Bradie Tennell wins U.S. title; Mirai Nagasu 2nd; Ashley Wagner 4th

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Bradie Tennell is your U.S. champion. Silver medalist Mirai Nagasu appears headed back to the Olympics after tearfully being left off the 2014 team.

And bronze medalist Karen Chen will round out the three-woman U.S. Olympic team over fourth-place Ashley Wagner, should a committee stick to the standings from the U.S. Figure Skating Championships on Friday night.

But that’s not a sure thing.

Wagner, the three-time national champion and face of U.S. women’s skating, placed fourth for the second straight nationals in an Olympic year.

In 2014, Wagner was placed on the Olympic team over third-place Nagasu. Will a committee using this criteria of results from the past year put Wagner on the team again?

Wagner said she was underscored and deserved a spot on the Olympic team.

VIDEO: Wagner ‘furious’ about nationals scores

The Olympic team of three women — again, not necessarily the top three at nationals — will be announced Saturday at 8 a.m. ET on TODAY.

The U.S. Championships continue Saturday with the pairs and men’s free skates on NBC and NBCSN and streaming on NBCOlympics.com.

NATIONALS: Full Results | TV Schedule

Tennell, 19, has been a revelation since placing ninth at the 2017 Nationals. She took bronze in her Grand Prix debut at Skate America on Thanksgiving weekend and entered nationals with the two highest scores among Americans this season.

Tennell’s jumping was nearly impeccable in both programs where every other top U.S. woman had struggles.

She topped the short program by seven tenths of a point and the free skate by nearly five points, with Nagasu runner-up both nights.

“I can’t believe it,” Tennell, the 2015 U.S. junior champion, said on NBC. “I can’t put it into words. … I think the sky’s the limit for me.”

Nagasu, 24, matched her best finish at nationals since winning her only title in 2008. She made the 2010 Olympic team, was fourth at those Winter Games, and topped the 2010 Worlds short program but never reached those levels internationally again.

Her most memorable skate may have been the 2014 U.S. Championships exhibition, when she tearfully performed hours after she was left off the Olympic team in favor of Wagner.

She added the triple Axel this season and landed it messy in both programs but was given credit for the jump. Quite the longevity for the Californian who fell on a double Axel in her 2008 Nationals free skate.

Chen won last year’s national title and was fourth at the 2017 Worlds, two results that boost her resume in the eyes of the selection committee.

In 2014, Wagner had the credentials as defending U.S. champion and top U.S. woman in international competition. She has not been at that level in more than one year.

Wagner, in her first time competing her “La La Land” free skate on Friday, singled a planned triple Salchow as part of a combination. She also under-rotated a late triple Lutz, two-footing the landing.

When she received her score, lower than her free skate at the last three nationals, Wagner shook her head from left to right and raised her eyebrows in concern.

Wagner was in danger after placing fifth in Wednesday’s short program. She has had two poor seasons — by her standards — since winning the 2016 World silver medal.

It may have been her final competition.

It appears none of the Sochi Olympians will make it back for PyeongChang.

Gracie Gold, the top U.S. woman in Sochi, is sitting out nationals after receiving treatment for depression, anxiety and an eating disorder. Gold is in San Jose to support the competing skaters and tweeting up a storm.

The third 2014 U.S. Olympian, Polina Edmunds, withdrew before the free skate due to right foot pain, according to her social media.

Edmunds, the youngest U.S. competitor across all sports in Sochi, was seventh in the short program. She missed the entire 2016-17 season due to a bone bruise in her right foot and was ranked 13th among U.S. women this season going into nationals.

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MORE: U.S. athletes qualified for PyeongChang Olympics

Football takes significant step in Olympic push

Flag Football
Kirby Lee-USA TODAY Sports
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Football took another step toward possible Olympic inclusion with the IOC executive board proposing that the sport’s international federation — the IFAF — be granted full IOC recognition at a meeting in October.

IOC recognition does not equate to eventual Olympic inclusion, but it is a necessary early marker if a sport is to join the Olympics down the line. The IOC gave the IFAF provisional recognition in 2013.

Specific measures are required for IOC recognition, including having an anti-doping policy compliant with the World Anti-Doping Agency and having 50 affiliated national federations from at least three continents. The IFAF has 74 national federations over five continents with almost 4.8 million registered athletes, according to the IOC.

