Kaitlyn Weaver, Andrew Poje debut free dance tribute to Denis Ten

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Sometimes, you have to follow your heart, even if it makes you sad.

That’s what Kaitlyn Weaver and Andrew Poje thought when they chose to perform their free dance to “SOS, d’un terrien en detresse” this season. The tender Kazakh ballad was used by their friend, Denis Ten, who trained alongside them in Hackensack, New Jersey for a time. Ten died on July 19 in his home city of Almaty, Kazakhstan, after being stabbed by robbers attempting to vandalize his car.

“He was our dear friend. We found this music when we went to Kazakhstan and (saw) him skate to it this summer,” Weaver said. “We couldn’t get it out of our heads.  We came home and built a program around a different version (by Los Angeles: The Voices).”

The debut of the sensitive, yearning program earned Weaver and Poje 120.74 points and the title here in Oakville.  Canada’s world bronze medalists gained six Level  4 elements, the most valuable in figure skating’s scoring system, and judges also awarded high scores for interpretation and performance.

“When the tragedy struck, we knew our mission in this program was to do it for Denis,” Weaver said. “It’s about a person who is in distress and has a guardian there to care for him, and in the end,  they both understand it’s (the guardian’s) time to go. It’s the tragic sweetness and acceptance of it we’re trying to feel and portray.”

Doesn’t repeatedly training a program with such tragic connections get draining?

“That was the hardest thing,” Poje said. “But all of the memories we have of Denis bring us such joy. We had great laughs, especially the year we trained together. It made us feel at peace with going out there. We know how much he has touched people around the world.”

“This is our medium, our form of expression,” Weaver said. “We felt we needed to use it to pay tribute. We are able to channel our feelings into art, and that’s our way to deal with the tragedy.”

The free dance was choreographed by Pasquale Camerlengo, who coached Weaver and Poje for several years at the Detroit Skating Club. Although Nikolai Morozov, who works in Hackensack, remains the couple’s primary coach, they also work with Camerlengo and Igor Shpilband in Novi, Michigan.

Morozov thinks this arrangement of high-powered ice dance honchos is a trio made in heaven.

“They love to work with Pasquale, and Igor is very excited to work with them,” he said. “We are just happy because to us, it is most important that they are getting better. I don’t think we have egos any more. We are just happy to work with great skaters. It’s been very easy.”

Autumn Classic was Weaver and Poje’s first and only fall competition this season. They next compete at the 2019 Canadian Figure Skating Championships. Tomorrow, they join rehearsals for the upcoming “Thank You Canada Tour” across the nation, along with Tessa Virtue and Scott Moir; Patrick Chan; Meagan Duhamel and Eric Radford; Kaetlyn Osmond; and other figure skating stars. The couple will alternate performing their competitive rhythm dance, a romantic tango, with their free dance.

“Whatever the feeling is in the morning, short or free, is what we’ll do,” Poje said.

“We will definitely get both programs out there in front of the audiences,” Weaver added.

Two teams training at Gadbois Center in Montreal, Quebec under Marie-France Dubreuil and Patrice LauzonAdrian Diaz and Olivia Smart of Spain, and Shiyue Wang and Xinyu Liu of China – placed second and third, respectively.

MORE: Tennell upsets Medvedeva at Autumn Classic

Football takes significant step in Olympic push

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Football took another step toward possible Olympic inclusion with the IOC executive board proposing that the sport’s international federation — the IFAF — be granted full IOC recognition at a meeting in October.

IOC recognition does not equate to eventual Olympic inclusion, but it is a necessary early marker if a sport is to join the Olympics down the line. The IOC gave the IFAF provisional recognition in 2013.

Specific measures are required for IOC recognition, including having an anti-doping policy compliant with the World Anti-Doping Agency and having 50 affiliated national federations from at least three continents. The IFAF has 74 national federations over five continents with almost 4.8 million registered athletes, according to the IOC.

The NFL has helped lead the push for flag football to be added for the 2028 Los Angeles Games. Flag football had medal events for men and women at last year’s World Games, a multi-sport competition including Olympic and non-Olympic sports, in Birmingham, Alabama.

Football is one of nine sports that have been reported to be in the running to be proposed by LA 2028 to the IOC to be added for the 2028 Games only. LA 2028 has not announced which, if any sports, it plans to propose.

