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Serena Williams makes Wimbledon final, 10 months after childbirth

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Serena Williams longs to tell her daughter how she bound her longtime label, champion, with her newer one, mother. She’s one match from making that happen, 10 months after childbirth.

Williams, a 23-time Grand Slam singles winner and seven times at Wimbledon, advanced to Saturday’s Wimbledon final against former No. 1 Angelique Kerber with a dominant 6-2, 6-4 win over German Julia Görges on Thursday.

“It’s crazy. I don’t even know how to feel, you know, because literally, didn’t expect to do this well in my fourth tournament back,” said Williams, who returned to tournament play in March after a 13-month absence. “When I don’t have anything to lose, I just can play so free, and that’s kind of what I’m doing.”

Williams had daughter Olympian on Sept. 1, followed by pulmonary embolism complications that left her bedridden for six weeks. She said her daily routine was surgery and that she lost count after the first four.

“Almost didn’t make it,” she said. “I couldn’t even walk to my mailbox, so it’s definitely not normal for me to be in a Wimbledon final.”

On Saturday, Williams can match Australian Margaret Court‘s record 24 Grand Slam singles titles and move one shy of Martina Navratilova‘s record nine Wimbledons.

Williams has coveted Court’s record since breaking Steffi Graf‘s Open Era mark with her last title at the 2017 Australian Open while eight weeks pregnant. But she insisted Friday that Court’s 24 has not crossed her mind as she’s dropped one set in six matches.

“I’ve probably forgot about it,” Williams said. “That’s a good thing because I put so much pressure on myself when I was trying to get to 18 [tying Martina Navratilova and Chris Evert] and the rest. It was so much. But as I said in the past couple years, I don’t want to limit myself, and I think that’s what I was doing in the past. … I want to get as many as I can.”

The other finalist knows what it’s like to beat Williams for a major title.

Kerber, the 2016 Australian Open and U.S. Open winner, beat 2017 French Open champion Jelena Ostapenko 6-3, 6-3 in Thursday’s early semifinal. Williams swept Kerber 7-5, 6-3 in their last meeting in the 2016 Wimbledon final and said she’s been watching the German play well the last two weeks.

“A lot of people, I don’t think in the beginning of the tournament have been looking at her,” Williams said of the 11th seed Kerber, who was the highest-ranked player left after the top 10 seeds were eliminated before the quarterfinals for the first time in Grand Slam history. “She’s playing so well, and she’s incredibly confident. So I have to be ready for the match of my life.”

Williams was given the 25th seed, up from her No. 181 ranking due to maternity leave, and would move into the top 20 with the title. But recall that Kerber upset Williams in the 2016 Australian Open final, one of two Williams losses in her 12 Grand Slam finals since the start of 2012.

“It is a completely new match,” said Kerber, who failed to make a Grand Slam quarterfinal in 2017, won zero tournaments, fell from No. 1 to 21 and changed coaches. “We both learned a lot. She’s coming back, and for me also, I’m coming back from 2017.”

Williams can become the second mother in the last 38 years to win a Grand Slam singles title. Belgian Kim Clijsters captured the 2009 U.S. Open, 18 months after childbirth, then added two more Grand Slam titles before retiring in 2012.

“Whatever happens, honestly, it’s an incredible effort from me and just good motivation to keep going for the rest of our career,” Williams said.

Williams, who turns 37 on Sept. 26, sounds like she plans on going for a while longer. And though her footwork has improved in these last four months, she can take motivation from Olympia’s swifter maturation.

“She’s trying to go faster than her body will allow her to go,” Williams said, smiling. “I was expecting a few more baby steps myself, but I still feel like I’m in that baby-step place. I’ve said it all week, this is only my fourth tournament back, but every time I go out there I want to take a giant step forward.”

Wimbledon continues Friday with the men’s semifinals: Rafael Nadal playing Novak Djokovic for a 52nd time, most between two men in the Open Era (Djokovic leads 26-25), and American John Isner against South African Kevin Anderson in a match of first-time Wimbledon semifinalists.

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Red Gerard parts with gold medal (briefly) as he returns to slopestyle

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Red Gerard‘s gold medal is damaged. His desire to compete remains in tact.

“The gold medal is, honestly, not doing too good,” Gerard said in a recent interview in New York City.

The 18-year-old snowboarder then unfurled the medal from his pocket and pointed to an adorning clip.

“It took a little beating,” he said. “It broke. We’re going to get it fixed.”

Like many Rio Olympic medalists, Gerard said he planned to send his medal off for repairs. It is a historic one.

Nine months ago, the sixth of seven kids from a Colorado snowboarding family became the first American to take gold in PyeongChang. He became the youngest Olympic snowboarding champion and the youngest individual male U.S. Winter Olympic champion. Eighteen family members made their own headlines, partying at the bottom of the slopestyle course.

Gerard was an underdog in South Korea, not just in stature (not quite 5 and a half feet), but by his previous results. He had not made a podium at the X Games or U.S. Open. His two top-level wins came in California and Utah events without the top Canadians and Norwegians in the field.

Really, it was reminiscent of friend Sage Kotsenburg, whose second slopestyle win in nine years came at the event’s Olympic debut in Sochi. Kotsenburg entered seven contests in his follow-up season, according to World Snowboarding, then faded out of competition to focus on making snowboard films, ultimately announcing retirement at age 23 in 2017.

While Gerard also enjoys filming, he plans to carve a different path.

“I love doing contests,” he said, “and I love the exhilaration that you get from them.”

Gerard already competed in New Zealand in September, placing 21st in a big air event. His season begins in earnest in December with the Dew Tour in Breckenridge, Colo., then the X Games in January, world championships in Park City in February, plus the U.S. Open in Vail.

