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Novak Djokovic wins after strange sweat scene; U.S. Open semis set

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NEW YORK — Novak Djokovic, in his previous 10 straight runs to U.S. Open semifinals, had never heard an opponent utter what John Millman said midway through their quarterfinal Wednesday night.

“I don’t know what to do now, I can’t stop sweating,” Millman told Djokovic at the net between games, the Serbian leading 6-3, 2-2 on another muggy night at Arthur Ashe Stadium. “I don’t want to change now, but … ”

Djokovic interrupted the plea.

“I get you, and I’m soaked, too, go ahead,” he said. “I’m fine to have a little rest.”

And so Millman left the court in the middle of his first Grand Slam quarterfinal — at the advanced age of 29 — to put on new clothes and shoes. The request was even more unusual because Millman didn’t wait until after the set, or even after one more game to do it during a changeover.

So strange that the U.S. Tennis Association deemed necessary to explain the allowance in a press release before Djokovic finished the 6-3, 6-4, 6-4 win just before midnight.

“The chair determined that the surface was dangerous enough to invoke the ‘Equipment Out of Adjustment’ provision in the ITF Duties and Procedures for Officials and allowed Millman to go off court to change clothes/shoes,” the release stated. “Both players agreed that he should do so. Because the chair umpire deemed the situation within the ‘Equipment Out of Adjustment’ provision, Millman was not charged with an official change of attire or bathroom break.”

Djokovic sat as Millman changed, shirt off, arms bent behind his head, towel wrapping his waist, grinning as if enjoying Coney Island beach.

“You don’t stop sweating, though,” the Australian said of the six-minute break. “You go to this little holding room just off the court, and there’s a tiny, probably, like, three-by-three room, even less, and you’re just dripping. The sweating doesn’t stop.”

U.S. Open Semifinals
(17) Serena Williams vs. (19) Anastasija Sevastova: Thursday, 7 p.m. ET
(14) Madison Keys vs. (20) Naomi Osaka: Thursday, after Williams-Sevastova

(1) Rafael Nadal vs. (3) Juan Martin del Potro: Friday
(6) Novak Djokovic vs. (21) Kei Nishikori: Friday

Temperatures were mild compared to earlier in the tournament — 70s — but the humidity was as punishing as the two veterans’ groundstrokes.

The USTA has made near daily announcements of extreme-heat provisions the last 10 days, including allowing players to leave the court after three sets for 10-minute breaks (after two sets for women’s matches).

“I’m not normally like the biggest sweater. But I don’t know. I was really sweating,” Millman said. “I’d play in a swimming pool if I got to play a quarterfinal, you know, every week at a Grand Slam.”

Djokovic, known for being perhaps the fittest player on tour, said he’s bringing at least 10 shirts for every match here. The conditions are so brutal, he noted, that he saw unflappable Roger Federer sweat like never before in his fourth-round loss to Millman in the same night-time setting at Ashe.

“I personally have never sweat as much as I have here,” Djokovic said after advancing to play Japan’s Kei Nishikori in his 11th straight U.S. Open semifinal. “It feels like sauna.

“I asked the chair umpire whether they are using some form of ventilation or air conditioning down at the court-level side, and then he says that he’s not aware of it, that, you know, only what comes through the hallway type of thing. I think that this tournament needs to address this. I mean, because whether it’s night or day, we just don’t have air down there.”

Djokovic, has made the U.S. Open semis every year since 2007 (with two titles among his 13 total Grand Slam trophies), excluding last year when he missed the event with an elbow injury.

Earlier Wednesday, Nishikori ousted No. 7 Marin Cilic 2-6, 6-4, 7-6 (5), 4-6, 6-4 in a rematch of the 2014 U.S. Open final won by Cilic. That marked Nishikori’s deepest Grand Slam run.

Djokovic is enjoying a resurgent summer, taking his fourth Wimbledon title to end a two-year Grand Slam title drought.

He then won the Cincinnati Masters leading into the U.S. Open, entering as a co-favorite with top-ranked Rafael Nadal despite being ranked sixth. Nadal gets No. 3 Juan Martin del Potro in the other semifinal.

