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Ashley Wagner details dropping ‘La La Land’ free skate

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Ashley Wagner, the pre-eminent U.S. female figure skater of the last decade, changed her mind on one of the most significant decisions a skater can make going into the Olympic season.

Wagner, the 2016 World silver medalist and three-time U.S. champion, tossed out the new free skate she had been working on last month.

It was set to music from “La La Land,” which earned a record-tying 14 Academy Award nominations earlier this year and won six Oscars (and, briefly, infamously, a seventh for Best Picture).

Now, she’s back to music from “Moulin Rouge.” It accompanied her free skate in the 2014-15 and 2015-16 seasons.

Those years, Wagner posted the highest free skate scores in U.S. Championships history and for an American in international competition history.

“I really did love the [‘La La Land’] program,” Wagner said Wednesday, while promoting the Dick’s Sporting Goods Contenders program, which employs 41 Winter Olympic and Paralympic hopefuls for the PyeongChang Winter Games.

“I was very passionate about what I was doing,” she continued. “I started training it day to day, and the music is beautiful. But just something wasn’t quite clicking, and the character didn’t really feel as complicated as I wanted her to be. There really didn’t feel like there was much of an emotional range. And I love drama. I love having those moments.”

The return to “Moulin Rouge” came abruptly as Wagner described it. One day at practice in early August, she consulted her steely coach, Armenian Rafael Arutyunyan.

“Is this program good?” Wagner asked.

“Yeah, it’s a really good program,” Arutyunyan responded.

“Is it good enough? Is this going to get me through the Olympics?” she pressed.

Arutyunyan told Wagner to put “Moulin Rouge” music on and skate.

“I made it to the first double Axel in the program,” Wagner said. “He turns off the program, and he goes, this is the program I want you to do.”

Wagner agreed.

“It’s my Olympic moment,” she said Wednesday, “and this is the person I want to be at the Olympics.”

Wagner, who lives and trains in Southern California, said publicly as far back as February that she wanted to skate to “La La Land” at the Olympics. Skaters usually wait until after the preceding season ends in early spring to announce program music for the following season.

But Wagner was so enamored that she texted her choreographer from a movie theater to say she had chosen “La La Land” for her Olympic free skate.

Wagner’s 11-year senior international career is marked by ups and downs, tears and several concussions. She identified with the film’s theme of hope.

“I love the music. I still do,” she said. “I just think that it was very much like an inspirational kind of a setup. I loved that. I loved the choreography. I can’t speak highly enough of the music. But I just know myself, and I know that after a couple of months of just one emotion, I get bored.”

Two weeks after the switch, Wagner performed to “Moulin Rouge” at last month’s U.S. Figure Skating’s Champs Camp. At Champs Camp, skaters receive preseason feedback from officials on programs before debuting them in competition.

“I gave them the opportunity to see ‘La La Land’ if they wanted to, but everyone at U.S. Figure Skating was very supportive of my decision,” Wagner said.

Wagner said she will make her Olympic season debut at a small, local event. She won’t say where or when it will be. Her international season debut is at Skate Canada the last weekend of October.

She’s gearing up for the U.S. Championships in January, after which three women will be named to the Olympic team. That team will be chosen by a committee based on results not only at nationals but also previous top-level competitions.

Wagner is familiar with the selection process.

She was the top U.S. woman in fall 2009 but finished third at the 2010 U.S. Championships and was left off the two-woman Olympic team.

Wagner was fourth at the 2014 U.S. Championships and placed on the three-woman Olympic team over third-place finisher Mirai Nagasu. Wagner earned that spot based on performing the best of all U.S. women nationally and internationally the previous year.

Now 26 years old, Wagner can become the oldest U.S. Olympic women’s singles skater since 1928.

Wagner wants to separate from her own past this season, even as she performs to music associated with some of the biggest triumphs of her career.

