Simone Biles routing field, edging note card at U.S. Gymnastics Championships

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BOSTON — Simone Biles leads the field by a whopping 3.1 points halfway through the U.S. Gymnastics Championships. She beat the number at the bottom of the note card in her locker at the World Champions Centre in Texas by a much smaller margin.

No matter the perspective, Biles was more dominant on Friday night than during most of the Rio Olympic cycle. In just her second meet in two years. Nine months after returning to training after a 14-month break.

Biles tallied the highest score on every apparatus in the field and the world’s highest all-around score since Rio — 60.1 points. The second-highest score since Rio? Biles’ 58.7 from her comeback meet at the U.S. Classic three weeks ago.

“At Classics, I was still easing back into everything and kind of feeling the surroundings and getting used to competing again,” Biles, 21, said on the fifth anniversary of her first U.S. all-around title. “I feel like today I really embraced it.”

NATIONALS: Scores | TV/Stream Schedule

In the last Olympic cycle, Biles averaged a 1.94-point lead after the first day of nationals.

She rolls into the final day of competition Sunday, looking to become the first woman to win five U.S. all-around titles and the first non-teen to win since 1971. And send another message ahead of October’s world championships.

Morgan Hurd, who won the 2017 World all-around title in Biles’ absence, is in a distant second after four clean routines. The margin between Biles and Hurd is greater than the margin between Hurd and the eighth-place gymnast.

Asked to put her 60-pointer in perspective, Biles brought up the note card.

“I think it says 60 at the bottom,” said Biles, who hit 62.366 in Rio under a different scoring system.

Biles hit 60 points in a practice meet at her gym right before she left for the U.S. Classic. Her new coaches, Cecile and Laurent Landi, encouraged Biles to keep the visual reminder placed in her locker leading up to nationals.

“I wanted to show her that she could reach that score,” Laurent Landi said. “It’s not a big deal. If she does normal, she can be there.”

But nobody else can. Biles had 25.4 total points in difficulty on Friday. The next-highest gymnast (Hurd) had 22.7.

Biles essentially began the meet with a 2.7-point head start. She then was judged to have better overall execution than everybody else, even though she had the disadvantage of performing harder routines.

“She’s just mentally there,” said Riley McCusker, who led Biles going into the last rotation at the U.S. Classic and is in third place here. “She can take that time off and [be] physically there, too.”

BILES ROUTINES: Balance Beam | Floor Exercise | Uneven Bars | Vault 1 | Vault 2

Biles’ flaw in her comeback meet three weeks ago was the uneven bars. She fell trying a more difficult routine than in Rio.

On Friday, Biles nailed her bars set, receiving applause from Laurent Landi, who coached Madison Kocian to a bars silver in Rio.

Biles has never won a national title on bars. At the Olympics, she had the highest scores in the all-around on beam, floor and vault and the seventh-highest score on bars.

“She needs to go through more mental belief that she [belongs] at this level on the bars,” said Laurent Landi, a 40-year-old former French gymnast.

Landi insisted Biles was not at her best Friday. He noted her two overcooked tumbling passes on floor that cost her six tenths for going out of bounds. Imperfect landings on other events. He dismissed Biles’ lead and said he already has plans for upgraded routines before worlds, next year and possibly in the Olympic year.

“Sometimes when it’s difficult in the gym, we, my wife and I, try just to remind her who she’s trying to beat,” he said. “It’s herself.”

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GYM NATIONALS: TV/Stream Schedule | Where Are The Final Five?

Red Gerard parts with gold medal (briefly) as he returns to slopestyle

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Red Gerard‘s gold medal is damaged. His desire to compete remains in tact.

“The gold medal is, honestly, not doing too good,” Gerard said in a recent interview in New York City.

The 18-year-old snowboarder then unfurled the medal from his pocket and pointed to an adorning clip.

“It took a little beating,” he said. “It broke. We’re going to get it fixed.”

Like many Rio Olympic medalists, Gerard said he planned to send his medal off for repairs. It is a historic one.

Nine months ago, the sixth of seven kids from a Colorado snowboarding family became the first American to take gold in PyeongChang. He became the youngest Olympic snowboarding champion and the youngest individual male U.S. Winter Olympic champion. Eighteen family members made their own headlines, partying at the bottom of the slopestyle course.

Gerard was an underdog in South Korea, not just in stature (not quite 5 and a half feet), but by his previous results. He had not made a podium at the X Games or U.S. Open. His two top-level wins came in California and Utah events without the top Canadians and Norwegians in the field.

Really, it was reminiscent of friend Sage Kotsenburg, whose second slopestyle win in nine years came at the event’s Olympic debut in Sochi. Kotsenburg entered seven contests in his follow-up season, according to World Snowboarding, then faded out of competition to focus on making snowboard films, ultimately announcing retirement at age 23 in 2017.

While Gerard also enjoys filming, he plans to carve a different path.

“I love doing contests,” he said, “and I love the exhilaration that you get from them.”

Gerard already competed in New Zealand in September, placing 21st in a big air event. His season begins in earnest in December with the Dew Tour in Breckenridge, Colo., then the X Games in January, world championships in Park City in February, plus the U.S. Open in Vail.

Maybe one of those days will be like the Olympics. Gerard credited his PyeongChang success to the course suiting him. He chose off-path features on the rail and jump sections that others ignored, not winning solely on the back of big tricks.

“Every contest, there’s a different person that wins, for the most part,” he said. “I’m super psyched that it just so happened for me, it was the Olympics.”

