Loena Hendrickx on the rise, making Grand Prix debut at Skate America

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Belgian teenager Loena Hendrickx made her Winter Olympic debut in PyeongChang, and began her short program with the aim of becoming the first from her country to qualify for a ladies’ singles free skate since Katrien Pauwels in 1988.

Fresh off a 14th place finish in the men’s event, brother Jorik sat in the stands. He looked away as the music – a cool arrangement of Madonna’s “Frozen” – began, and covered his eyes as the 18-year-old set up for a planned triple lutz, triple toe combination.

Eight years younger than her two-time Olympian elder brother, Hendrickx knew the feeling.

“I get nervous when he competes, too,” she explained after winning a bronze medal at the Nebelhorn Trophy, an ISU Challenger Series event. “I might be even more nervous watching him than when I have to skate myself, because I don’t know how he’s feeling on the ice, and I can’t control his skate.”

She ultimately landed the combination – albeit under-rotated – and bested Pauwels’ result from Calgary by one place, finishing 16th overall. Even stronger skates were to come at the world championships in Milan, where she beat reigning Olympic champion Alina Zagitova in the free skate to earn a Top 10 total score and qualify for her first-ever Grand Prix events in the upcoming season.

“I’m very excited because that’s something you wish for. The first one is immediately in Skate America, so it’s very exciting. I’ve never been to the States before!”

Jorik was initially scheduled to skate alongside his sister at the Angel of the Winds Arena in Everett, Wash., but opted to withdraw and spend the start of the season working with other athletes, including Loena.

“He is working with me sometimes. I really can learn a lot from him because he has the knowledge and experience. I think he can teach me a lot.”

While the siblings work primarily with coach Carine Herrygers, Jorik assisted Loena in selecting her “It’s All Coming Back To Me Now” short program music, another ’90s hit by Céline Dion.

“I really liked my program [“The Prayer” by Dion and Josh Groban] from two years ago, and so I think I chose the same style. I researched more of her music, and it was my brother who found this song. I didn’t like it at the beginning because I had another song I liked more.

“In the end, Jorik convinced me to take this one because it’s more powerful and I can skate better to powerful music.”

Hendrickx debuted the program in Oberstdorf, earning personal best scores to make the podium alongside Zagitova and Mai Mihara. More importantly, she achieved her pre-season goal of landing the lutz-toe combination – with positive Grades of Execution – in both phases of the competition.

While most of her competitors made waves as juniors, the Belgian struggled with multiple injuries – a 2016 stress fracture in her back, later a bone bruise on her landing knee – that kept her from eliciting the buzz many top skaters get on the Junior Grand Prix.

“After I healed, I was very happy to begin building back up again. For a long time, I worked on my fitness to make my back and body stronger. That made my jumps stronger and helped me perform better, more consistently.”

In a field that includes two-time world medalist Satoko Miyahara and U.S. national champion Bradie Tennell, Hendrickx heads to Skate America armed with a competitive technical arsenal, and a dose of inspiration imparted by her brother on the ice.

“In Belgium, there are fewer opportunities to be successful when you’re younger because it’s very difficult to combine skating with school. Jorik taught me that you never have to give up on your dreams. If you work hard, you’ll see where you can go.”

As a reminder, you can watch the ISU Grand Prix Series live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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U.S. women’s basketball team, statistically greatest ever, rolls to FIBA World Cup title

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The revamped U.S. women’s basketball team may have been the greatest of all time.

The Americans completed, statistically, their most dominant global championship ever by routing China 83-61 in the FIBA World Cup final on Saturday in Sydney — giving them 60 consecutive wins between the Olympics and worlds dating to 2006.

It marked the largest margin of victory in a World Cup final since the event converted from a fully round-robin format in 1983.

For the tournament, the U.S. drubbed its opponents by an average of 40.75 points per game, beating its previous record between the Olympics and worlds of 37.625 points from the 2008 Beijing Games. It was just off the 1992 U.S. Olympic men’s Dream Team’s legendary margin 43.8 points per game. This U.S. team scored 98.75 points per game, its largest at worlds since 1994.

