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Lawmakers choke back tears, scream at Olympic sport leaders for sex-abuse scandal

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WASHINGTON (AP) — The tears and anger this time came from lawmakers who spent the day fuming over a growing sex-abuse problem in Olympic sports that leaders have taken too much time to solve while devoting too little money for the fixes.

“I just hope everyone here realizes the time to talk is over, and you need to walk your talk,” Rep. Debbie Dingell, D-Mich., said Wednesday shortly after choking back tears while questioning leaders of the U.S. Olympic Committee, USA Gymnastics and the U.S. Center for SafeSport.

The hearing of the House subcommittee was filled with both substance and spectacle — the latter coming mostly courtesy of a five-minute burst from Rep. Buddy Carter, R-Ga., who told the USOC’s acting CEO, Susanne Lyons, “you should resign your position now,” and tore into USA Gymnastics CEO Kerry Perry and the rest of the panel for not uttering the exact words: “I’m sorry.”

“If you don’t want to say you’re sorry, I don’t want to talk to you,” said Carter, who represents the district where a lawsuit that triggered the mushrooming scandal in gymnastics was filed.

In fact, members on the panel of U.S. sports executives did apologize to the victims, whose numbers grow almost daily and whose pain was most heart-wrenchingly displayed during the sentencing hearing for Larry Nassar, the Michigan State doctor who also worked for the U.S. gymnastics team.

But set against the USOC’s slow-moving reforms, to say nothing of the raw numbers presented by SafeSport CEO Shellie Pfohl, some of the apologies felt hollow.

The USOC started talking about reforming its sex-abuse policy in 2010 after a scandal was exposed inside of USA Swimming. From then, it took seven years to open the SafeSport center to independently investigate sex-abuse claims made by Olympic athletes. Pfohl described an office that has been overwhelmed in the 14 months it has been in business.

— When it opened in March 2017, Pfohl said the center received 20 to 30 calls a month. In the wake of the #MeToo movement and the Nassar case, that has increased to about 20 to 30 calls per week.

— SafeSport operates on a budget of $4.3 million a year, $1.55 million of which was recently added as part of the USOC’s mission to bolster its response to the abuse issue. That brought the USOC’s contribution to $3.1 million. (By comparison, the USOC gave the U.S. Anti-Doping Agency, in charge of Olympic drug testing in the United States, $3.7 million in 2016. Its budget is more than $19 million.)

— The budget is enough for 14 full-time employees, which includes five full-time investigators. Seven additional investigators work on a contract basis. The center has fielded 840 reports over 14 months. Reports have come in regarding 38 of the 49 national governing bodies.

— Part of the delay in opening the SafeSport center came because the USOC met reluctance from almost everyone in funding, both from outside and inside the Olympic movement. The NGBs are charged on a sliding scale, depending on their size. USA Swimming contributed only $43,000 this year, “but we’re one of the larger NGBs, and based on who we are, we could provide more resources,” CEO Tim Hinchey said.

Pfohl said she wouldn’t turn it down.

Meanwhile, she is still waiting for paperwork to apply for a $2.5 million grant the government wrote into this year’s budget. (The government gave $9.5 million to USADA in 2016.)

The witnesses testified to a continued lack of uniformity in sex-abuse policies among the NGBs, despite efforts that date to at least 2013. Some publish full lists of banned coaches and athletes. Some distribute them only to members of the organizations. Under terms of a recently passed law to protect athletes, the NGBs are supposed to be audited randomly by the SafeSport center, but that project is hamstrung because resources do not exist.

Meanwhile, the role of the USOC in overseeing it all remains confusing.

Brought up more than once was an exchange during a deposition for a sex-abuse lawsuit in which a USOC lawyer was asked if protecting athletes was a top priority for the federation.

“The USOC does not have athletes,” answered Gary Johansen — speaking to the reality that, except during the Olympics, athletes technically fall under the umbrella of their individual sports.

Lyons said that mindset will change.

“We do hold ourselves responsible, and if there’s a failing, it’s from not properly exercising our authority,” she said.

One of the best examples of the USOC using that authority has been the top-to-bottom housecleaning it demanded from USA Gymnastics.

Most news about the federation’s changes, however, has been delivered in long news releases. Wednesday marked the first time Perry has made public comments since her hiring in December. She left after the hearing without taking questions.