Also Wednesday, Japan’s Naomi Osaka and American Madison Keys each won in straight sets to set up the second women’s semifinal.

The Osaka-Keys winner gets either Serena Williams, eyeing her record-tying 24th Grand Slam singles title, or Latvian Anastasija Sevastova (a first-time Grand Slam semifinalist) in Saturday’s final.

Osaka is the only woman left in the draw who has beaten Williams.

Wednesday was historic for Japan, which put a man and woman into the semifinals of the same Grand Slam for the first time.

Nishikori and Osaka are among the 2020 Olympic host nation’s most popular active athletes, a list topped by Shohei Ohtani followed by more baseball players.

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U.S. OPEN: Scores | Men’s Draw | Women’s Draw

Red Gerard parts with gold medal (briefly) as he returns to slopestyle

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Red Gerard‘s gold medal is damaged. His desire to compete remains in tact.

“The gold medal is, honestly, not doing too good,” Gerard said in a recent interview in New York City.

The 18-year-old snowboarder then unfurled the medal from his pocket and pointed to an adorning clip.

“It took a little beating,” he said. “It broke. We’re going to get it fixed.”

Like many Rio Olympic medalists, Gerard said he planned to send his medal off for repairs. It is a historic one.

Nine months ago, the sixth of seven kids from a Colorado snowboarding family became the first American to take gold in PyeongChang. He became the youngest Olympic snowboarding champion and the youngest individual male U.S. Winter Olympic champion. Eighteen family members made their own headlines, partying at the bottom of the slopestyle course.

Gerard was an underdog in South Korea, not just in stature (not quite 5 and a half feet), but by his previous results. He had not made a podium at the X Games or U.S. Open. His two top-level wins came in California and Utah events without the top Canadians and Norwegians in the field.

Really, it was reminiscent of friend Sage Kotsenburg, whose second slopestyle win in nine years came at the event’s Olympic debut in Sochi. Kotsenburg entered seven contests in his follow-up season, according to World Snowboarding, then faded out of competition to focus on making snowboard films, ultimately announcing retirement at age 23 in 2017.

While Gerard also enjoys filming, he plans to carve a different path.

“I love doing contests,” he said, “and I love the exhilaration that you get from them.”

Gerard already competed in New Zealand in September, placing 21st in a big air event. His season begins in earnest in December with the Dew Tour in Breckenridge, Colo., then the X Games in January, world championships in Park City in February, plus the U.S. Open in Vail.

Maybe one of those days will be like the Olympics. Gerard credited his PyeongChang success to the course suiting him. He chose off-path features on the rail and jump sections that others ignored, not winning solely on the back of big tricks.

“Every contest, there’s a different person that wins, for the most part,” he said. “I’m super psyched that it just so happened for me, it was the Olympics.”

Minutes after winning in PyeongChang, Gerard said he didn’t know about 2022. He only knew that he wanted to do snowboard filming.

“I 100 percent want to go into 2022,” he said last month. “Definitely that’s on my list. But also filming is one step ahead for me right now. Filming is always something I’ve had a passion for. That’s my goal for next year, then after that I’ll go back to contests and focus more on that.”

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Ashley Wagner on competitive future, role as coach, and upcoming shows

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When Ashley Wagner finished the 2018 season, she made a promise to herself that she would live a little bit more of life. She moved across the country, from Los Angeles to Boston, and while she’s still on the ice every day skating and participating in a slate of upcoming shows, she’s now added to her resume as a coach.

We caught up with the three-time national champion and World silver medalist. (Questions and answers lightly edited for clarity.)

How did you get involved in the Scott Hamilton CARES Foundation show, Scott Hamilton & Friends

I have actually performed in Scott’s show a couple of times but it’s always during the Grand Prix season, so I haven’t been able to skate in it for the past few years because I needed to focus on my training. It was one of those things where I feel like he heard that I was taking the Grand Prix season off and he reached out to me and asked if I wanted to take part. It was such an easy yes. It’s a really great show. He does a fantastic job at putting together the golden era of figure skating shows. This is how figure skating shows are meant to be. You always know that you’re going to be skating in something that is quality.

