Tokyo Olympic budget expected to hit $25 billion

AP
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TOKYO (AP) — The price tag keeps soaring for the 2020 Tokyo Olympics despite local organizers and the International Olympic Committee saying that spending is being cut.

A report just released by the national government’s Board of Audit shows Japan is likely to spend $25 billion to prepare the Games, and the final number could go even higher.

This is nearly a four-fold increase over Tokyo’s winning bid in 2013, which the report said projected costs of 829 billion yen, or $7.3 billion at the current exchange rate of 113 yen to the dollar.

Tracking Tokyo costs is getting more difficult as work speeds up, deadlines near, and disputes arise about what are — and what are not — Olympic expenses. Complicated accounting also makes it difficult to figure out who pays for what, and who profits.

“It’s the most amazing thing that the Olympic games are the only type of megaproject to always exceed their budget,” Bent Flyvberg, an authority on Olympic budgeting, said in explaining his research: “The Oxford Olympics Study 2016.”

Flyvberg said the study failed to “find even one” Olympics that came in on or below budget.

Tokyo is a case study.

In December, the Tokyo organizing committee said the Olympic budget was 1.35 trillion yen, or about $12 billion.

This consisted of equal contributions of 600 billion yen ($5.3 billion) from the organizing committee and the Tokyo metropolitan government, with another 150 billion yen ($1.3 billion) coming from the national government.

But a month later, Tokyo Governor Yuriko Koike said the city needed to chip in an added 810 billion yen ($7.2 billion) “for projects directly and indirectly related to the Games.” She said this included building barrier-free facilities for Paralympic athletes, training programs for volunteers, and advertising and tourism plans.

This raised the overall costs to 2.16 trillion yen, or about $19.1 billion.

The IOC and local organizers dispute these are Olympic expenses, describing them as “regular administrative costs” that fall “outside the overall Games budget.”

Flyvberg credited organizers of recent Olympics with trying to control costs, but tight Olympic deadlines make it difficult. Other large building projects can be pushed back a few months. Not the Olympics.

He also said it was inefficient for different cities to keep organizing the Games.

“All you can do when problems begin — and problems always begin on projects of this size — is to throw more money at the project,” Flyvberg said.

Another Tokyo cost increase popped up a few days ago.

A 178-page report by the Board of Audit said the national government’s share of spending had increased to 801 billion yen ($7.1 billion) from the $1.3 billion estimated back in December.

This brings total spending to 2.81 trillion yen, or just under $25 billion, with suggestions it could reach 3 trillion when the games open in just under two years.

The report said “a large amount of spending was expected to continue after 2018 leading up to the event.”

The report urged organizers, the Tokyo city government, central government, and local agencies to increase transparency.

In a statement Tuesday to The Associated Press, local organizers again disputed what should be called Olympic costs.

Spokesman Masa Takaya said expenditures listed such as “inbound tourism, road constructions, subsidy for creating a hydrogen society, and even improving accuracy of weather forecasts with better satellites,” should not be considered Olympic expenses.

The audit report also faulted Tokyo organizers for excluding other expenses from the budget. The report said these came to about 650 billion yen ($5.6 billion) and included things like: repairs to existing buildings; security costs; the cost of running doping facilities.

It said the organizing committee’s December budget did “not reflect all the costs related to the operation of the event.”

About 80 percent of the $25 billion will be taxpayer money. The rest — about $5.3 billion — comes from the privately funded operating budget. This budget receives $1.7 billion from the IOC with the rest coming from sponsors, merchandising and ticket sales.

Tokyo organizers say they have saved billions in the last several years by using existing venues, holding shorter test events and by making other cuts in construction.

The IOC has also tried to promote frugality, aware that hidden and soaring costs have driven away many possible Olympic bidders — particularly for the Winter Olympics.

Three bidders remain for the 2026 Winter Olympics: Calgary, Canada; Stockholm, Sweden; Milan-Cortina, Italy. Several others dropped out.

Organizers of the recent Winter Olympics in PyeongChang, South Korea, reported a budget surplus of $55 million this week. Meanwhile, the provincial government is complaining about paying millions for upkeep on empty venues, with the national government unwilling to assume the costs.

There is talk of razing several empty venues.

“Even though people try to bring down costs, it’s very difficult,” Flyvberg said. “But there is some progress. But not nearly as much as for other types of megaprojects.”

Flyvberg added that “for a city and nation to decide to stage the Olympic Games is to decide to take on one of the most costly and financially most risky type of megaproject that exists, something that many cities and national have learned too their peril.”

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Football takes significant step in Olympic push

Flag Football
Kirby Lee-USA TODAY Sports
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Football took another step toward possible Olympic inclusion with the IOC executive board proposing that the sport’s international federation — the IFAF — be granted full IOC recognition at a meeting in October.

