Ashley Wagner details dropping ‘La La Land’ free skate

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Ashley Wagner, the pre-eminent U.S. female figure skater of the last decade, changed her mind on one of the most significant decisions a skater can make going into the Olympic season.

Wagner, the 2016 World silver medalist and three-time U.S. champion, tossed out the new free skate she had been working on last month.

It was set to music from “La La Land,” which earned a record-tying 14 Academy Award nominations earlier this year and won six Oscars (and, briefly, infamously, a seventh for Best Picture).

Now, she’s back to music from “Moulin Rouge.” It accompanied her free skate in the 2014-15 and 2015-16 seasons.

Those years, Wagner posted the highest free skate scores in U.S. Championships history and for an American in international competition history.

“I really did love the [‘La La Land’] program,” Wagner said Wednesday, while promoting the Dick’s Sporting Goods Contenders program, which employs 41 Winter Olympic and Paralympic hopefuls for the PyeongChang Winter Games.

“I was very passionate about what I was doing,” she continued. “I started training it day to day, and the music is beautiful. But just something wasn’t quite clicking, and the character didn’t really feel as complicated as I wanted her to be. There really didn’t feel like there was much of an emotional range. And I love drama. I love having those moments.”

The return to “Moulin Rouge” came abruptly as Wagner described it. One day at practice in early August, she consulted her steely coach, Armenian Rafael Arutyunyan.

“Is this program good?” Wagner asked.

“Yeah, it’s a really good program,” Arutyunyan responded.

“Is it good enough? Is this going to get me through the Olympics?” she pressed.

Arutyunyan told Wagner to put “Moulin Rouge” music on and skate.

“I made it to the first double Axel in the program,” Wagner said. “He turns off the program, and he goes, this is the program I want you to do.”

Wagner agreed.

“It’s my Olympic moment,” she said Wednesday, “and this is the person I want to be at the Olympics.”

Wagner, who lives and trains in Southern California, said publicly as far back as February that she wanted to skate to “La La Land” at the Olympics. Skaters usually wait until after the preceding season ends in early spring to announce program music for the following season.

But Wagner was so enamored that she texted her choreographer from a movie theater to say she had chosen “La La Land” for her Olympic free skate.

Wagner’s 11-year senior international career is marked by ups and downs, tears and several concussions. She identified with the film’s theme of hope.

“I love the music. I still do,” she said. “I just think that it was very much like an inspirational kind of a setup. I loved that. I loved the choreography. I can’t speak highly enough of the music. But I just know myself, and I know that after a couple of months of just one emotion, I get bored.”

Two weeks after the switch, Wagner performed to “Moulin Rouge” at last month’s U.S. Figure Skating’s Champs Camp. At Champs Camp, skaters receive preseason feedback from officials on programs before debuting them in competition.

“I gave them the opportunity to see ‘La La Land’ if they wanted to, but everyone at U.S. Figure Skating was very supportive of my decision,” Wagner said.

Wagner said she will make her Olympic season debut at a small, local event. She won’t say where or when it will be. Her international season debut is at Skate Canada the last weekend of October.

She’s gearing up for the U.S. Championships in January, after which three women will be named to the Olympic team. That team will be chosen by a committee based on results not only at nationals but also previous top-level competitions.

Wagner is familiar with the selection process.

She was the top U.S. woman in fall 2009 but finished third at the 2010 U.S. Championships and was left off the two-woman Olympic team.

Wagner was fourth at the 2014 U.S. Championships and placed on the three-woman Olympic team over third-place finisher Mirai Nagasu. Wagner earned that spot based on performing the best of all U.S. women nationally and internationally the previous year.

Now 26 years old, Wagner can become the oldest U.S. Olympic women’s singles skater since 1928.

Wagner wants to separate from her own past this season, even as she performs to music associated with some of the biggest triumphs of her career.

Skating to “Moulin Rouge” again last month, “made me feel like the athlete that I was at 2016 Worlds, so that definitely made me feel nostalgic,” she said, referencing moving from fourth to second in the free skate in Boston to become the first U.S. world medalist in a decade. “Maybe that’s why I like this program so much.”

But judges may want to see something new.

So Wagner added professional dancer Benji Schwimmer to her choreography team. Schwimmer has worked with Wagner’s best friend and training partner Adam Rippon.

“This is a new season,” Wagner said, “and hopefully somewhat of a new version of Moulin Rouge.”

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Snowboarders sue coach, USOPC in assault, harassment case

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Olympic bronze medalist Rosey Fletcher has filed a lawsuit accusing former snowboard coach Peter Foley of sexually assaulting, harassing and intimidating members of his team for years, while the organizations overseeing the team did nothing to stop it.

Fletcher is a plaintiff in one of two lawsuits filed in U.S. District Court in Los Angeles on Thursday. One names Foley, the U.S. Olympic and Paralympic Committee, the U.S. Ski & Snowboard team and its former CEO, Tiger Shaw, as defendants. Another, filed by a former employee of USSS, names Foley, Shaw and the ski federation as defendants.