Skating to “Moulin Rouge” again last month, “made me feel like the athlete that I was at 2016 Worlds, so that definitely made me feel nostalgic,” she said, referencing moving from fourth to second in the free skate in Boston to become the first U.S. world medalist in a decade. “Maybe that’s why I like this program so much.”

But judges may want to see something new.

So Wagner added professional dancer Benji Schwimmer to her choreography team. Schwimmer has worked with Wagner’s best friend and training partner Adam Rippon.

“This is a new season,” Wagner said, “and hopefully somewhat of a new version of Moulin Rouge.”

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Asbel Kiprop, Olympic 1500m champ, banned four years

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Kenyan Asbel Kiprop, the 2008 Olympic 1500m champion and a three-time world champ, was banned four years after testing positive for EPO in November 2017, according to track and field’s doping watchdog organization.

The ban is backdated to Feb. 3, 2018, when the 29-year-old was provisionally suspended after the failed test.

Kiprop repeatedly denied doping since last May, when he first acknowledged the positive test. Most recently, a 3,000-word defense from his lawyer was posted on Kiprop’s Facebook page.

Kiprop’s defenses included saying he was a victim of extortion and that he was offered “a reward” of becoming an anti-doping ambassador if he admitted guilt. The Athletics Integrity Unit (AIU), the IAAF’s independent organization to monitor doping and corruption, denied the latter last May.

A disciplinary panel dismissed six defenses from exonerating him, including the possibility his sample was spiked, in handing out the four-year ban.

Kiprop, the pre-eminent 1500m runner of the last decade, can appeal the ban.

At 19, he finished second in the Beijing Olympic 1500m but was upgraded to gold a year later after Bahrain’s Rashid Ramzi failed a drug test. He is the youngest Olympic 1500m medalist of all time, according to the OlyMADMen.

Kiprop went on to earn three straight world titles in the 1500m in 2011, 2013 and 2015, matching the feats of retired legends Noureddine Morceli and Hicham El Guerrouj.

He struggled in the 2012 and 2016 Olympics, finishing last in the London final with a hamstring injury and sixth in the Rio final won by American rival Matthew Centrowitz.

Kiprop has targeted El Guerrouj’s world record of 3:26:00, missing the mark by .69 of a second in 2015.

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Maggie Nichols is second woman in 20 years to repeat as NCAA all-around champ

Maggie Nichols
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Oklahoma junior and world champion gymnast Maggie Nichols became the first woman to repeat as NCAA all-around champion in 12 years, returning from a heel injury to compete on all four events for the first time since January on Friday.

Nichols, a Rio Olympic hopeful before being beset by a torn meniscus in 2016, joined 2004 Olympic silver medalist Courtney Kupets as the only women to win back-to-back NCAA all-arounds in the 2000s.

A junior, Nichols can next year join Jenny Hansen as the only women to three-peat in NCAA history.

Oklahoma goes for a third team title in four years on Saturday night against UCLA (featuring Olympic champions Madison Kocian and Kyla Ross), LSU and Denver.

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NCAA Women’s Gymnastics Championships Individual Results
All-Around
1. Maggie Nichols (Oklahoma) — 39.7125
2. Lexy Ramler (Minnesota) — 39.6625
2. Kyla Ross (UCLA) — 39.6625
4. Sarah Finnegan (LSU) — 39.65
5. Kennedi Edney (LSU) — 39.6

Vault
1. Kennedi Edney (LSU) — 9.95
1. Derrian Gobourne (Auburn)
1. Maggie Nichols (Oklahoma)
1. Kyla Ross (UCLA)

Uneven Bars
1. Sarah Finnegan (LSU) — 9.95

Balance Beam
1. Natalie Wojcik (Michigan) — 9.95

Floor Exercise
1. Alicia Boren (Florida) — 9.95
1. Lynnzee Brown (Denver)
1. Brenna Dowell (Oklahoma)
1. Kyla Ross (UCLA)