Maybe one of those days will be like the Olympics. Gerard credited his PyeongChang success to the course suiting him. He chose off-path features on the rail and jump sections that others ignored, not winning solely on the back of big tricks.

“Every contest, there’s a different person that wins, for the most part,” he said. “I’m super psyched that it just so happened for me, it was the Olympics.”

Minutes after winning in PyeongChang, Gerard said he didn’t know about 2022. He only knew that he wanted to do snowboard filming.

“I 100 percent want to go into 2022,” he said last month. “Definitely that’s on my list. But also filming is one step ahead for me right now. Filming is always something I’ve had a passion for. That’s my goal for next year, then after that I’ll go back to contests and focus more on that.”

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Ashley Wagner on competitive future, role as coach, and upcoming shows

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When Ashley Wagner finished the 2018 season, she made a promise to herself that she would live a little bit more of life. She moved across the country, from Los Angeles to Boston, and while she’s still on the ice every day skating and participating in a slate of upcoming shows, she’s now added to her resume as a coach.

We caught up with the three-time national champion and World silver medalist. (Questions and answers lightly edited for clarity.)

How did you get involved in the Scott Hamilton CARES Foundation show, Scott Hamilton & Friends

I have actually performed in Scott’s show a couple of times but it’s always during the Grand Prix season, so I haven’t been able to skate in it for the past few years because I needed to focus on my training. It was one of those things where I feel like he heard that I was taking the Grand Prix season off and he reached out to me and asked if I wanted to take part. It was such an easy yes. It’s a really great show. He does a fantastic job at putting together the golden era of figure skating shows. This is how figure skating shows are meant to be. You always know that you’re going to be skating in something that is quality.

The last time I spoke to Scott, he said that even though he says this every year, this show is gonna be the best ever.

I mean, yeah, ‘cause I’m skating in it! [laughing] No, it’s gonna be great. I’m really excited. He passed along my music to me and he sent me an email. He’s like, I heard this song and I thought it was just made for you right away. It’s nice to know that he goes through all of the music selections and really caters it to his show. I think that’s a detail that makes this show so much different than anything else. The music is selected for each athlete so you know that’s it’s a cohesive show. It should be great. We have a couple Olympic medalists. This is the best show you’re gonna see, no joke.

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Working on something new today!🎵🎶

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What’s different about skating to live music compared to a track?

Live music is a lot harder to skate to because you can have an artist up on the stage and maybe they’re feeling a note and you’re in a spiral. All of a sudden you’re like, okay you need to end this note! You’re singing it a lot longer than I’m used to! There are a lot more variables.

It’s like watching skating live versus watching it on TV. When you’re in the arena and the skater is in front of you, you can feel the emotion and the energy that they’re putting out in a performance. I think that skating to live music, you get that same kind of sense. You really get to experience all of the heart that a performer is putting into their music. And that combined with live skating I think it just makes for such a magical recipe. You just really get to experience skating, and experience the music.

How’s life in Boston?

I love it here! This was the best decision that I could’ve made. I’m so happy here. I promised myself after 2018 that I was going to give myself the opportunity to live a little bit of life. I’m still on the ice and skating every single day. But this city just has so much to offer and I feel like I’m really getting to experience a lot more than I was able to in LA. I’m so happy here.

Have you caught yourself adopting any of your coach Rafael Arutunian’s mannerisms when you’re coaching?

Raf is such a loud coach, and he gets away with it because he’s a big Russian man. But as soon as I raise my voice I look ridiculous. It’s been a balance, because it’s a different level of skating here than I’m used to. I’m used to professional, high-level skating and coming here it’s a bunch of kids who are on their way up. Which is really exciting, but it’s definitely been an adjustment for me just to kind of reel back a little bit and not turn into Rafael.

It’s a different phase in their careers.

Exactly. They’re not quite at the level where I can just scream at them to skate a long program. Because they’re 12 years old and I can’t scream at kids.

And they have parents.

And parents! I have to deal with parents. That’s the scariest part of figure skating. I haven’t had to deal with parents since I was 18. That’s been a big change for me.

You did some commentary work for NHK Trophy in Japan. How was that?

It was so much fun and also terrifying. The first event that I covered was the pairs’ short program, so it was definitely a sink or swim moment. I think pairs skating is like the moon. I don’t understand it. It’s so different from anything that I do in my skating life. It was terrifying. I spent the first warm up in a blackout. And then finally was like, ‘okay, I can do this!’ I’m really glad that I got to see what it’s like on the other side. It’s way harder than it sounds.

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Adulting with Andrea

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Did you have a lot of homework?

I did. It was tough because I didn’t really know what I was walking into. I was working with Andrea Joyce so it was like how communication was gonna go, what her role was going to be, what I was responsible for. Once I experienced that I knew how to prepare myself a lot more.

You already mentioned you’re taking the Grand Prix season off. Can you say anything else about your competitive future?

Right now, to be completely honest, I’m not entirely sure what I want to do. Watching the ladies’ event [at NHK Trophy] in Japan, it was one of those situations where definitely maybe take a step back and think, okay, in order to even be competitive on the scene right now, you need to be throwing out technically perfect programs with two triple-triples, and if you’re not even thinking about a triple Axel, then maybe you should step aside.

It’s one of those things where sometimes it’s best to just take a step back and let skating progress the way it’s going to. I watched Carolina Kostner and what she was able to do toward the later part of her career and I really admire that. I think that there’s something to be said about coming out and putting out quality and still being able to perform that doesn’t entirely write off someone who’s not trying the technically most difficult program. But it’s a lot of work. It’s one of those things where I have to start considering whether or not it’s worth it.

As a reminder, you can watch the ISU Grand Prix Series live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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