One of the lawsuits, which also accuse the defendants of sex trafficking, harassment, and covering up repeated acts of sexual assault and misconduct, allege Foley snuck into bed and sexually assaulted Fletcher, then shortly after she won her bronze medal at the 2006 Olympics, approached her “and said he still remembered ‘how she was breathing,’ referring to the first time he assaulted her.”

The lawsuits describe Foley as fostering a depraved travel squad of snowboarders, in which male coaches shared beds with female athletes, crude jokes about sexual conquests were frequently shared and coaches frequently commented to the female athletes about their weight and body types.

“Male coaches, including Foley, would slap female athletes’ butts when they finished their races, even though the coaches would not similarly slap the butts of male athletes,” the lawsuit said. “Physical assault did not stop with slapping butts. Notably, a female athlete once spilled barbeque sauce on her chest while eating and a male coach approached her and licked it off her chest without warning or her consent.”

The USOPC and USSS knew of Foley’s behavior but did nothing to stop it, the lawsuit said. It depicted Foley as an all-powerful coach who could make and break athletes’ careers on the basis of how they got along off the mountain.

Foley’s attorney, Howard Jacobs, did not immediately return requests for comment from The Associated Press. Jacobs has previously said allegations of sexual misconduct against Foley are false.

In a statement, the USOPC said it had not seen the complaint and couldn’t comment on specific details but that “we take every allegation of abuse very seriously.”

“The USOPC is committed to ensuring the safety and wellbeing of Team USA athletes, and we are taking every step to identify, report, and eliminate abuse in our community,” the statement said.

It wasn’t until the Olympics in Beijing last year that allegations about Foley’s behavior and the culture on the snowboarding team started to emerge.

Allegations posted on Instagram by former team member Callan Chythlook-Sifsof — who, along with former team member Erin O’Malley, is a plaintiff along with Fletcher — led to Foley’s removal from the team, which he was still coaching when the games began.

That posting triggered more allegations in reporting by ESPN and spawned an AP report about how the case was handled between USSS and the U.S. Center for SafeSport, which is ultimately responsible for investigating cases involving sex abuse in Olympic sports. The center has had Foley on temporary suspension since March 18, 2022.

The AP typically does not identify alleged victims of sexual assault unless they have granted permission or spoken publicly, as Fletcher, Chythlook-Sifsof and O’Malley have done through a lawyer.

USSS said it was made aware of the allegations against Foley on Feb 6, 2022, and reported them to the SafeSport center.

“We are aware of the lawsuits that were filed,” USSS said in a statement. “U.S. Ski & Snowboard has not yet been served with the complaint nor has had an opportunity to fully review it. U.S. Ski & Snowboard is and will remain an organization that prioritizes the safety, health and well-being of its athletes and staff.”

The lawsuits seek unspecified damages to be determined in a jury trial.

Oleksandr Abramenko, Ukraine’s top Winter Olympian, tears knee, career in question

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Aerials skier Oleksandr Abramenko, who won both of Ukraine’s medals over the last two Winter Olympics, is out for the season after a knee ligament tear and said he might not return to competition at all, according to Ukrainian media.

Abramenko, 34, won gold at the 2018 Olympics — Ukraine’s second-ever individual Winter Olympic title after figure skater Oksana Baiul in 1994 — and silver last year.

He competed once this season, placing 10th at a World Cup in Finland on Dec. 4, and then flew with the Ukrainian national team to stay in Utah ahead of World Cups in Canada in January and at the 2002 Olympic venue in Park City this weekend. The area also hosted many Ukraine winter sports athletes this past summer.

Abramenko missed the competition in Canada two weeks ago due to injury and then wasn’t on the start list for today’s aerials event in Park City. He is set to miss the world championships later this month in Georgia (the country, not the state).

Abramenko said he needs surgery, followed by a nine-month rehabilitation process, similar to an operation on his other knee six years ago, according to Ukraine’s public broadcaster. He said he will see how the recovery goes and determine whether to return to the sport at age 35, according to the report.

Abramenko is already the oldest Olympic men’s aerials medalist and come the 2026 Milan-Cortina Winter Games will be older than all but one male aerialist in Olympic history, according to Olympedia.org.

At last year’s Olympics, Abramenko, Ukraine’s flag bearer at the Opening Ceremony, was hugged after the aerials final by Russian Ilya Burov, who finished one spot behind Abramenko for a bronze medal. A week later, Russia invaded Ukraine.

A week after that, Abramenko posed for a photo sitting on a mattress in a Kyiv parking garage with his wife and 2-year-old son published by The New York Times.

“We spend the night in the underground parking in the car, because the air attack siren is constantly on,” Abramenko texted, according to the newspaper. “It’s scary to sleep in the apartment, I myself saw from the window how the air defense systems worked on enemy missiles, and strong explosions were heard.”

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