“I’m glad you’re here today, but a lot of people have wanted to hear from you since you took the job,” Dingell said.

But Dingell didn’t really like what she heard — “I don’t hear a sense of urgency,” she said — and she was not alone.

“As compared to how much money a district attorney’s office has, or how much money a Title IX office has at a school, it’s not in the same ballpark at all,” Nancy Hogshead-Makar, Olympic swimmer and outspoken critic of the USOC’s efforts, said of the SafeSport budget. “Shellie desperately needs more money.”

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MORE: Rhonda Faehn, women’s program head, ‘no longer with USA Gymnastics’

Marvel superheroes inspire Bradie Tennell and Starr Andrews

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Bradie Tennell and Starr Andrews have something in common beyond their obvious figure skating talents: both skaters look to Marvel superheroes for inspiration.

The 20-year-old Tennell, who opened her 2018-19 international season with a big win over two-time world champion Yevgenia Medvedeva of Russia at the Autumn International Classic in Oakville, Ontario, counts Iron Man and Spider-Man as her favorites.

Believe it or not, Iron Man – also known as Tony Stark – figures into Tennell’s free skate to “Romeo and Juliet.”

“After I land the triple salchow toward the end of my program, I go down on one knee and do what I call my Iron Man pose, because that’s what Iron Man (played by Robert Downey Jr.) does in the first Avengers movie,” she said.

Summoning superhuman strength worked. Tennell had a personal-best free skate in Oakville. But in other ways, she’s the opposite of her hero: Iron Man survives his adventures largely be wearing a special suit of armor, while Tennell is all about dropping her guard this season and being more expressive on the ice.

“I believe in myself a lot more,” she said. “I don’t think I’m as timid. I’m really working on not being as shy, just kind of letting my personality come through in everything.”

Andrews, 17, is inspired by the noble and determined Black Panther, depicted in the 2018 film by Chadwick Boseman.

“There is always a challenge and you always have to fight to get what you want,” she said.

“I wanted something different this year, I definitely wanted no lyrics, and an African theme,” she added. “When I watched Black Panther, I said, ‘Yeah, I want something like (the music in) this’ and Derrick (Delmore) pulled up some music.”

Delmore, who coaches Andrews in Los Angeles, wracked his brain to find the right material. Ultimately, he choreographed her free to a medley he calls “African Tribal Xotica.”

“The music is from five different things,” he said. “She saw the movie, loved it, and sent me some music from that movie she cut herself that I didn’t love. She was inspired to do something in that genre. I finally thought of music I used a few years back for another skater, and I played it for her, and as soon as it came on she said, ‘Oh, this is what I want.’”

What Andrews wants now is a triple axel. She attempted the three-and-a-half revolution jump in her free skate in Oakville, but it was downgraded (judged short of rotation) by the technical panel. Still, she placed a respectable seventh in a tough international field.

“I’m excited for the day I get it,” Andrews said. “I just have to keep working on it. One day I will land it and will be super-confident and happy.  It’s not new to me, I’ve been working on it for a while. That little extra effort, and then I’ll land it.”

Only two other senior U.S. ladies – Tonya Harding, back in the early 1990s, and Mirai Nagasu at the Pyeongchang Olympics in February – have landed the jump in international competition, but Andrews believes it is becoming almost commonplace.  While Tennell and Andrews were competing in Oakville, Japanese teenager Rika Kihira landed two triple axels, including one in combination with a triple toe, at Ondrej Nepela Trophy.

“There are so many more people doing it know. I feel like it’s not surprising for women to do it,” Andrews said. “They are doing it in junior and even in advanced novice, like Alysa Liu (at the Asian Open), which was amazing.”

Delmore supports his student’s ambition, with a few caveats.

“Right now, I want her to get used to doing the axel,” he said. “I want it to be a regular part of her competitive experience, so she knows how to keep going when it doesn’t go well, and hopefully when she gets it, she knows what it’s like to have that amazing moment and to keep going.”

MORE: 12-year-old is third U.S. woman to land triple Axel internationally

Yuzuru Hanyu wins Autumn Classic despite shaky performance

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Yuzuru Hanyu won his third Autumn Classic International crown in Oakville, Ontario on Saturday, but it was a bumpy ride.