IOC recognition does not equate to eventual Olympic inclusion, but it is a necessary early marker if a sport is to join the Olympics down the line. The IOC gave the IFAF provisional recognition in 2013.

Specific measures are required for IOC recognition, including having an anti-doping policy compliant with the World Anti-Doping Agency and having 50 affiliated national federations from at least three continents. The IFAF has 74 national federations over five continents with almost 4.8 million registered athletes, according to the IOC.

The NFL has helped lead the push for flag football to be added for the 2028 Los Angeles Games. Flag football had medal events for men and women at last year’s World Games, a multi-sport competition including Olympic and non-Olympic sports, in Birmingham, Alabama.

Football is one of nine sports that have been reported to be in the running to be proposed by LA 2028 to the IOC to be added for the 2028 Games only. LA 2028 has not announced which, if any sports, it plans to propose.

Under rules instituted before the Tokyo Games, Olympic hosts have successfully proposed to the IOC adding sports solely for their edition of the Games.

For Tokyo, baseball-softball, karate, skateboarding, sport climbing and surfing were added. For Paris, skateboarding, sport climbing and surfing were approved again, and breaking will make its Olympic debut. Those sports were added four years out from the Games.

For 2028, the other sports reportedly in the running for proposal are baseball and softball, breaking, cricket, karate, kickboxing, lacrosse, motorsports and squash.

All of the other eight sports reportedly in the running for 2028 proposal already have a federation with full IOC recognition (if one counts the international motorcycle racing federation for motorsports).

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Helen Maroulis stars in wrestling documentary, with help from Chris Pratt

Helen Maroulis, Chris Pratt
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One of the remarkable recent Olympic comeback stories is the subject of a film that will be shown nationwide in theaters for one day only on Thursday.

“Helen | Believe” is a documentary about Helen Maroulis, the first U.S. Olympic women’s wrestling champion. It is produced by Religion of Sports, the venture founded by Gotham Chopra, Michael Strahan and Tom Brady. Showing details are here.

After taking gold at the 2016 Rio Games, Maroulis briefly retired in 2019 during a two-year stretch in which she dealt with concussions and post-traumatic stress disorder. The film focuses on that period and her successful bid to return and qualify for the Tokyo Games, where she took bronze.

In a poignant moment in the film, Maroulis described her “rock bottom” — being hospitalized for suicidal ideations.

In an interview, Maroulis said she was first approached about the project in 2018, the same year she had her first life-changing concussion that January. A wrestling partner’s mother was connected to director Dylan Mulick.

Maroulis agreed to the film in part to help spread mental health awareness in sports. Later, she cried while watching the 2020 HBO film, “The Weight of Gold,” on the mental health challenges that other Olympians faced, because it resonated with her so much.

“When you’re going through something, it sometimes gives you an anchor of hope to know that someone’s been through it before, and they’ve overcome it,” she said.

Maroulis’ comeback story hit a crossroads at the Olympic trials in April 2021, where the winner of a best-of-three finals series in each weight class made Team USA.

Maroulis won the opening match against Jenna Burkert, but then lost the second match. Statistically, a wrestler who loses the second match in a best-of-three series usually loses the third. But Maroulis pinned Burkert just 22 seconds into the rubber match to clinch the Olympic spot.

Shen then revealed that she tore an MCL two weeks earlier.

“They told me I would have to be in a brace for six weeks,” she said then. “I said, ‘I don’t have that. I have two and a half.’”

Maroulis said she later asked the director what would have happened if she didn’t make the team for Tokyo. She was told the film still have been done.

“He had mentioned this isn’t about a sports story or sports comeback story,” Maroulis said. “This is about a human story. And we’re using wrestling as the vehicle to tell this story of overcoming and healing and rediscovering oneself.”

Maroulis said she was told that, during filming, the project was pitched to the production company of actor Chris Pratt, who wrestled in high school in Washington. Pratt signed on as a producer.

“Wrestling has made an impact on his life, and so he wants to support these kinds of stories,” said Maroulis, who appeared at last month’s Santa Barbara Film Festival with Pratt.

Pratt said he knew about Maroulis before learning about the film, which he said “needed a little help to get it over the finish line,” according to a public relations company promoting the film.

The film also highlights the rest of the six-woman U.S. Olympic wrestling team in Tokyo. Four of the six won a medal, including Tamyra Mensah-Stock‘s gold.

“I was excited to be part of, not just (Maroulis’) incredible story, but also helping to further advance wrestling and, in particular, female wrestling,” Pratt said, according to responses provided by the PR company from submitted questions. “To me, the most compelling part of Helen’s story is the example of what life looks like after a person wins a gold medal. The inevitable comedown, the trauma around her injuries, the PTSD, the drive to continue that is what makes her who she is.”

Maroulis, who now trains in Arizona, hopes to qualify for this year’s world championships and next year’s Olympics.

“I try to treat every Games as my last,” she said. “Now I’m leaning toward being done [after 2024], but never say never.”

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