Courtesy Massimo Scali

“We want Alysa to go out on the ice and look like a mature, different skater,” Scali said. “We are working on details – expression, speed, gliding, posture – to polish the programs so that they give an image of an Alysa who is more empowered and more mature and really ready for senior level competition.”

Brian Boitano, the 1988 Olympic champion, skates twice a week at the San Francisco rink where Liu has been training for the last seven weeks. He gives her tips on jumps and moves like spread eagles.

Boitano proctored Liu’s clean run-throughs last week that did not include the Axels or a quad. “It was great,” Boitano said of the long program.

“We don’t know yet [about the big jumps],” Scali said. “Her training was so affected by this pandemic, and this ISP competition is so early in the season considering all she went through.”

Liu has been training in San Francisco because of issues with ice time availability at her home rink in Oakland, in a different county with different pandemic rules than San Francisco.

When no rinks at all near her were open after coming back from junior worlds, Liu and her father, Arthur, an attorney, went to Wilmington, Del., from early March through mid-May, living in an AirBnb property. She trained in Wilmington on her own except for spotting from a coach with jumps done on a pull harness.

She found herself going stir crazy at times in Delaware, especially missing her four younger siblings, who stayed in California. There is only so much anime on Netflix one can watch.

Once she and her father returned west, it became a case of being careful what you wish for. The siblings, like the home-schooled Liu, now are doing remote learning at home. So far, the Wi-Fi is holding up.

“It’s very chaotic,” she said, laughing. “They are all so crazy it’s kind of ridiculous. I get home every day, and there’s always a racket in the house. My sister Julia is always falling. My sister Selina is always FaceTiming her friends. And the boys [Joshua and Justin] are always fighting.”

Since she has been training in San Francisco, Liu takes the BART train back and forth, sometimes by herself, sometimes with Scali, who lives in Berkeley.

When they began working together on a full-time basis, it was briefly at her usual rink (the Oakland Ice Center), where Lipetsky still teaches. Lipetsky was away at the time, so there were no potentially uncomfortable encounters.

In the June 22 USFS release announcing the coaching change, Liu acknowledged and thanked Lipetsky for the coach’s role in the skater’s success.

“We’ve worked so closely together, and she has helped me get to where I am today,” Liu said.

In a June 22 text message to me, Lipetsky wrote:

“I have really enjoyed working with Alysa for her entire skating career. Massimo Scali and her father informed me that I would no longer be working with her. To not add to her distraction and allow her the opportunity to focus on being the best she can be, I prefer not to comment any further.”

In a text message to me a few days later, Arthur Liu said neither he nor Alysa wanted to talk about the reasons why she left Lipetsky.

“We need to move on and focus on her training,” he wrote.

Scali said they plan to return to the Oakland Ice Center as soon as they can get the ice time Alysa needs there. He does not expect any issues if they are in the rink at the same time as Lipetsky, who, Scali said, had asked him last December to work with the skater on skating skills and components.

“It’s all good,” Scali said. “Alysa is serene and happy about the decision she made, so there will be no problems.”

Philip Hersh, who has covered figure skating at the last 11 Winter Olympics, is a special contributor to NBCSports.com/figure-skating

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