The two-time Olympic champion’s debut of his “Origin” free skate, inspired by Yevgeni Plushenko’s famous “Tribute to Njinsky” program, had many fine elements: opening quadruple loop and toe loop jumps, plus two triple axels in the program’s second half; a pair of superb closing spins with fittingly baroque positions; and promising step and choreography sequences that preserved Plushenko’s flair, while adding a touch more refinement and control.

But a face-forward fall on a quad salchow, followed by a popped quad toe, meant Hanyu’s 165.91 points put him second in the free skate to his 16-year-old training partner, Junhwan Cha of South Korea. His total score, including Friday’s short program, was 263.65 points, just under four points higher than Cha’s second-place total.

At this point in the season, many other skaters – not including Plushenko – would have shrugged  off the imperfections in the challenging program and been happy to put a few miles on the choreography. But the 23-year-old Hanyu’s perfectionism runs year-round.

“My first competition of the season is always this level, unfortunately,” he said, as translated from Japanese. “I wanted to skate my short and free without any regrets here, and I was not able to do that.”

Hanyu likely remembers this event last season, when a mistake-riddled free skate put him second to longtime rival Javier Fernandez of Spain. This time around, the Japanese superstar, who trains at Toronto’s Cricket Skating and Curling Club under Brian Orser and Tracy Wilson, was especially disappointed that his jump glitches meant he could not attempt a quad-triple axel sequence, a combination that might have been worth some 20 points.

“I was not strong enough to skate this program yet,” he said. “I feel fine, I am not injured. Another program, maybe (last season’s) ‘Seimei,’ I might have been able to do well, but not this program. I am just not ready.”

Just as he did after Friday’s short program, where a botched spin cost him several points, Hanyu vowed to work harder.

“This is where I am right now, and I need to practice more,” he said.

Hanyu has plenty of time: his first Grand Prix event is in Finland on November 2.

The skating world may best remember this event as the week Cha came into his own. The Korean teen, who landed a quad salchow in his short on Friday, hit a quad toe to start his free to “Romeo and Juliet” – just the second time he has landed the jump in competition. While his quad salchow was judge under rotated, he went on to land two triple-triple combinations and two triple axels, all done with style and maturity beyond his years. The program earned 169.22 points to win the day.

“Last season, I didn’t skate so well. I had some hip and back (injuries) and boot problems,” Cha, who also said he had recently had a growth spurt, said. “Now I feel much stronger, and I have been working hard.”

Asked if he had a skating idol – perhaps his training partner, Hanyu – Cha demurred.

“I don’t have just one idol,” he said. “I like many different skaters, for different reasons. I will like one skater for his jumps; another skater for his spins.”

MORE: Tennell upsets Medvedeva at Autumn Classic

Canada’s Roman Sadovsky, fourth after the short program, stepped up to win the bronze medal with 233.86 points after landing two quads, a salchow and toe, in his free skate.

Jason Brown may be disappointed in his fourth-place finish here, but it cannot have come as a big surprise: the 2015 U.S. champion has said that since moving to Toronto this spring to train under Orser and Wilson, he has been re-learning his jump technique. He called the move “a four-year project.”

“I cannot speak more highly of Brian, Tracy, Lee (Barkell) and Karen (Preston), the whole team at Cricket Club,” Brown, 23, said. “They have been really been patient with me and worked with me methodically. … We’re starting from the ground up. Each day I’m learning something new, each day they are helping me work through something, whether that me a mental thing, physically getting a jump,  or the pacing of a program.”

The debut of Brown’s free to a medley of Simon & Garfunkel’s “Old Friends” and “Hazy Days of Winter” was bittersweet: his blades sung during spins, step sequences and transitions, but the jumps weren’t there. An opening quad salchow was doubled; a triple axel, popped into a single. He earned 144.33 points to place fifth in the free and fourth overall with 233.23.

Wilson, though, said they are just getting started.

“Let’s face it, he is a brilliant skater and he’s gotten close to the top of the world,” Wilson said of Brown, who was fourth in the world in 2015. “It’s a fine line trying to find room for improvement, and so that’s what we are trying to do. We are throwing a lot at him. We’re going to pull back a little.”

“What he brings, though, cannot be ignored,” she added. “My husband can be in the rink and know nothing about skating, and be mesmerized by what Jason does. He could teach clinics for every step sequence and position details. He is integral to what the sport needs.”

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