The last time I spoke to Scott, he said that even though he says this every year, this show is gonna be the best ever.

I mean, yeah, ‘cause I’m skating in it! [laughing] No, it’s gonna be great. I’m really excited. He passed along my music to me and he sent me an email. He’s like, I heard this song and I thought it was just made for you right away. It’s nice to know that he goes through all of the music selections and really caters it to his show. I think that’s a detail that makes this show so much different than anything else. The music is selected for each athlete so you know that’s it’s a cohesive show. It should be great. We have a couple Olympic medalists. This is the best show you’re gonna see, no joke.

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Working on something new today!🎵🎶

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What’s different about skating to live music compared to a track?

Live music is a lot harder to skate to because you can have an artist up on the stage and maybe they’re feeling a note and you’re in a spiral. All of a sudden you’re like, okay you need to end this note! You’re singing it a lot longer than I’m used to! There are a lot more variables.

It’s like watching skating live versus watching it on TV. When you’re in the arena and the skater is in front of you, you can feel the emotion and the energy that they’re putting out in a performance. I think that skating to live music, you get that same kind of sense. You really get to experience all of the heart that a performer is putting into their music. And that combined with live skating I think it just makes for such a magical recipe. You just really get to experience skating, and experience the music.

How’s life in Boston?

I love it here! This was the best decision that I could’ve made. I’m so happy here. I promised myself after 2018 that I was going to give myself the opportunity to live a little bit of life. I’m still on the ice and skating every single day. But this city just has so much to offer and I feel like I’m really getting to experience a lot more than I was able to in LA. I’m so happy here.

Have you caught yourself adopting any of your coach Rafael Arutunian’s mannerisms when you’re coaching?

Raf is such a loud coach, and he gets away with it because he’s a big Russian man. But as soon as I raise my voice I look ridiculous. It’s been a balance, because it’s a different level of skating here than I’m used to. I’m used to professional, high-level skating and coming here it’s a bunch of kids who are on their way up. Which is really exciting, but it’s definitely been an adjustment for me just to kind of reel back a little bit and not turn into Rafael.

It’s a different phase in their careers.

Exactly. They’re not quite at the level where I can just scream at them to skate a long program. Because they’re 12 years old and I can’t scream at kids.

And they have parents.

And parents! I have to deal with parents. That’s the scariest part of figure skating. I haven’t had to deal with parents since I was 18. That’s been a big change for me.

You did some commentary work for NHK Trophy in Japan. How was that?

It was so much fun and also terrifying. The first event that I covered was the pairs’ short program, so it was definitely a sink or swim moment. I think pairs skating is like the moon. I don’t understand it. It’s so different from anything that I do in my skating life. It was terrifying. I spent the first warm up in a blackout. And then finally was like, ‘okay, I can do this!’ I’m really glad that I got to see what it’s like on the other side. It’s way harder than it sounds.

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Adulting with Andrea

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Did you have a lot of homework?

I did. It was tough because I didn’t really know what I was walking into. I was working with Andrea Joyce so it was like how communication was gonna go, what her role was going to be, what I was responsible for. Once I experienced that I knew how to prepare myself a lot more.

You already mentioned you’re taking the Grand Prix season off. Can you say anything else about your competitive future?

Right now, to be completely honest, I’m not entirely sure what I want to do. Watching the ladies’ event [at NHK Trophy] in Japan, it was one of those situations where definitely maybe take a step back and think, okay, in order to even be competitive on the scene right now, you need to be throwing out technically perfect programs with two triple-triples, and if you’re not even thinking about a triple Axel, then maybe you should step aside.

It’s one of those things where sometimes it’s best to just take a step back and let skating progress the way it’s going to. I watched Carolina Kostner and what she was able to do toward the later part of her career and I really admire that. I think that there’s something to be said about coming out and putting out quality and still being able to perform that doesn’t entirely write off someone who’s not trying the technically most difficult program. But it’s a lot of work. It’s one of those things where I have to start considering whether or not it’s worth it.

As a reminder, you can watch the ISU Grand Prix Series live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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