Under rules instituted before the Tokyo Games, Olympic hosts have successfully proposed to the IOC adding sports solely for their edition of the Games.

For Tokyo, baseball-softball, karate, skateboarding, sport climbing and surfing were added. For Paris, skateboarding, sport climbing and surfing were approved again, and breaking will make its Olympic debut. Those sports were added four years out from the Games.

For 2028, the other sports reportedly in the running for proposal are baseball and softball, breaking, cricket, karate, kickboxing, lacrosse, motorsports and squash.

All of the other eight sports reportedly in the running for 2028 proposal already have a federation with full IOC recognition (if one counts the international motorcycle racing federation for motorsports).

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Helen Maroulis stars in wrestling documentary, with help from Chris Pratt

Helen Maroulis, Chris Pratt
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One of the remarkable recent Olympic comeback stories is the subject of a film that will be shown nationwide in theaters for one day only on Thursday.

“Helen | Believe” is a documentary about Helen Maroulis, the first U.S. Olympic women’s wrestling champion. It is produced by Religion of Sports, the venture founded by Gotham Chopra, Michael Strahan and Tom Brady. Showing details are here.

After taking gold at the 2016 Rio Games, Maroulis briefly retired in 2019 during a two-year stretch in which she dealt with concussions and post-traumatic stress disorder. The film focuses on that period and her successful bid to return and qualify for the Tokyo Games, where she took bronze.

In a poignant moment in the film, Maroulis described her “rock bottom” — being hospitalized for suicidal ideations.

In an interview, Maroulis said she was first approached about the project in 2018, the same year she had her first life-changing concussion that January. A wrestling partner’s mother was connected to director Dylan Mulick.

Maroulis agreed to the film in part to help spread mental health awareness in sports. Later, she cried while watching the 2020 HBO film, “The Weight of Gold,” on the mental health challenges that other Olympians faced, because it resonated with her so much.

“When you’re going through something, it sometimes gives you an anchor of hope to know that someone’s been through it before, and they’ve overcome it,” she said.

Maroulis’ comeback story hit a crossroads at the Olympic trials in April 2021, where the winner of a best-of-three finals series in each weight class made Team USA.

Maroulis won the opening match against Jenna Burkert, but then lost the second match. Statistically, a wrestler who loses the second match in a best-of-three series usually loses the third. But Maroulis pinned Burkert just 22 seconds into the rubber match to clinch the Olympic spot.

Shen then revealed that she tore an MCL two weeks earlier.

“They told me I would have to be in a brace for six weeks,” she said then. “I said, ‘I don’t have that. I have two and a half.’”

Maroulis said she later asked the director what would have happened if she didn’t make the team for Tokyo. She was told the film still have been done.

“He had mentioned this isn’t about a sports story or sports comeback story,” Maroulis said. “This is about a human story. And we’re using wrestling as the vehicle to tell this story of overcoming and healing and rediscovering oneself.”

Maroulis said she was told that, during filming, the project was pitched to the production company of actor Chris Pratt, who wrestled in high school in Washington. Pratt signed on as a producer.

“Wrestling has made an impact on his life, and so he wants to support these kinds of stories,” said Maroulis, who appeared at last month’s Santa Barbara Film Festival with Pratt.

Pratt said he knew about Maroulis before learning about the film, which he said “needed a little help to get it over the finish line,” according to a public relations company promoting the film.

The film also highlights the rest of the six-woman U.S. Olympic wrestling team in Tokyo. Four of the six won a medal, including Tamyra Mensah-Stock‘s gold.

“I was excited to be part of, not just (Maroulis’) incredible story, but also helping to further advance wrestling and, in particular, female wrestling,” Pratt said, according to responses provided by the PR company from submitted questions. “To me, the most compelling part of Helen’s story is the example of what life looks like after a person wins a gold medal. The inevitable comedown, the trauma around her injuries, the PTSD, the drive to continue that is what makes her who she is.”

Maroulis, who now trains in Arizona, hopes to qualify for this year’s world championships and next year’s Olympics.

“I try to treat every Games as my last,” she said. “Now I’m leaning toward being done [after 2024], but never say never.”

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