Minutes after winning in PyeongChang, Gerard said he didn’t know about 2022. He only knew that he wanted to do snowboard filming.

“I 100 percent want to go into 2022,” he said last month. “Definitely that’s on my list. But also filming is one step ahead for me right now. Filming is always something I’ve had a passion for. That’s my goal for next year, then after that I’ll go back to contests and focus more on that.”

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Ashley Wagner on competitive future, role as coach, and upcoming shows

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When Ashley Wagner finished the 2018 season, she made a promise to herself that she would live a little bit more of life. She moved across the country, from Los Angeles to Boston, and while she’s still on the ice every day skating and participating in a slate of upcoming shows, she’s now added to her resume as a coach.

We caught up with the three-time national champion and World silver medalist. (Questions and answers lightly edited for clarity.)

How did you get involved in the Scott Hamilton CARES Foundation show, Scott Hamilton & Friends

I have actually performed in Scott’s show a couple of times but it’s always during the Grand Prix season, so I haven’t been able to skate in it for the past few years because I needed to focus on my training. It was one of those things where I feel like he heard that I was taking the Grand Prix season off and he reached out to me and asked if I wanted to take part. It was such an easy yes. It’s a really great show. He does a fantastic job at putting together the golden era of figure skating shows. This is how figure skating shows are meant to be. You always know that you’re going to be skating in something that is quality.

The last time I spoke to Scott, he said that even though he says this every year, this show is gonna be the best ever.

I mean, yeah, ‘cause I’m skating in it! [laughing] No, it’s gonna be great. I’m really excited. He passed along my music to me and he sent me an email. He’s like, I heard this song and I thought it was just made for you right away. It’s nice to know that he goes through all of the music selections and really caters it to his show. I think that’s a detail that makes this show so much different than anything else. The music is selected for each athlete so you know that’s it’s a cohesive show. It should be great. We have a couple Olympic medalists. This is the best show you’re gonna see, no joke.

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Working on something new today!🎵🎶

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What’s different about skating to live music compared to a track?

Live music is a lot harder to skate to because you can have an artist up on the stage and maybe they’re feeling a note and you’re in a spiral. All of a sudden you’re like, okay you need to end this note! You’re singing it a lot longer than I’m used to! There are a lot more variables.

It’s like watching skating live versus watching it on TV. When you’re in the arena and the skater is in front of you, you can feel the emotion and the energy that they’re putting out in a performance. I think that skating to live music, you get that same kind of sense. You really get to experience all of the heart that a performer is putting into their music. And that combined with live skating I think it just makes for such a magical recipe. You just really get to experience skating, and experience the music.

How’s life in Boston?

I love it here! This was the best decision that I could’ve made. I’m so happy here. I promised myself after 2018 that I was going to give myself the opportunity to live a little bit of life. I’m still on the ice and skating every single day. But this city just has so much to offer and I feel like I’m really getting to experience a lot more than I was able to in LA. I’m so happy here.

Have you caught yourself adopting any of your coach Rafael Arutunian’s mannerisms when you’re coaching?

Raf is such a loud coach, and he gets away with it because he’s a big Russian man. But as soon as I raise my voice I look ridiculous. It’s been a balance, because it’s a different level of skating here than I’m used to. I’m used to professional, high-level skating and coming here it’s a bunch of kids who are on their way up. Which is really exciting, but it’s definitely been an adjustment for me just to kind of reel back a little bit and not turn into Rafael.

It’s a different phase in their careers.

Exactly. They’re not quite at the level where I can just scream at them to skate a long program. Because they’re 12 years old and I can’t scream at kids.

And they have parents.

And parents! I have to deal with parents. That’s the scariest part of figure skating. I haven’t had to deal with parents since I was 18. That’s been a big change for me.

You did some commentary work for NHK Trophy in Japan. How was that?

It was so much fun and also terrifying. The first event that I covered was the pairs’ short program, so it was definitely a sink or swim moment. I think pairs skating is like the moon. I don’t understand it. It’s so different from anything that I do in my skating life. It was terrifying. I spent the first warm up in a blackout. And then finally was like, ‘okay, I can do this!’ I’m really glad that I got to see what it’s like on the other side. It’s way harder than it sounds.

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Adulting with Andrea

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Did you have a lot of homework?

I did. It was tough because I didn’t really know what I was walking into. I was working with Andrea Joyce so it was like how communication was gonna go, what her role was going to be, what I was responsible for. Once I experienced that I knew how to prepare myself a lot more.

You already mentioned you’re taking the Grand Prix season off. Can you say anything else about your competitive future?

Right now, to be completely honest, I’m not entirely sure what I want to do. Watching the ladies’ event [at NHK Trophy] in Japan, it was one of those situations where definitely maybe take a step back and think, okay, in order to even be competitive on the scene right now, you need to be throwing out technically perfect programs with two triple-triples, and if you’re not even thinking about a triple Axel, then maybe you should step aside.

It’s one of those things where sometimes it’s best to just take a step back and let skating progress the way it’s going to. I watched Carolina Kostner and what she was able to do toward the later part of her career and I really admire that. I think that there’s something to be said about coming out and putting out quality and still being able to perform that doesn’t entirely write off someone who’s not trying the technically most difficult program. But it’s a lot of work. It’s one of those things where I have to start considering whether or not it’s worth it.

As a reminder, you can watch the ISU Grand Prix Series live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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