The NFL has helped lead the push for flag football to be added for the 2028 Los Angeles Games. Flag football had medal events for men and women at last year’s World Games, a multi-sport competition including Olympic and non-Olympic sports, in Birmingham, Alabama.

Football is one of nine sports that have been reported to be in the running to be proposed by LA 2028 to the IOC to be added for the 2028 Games only. LA 2028 has not announced which, if any sports, it plans to propose.

Under rules instituted before the Tokyo Games, Olympic hosts have successfully proposed to the IOC adding sports solely for their edition of the Games.

For Tokyo, baseball-softball, karate, skateboarding, sport climbing and surfing were added. For Paris, skateboarding, sport climbing and surfing were approved again, and breaking will make its Olympic debut. Those sports were added four years out from the Games.

For 2028, the other sports reportedly in the running for proposal are baseball and softball, breaking, cricket, karate, kickboxing, lacrosse, motorsports and squash.

All of the other eight sports reportedly in the running for 2028 proposal already have a federation with full IOC recognition (if one counts the international motorcycle racing federation for motorsports).

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Helen Maroulis stars in wrestling documentary, with help from Chris Pratt

Helen Maroulis, Chris Pratt
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One of the remarkable recent Olympic comeback stories is the subject of a film that will be shown nationwide in theaters for one day only on Thursday.

“Helen | Believe” is a documentary about Helen Maroulis, the first U.S. Olympic women’s wrestling champion. It is produced by Religion of Sports, the venture founded by Gotham Chopra, Michael Strahan and Tom Brady. Showing details are here.

After taking gold at the 2016 Rio Games, Maroulis briefly retired in 2019 during a two-year stretch in which she dealt with concussions and post-traumatic stress disorder. The film focuses on that period and her successful bid to return and qualify for the Tokyo Games, where she took bronze.

In a poignant moment in the film, Maroulis described her “rock bottom” — being hospitalized for suicidal ideations.

In an interview, Maroulis said she was first approached about the project in 2018, the same year she had her first life-changing concussion that January. A wrestling partner’s mother was connected to director Dylan Mulick.

Maroulis agreed to the film in part to help spread mental health awareness in sports. Later, she cried while watching the 2020 HBO film, “The Weight of Gold,” on the mental health challenges that other Olympians faced, because it resonated with her so much.

“When you’re going through something, it sometimes gives you an anchor of hope to know that someone’s been through it before, and they’ve overcome it,” she said.

Maroulis’ comeback story hit a crossroads at the Olympic trials in April 2021, where the winner of a best-of-three finals series in each weight class made Team USA.

Maroulis won the opening match against Jenna Burkert, but then lost the second match. Statistically, a wrestler who loses the second match in a best-of-three series usually loses the third. But Maroulis pinned Burkert just 22 seconds into the rubber match to clinch the Olympic spot.

Shen then revealed that she tore an MCL two weeks earlier.

“They told me I would have to be in a brace for six weeks,” she said then. “I said, ‘I don’t have that. I have two and a half.’”

Maroulis said she later asked the director what would have happened if she didn’t make the team for Tokyo. She was told the film still have been done.

“He had mentioned this isn’t about a sports story or sports comeback story,” Maroulis said. “This is about a human story. And we’re using wrestling as the vehicle to tell this story of overcoming and healing and rediscovering oneself.”

Maroulis said she was told that, during filming, the project was pitched to the production company of actor Chris Pratt, who wrestled in high school in Washington. Pratt signed on as a producer.

“Wrestling has made an impact on his life, and so he wants to support these kinds of stories,” said Maroulis, who appeared at last month’s Santa Barbara Film Festival with Pratt.

Pratt said he knew about Maroulis before learning about the film, which he said “needed a little help to get it over the finish line,” according to a public relations company promoting the film.

The film also highlights the rest of the six-woman U.S. Olympic wrestling team in Tokyo. Four of the six won a medal, including Tamyra Mensah-Stock‘s gold.

“I was excited to be part of, not just (Maroulis’) incredible story, but also helping to further advance wrestling and, in particular, female wrestling,” Pratt said, according to responses provided by the PR company from submitted questions. “To me, the most compelling part of Helen’s story is the example of what life looks like after a person wins a gold medal. The inevitable comedown, the trauma around her injuries, the PTSD, the drive to continue that is what makes her who she is.”

Maroulis, who now trains in Arizona, hopes to qualify for this year’s world championships and next year’s Olympics.

“I try to treat every Games as my last,” she said. “Now I’m leaning toward being done [after 2024], but never say never.”

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