“We came here on a mission, a business trip,” tournament MVP A’ja Wilson said in a post-game press conference before turning to coach Cheryl Reeve. “We played pretty good, I think, coach.”

Since the U.S. won a seventh consecutive Olympic title in Tokyo, Sue Bird and Sylvia Fowles retired. Tina Charles ceded her national team spot to younger players. Brittney Griner was detained in Russia (and still is). Diana Taurasi suffered a WNBA season-ending quad injury that ruled her out of World Cup participation (who knows if the 40-year-old Taurasi will play for the U.S. again).

Not only that, but Cheryl Reeve of the Minnesota Lynx succeeded Dawn Staley as head coach, implementing a new uptempo system.

“There was probably great concern, and maybe around the world they kind of looked at it and said, ‘Hey, now is the time to get the USA,'” Reeve said Saturday.

The U.S. response was encapsulated by power forward Alyssa Thomas, the oldest player on the roster at age 30 who made the U.S. team for the first time in her career, started every game and was called the team’s glue and MVP going into the final.

Wilson and Tokyo Olympic MVP Breanna Stewart were the leaders. Guard Kelsey Plum, a Tokyo Olympic 3×3 player, blossomed this past WNBA season and was third in the league’s MVP voting. She averaged the most minutes on the team, scored 15.8 points per game and had 17 in the final.

“The depth of talent that we have was on display,” Reeve said. “What I am most pleased about was the trust and buy-in.”

For the first time since 1994, no player on the U.S. roster was over the age of 30, creating a scary thought for the 2024 Paris Olympics: the Americans could get even better.

“When you say best-ever, I’m always really cautious with that, because, obviously, there are great teams,” Reeve said when asked specifically about the team’s defense. “This group was really hard to play against.”

Earlier Saturday, 41-year-old Australian legend Lauren Jackson turned back the clock with a 30-point performance off the bench in her final game as an Opal, a 95-65 victory over Canada for the bronze. Jackson, who came out of a six-year retirement and played her first major tournament since the 2012 Olympics, had her best scoring performance since the 2008 Olympics.

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IOC looks for ways Russian athletes ‘who do not support war’ could compete as neutrals

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GENEVA (AP) — Russian athletes who do not endorse their country’s war in Ukraine could be accepted back into international sports, competing under a neutral flag, IOC president Thomas Bach said in an interview published Friday.

“It’s about having athletes with a Russian passport who do not support the war back in competition,” Bach told Italian daily Corriere della Sera, adding, “We have to think about the future.”

Most sports followed IOC advice in February and banned Russian teams and athletes from their events within days of the country’s military invasion of Ukraine.

With Russians starting to miss events that feed into qualifying for the 2024 Paris Olympics, an exile extending into next year could effectively become a wider ban from those Games.

In an interview in Rome, Bach hinted at IOC thinking after recent rounds of calls with Olympic stakeholders asked for views on Russia’s pathway back from pariah status.

“To be clear, it is not about necessarily having Russia back,” he said. “On the other hand — and here comes our dilemma — this war has not been started by the Russian athletes.”

Bach did not suggest how athletes could express opposition to the war when dissent and criticism of the Russian military risks jail sentences of several years.

Some Russian athletes publicly supported the war in March and are serving bans imposed by their sport’s governing body.

Olympic gold medalist swimmer Yevgeny Rylov appeared at a pro-war rally attended by Vladimir Putin in Moscow. Gymnast Ivan Kuliak displayed a pro-military “Z” symbol on his uniform at an international event.

Russian former international athletes are being called up for military service in the current mobilization, according to media reports. They include former heavyweight boxing champion Nikolai Valuev and soccer player Diniyar Bilyaletdinov.

Russians have continued to compete during the war as individuals in tennis and cycling, without national symbols such as flags and anthems, even when teams have been banned.

Bach told Corriere della Sera it was the IOC’s mission to be politically neutral and “to have the Olympic Games, and to have sport in general, as something that still unifies people and humanity.”

“For all these reasons, we are in a real dilemma at this moment with regard to the Russian invasion in Ukraine,” he suggested. “We also have to see, and to study, to monitor, how and when we can come back to accomplish our mission to have everybody back again, under which format whatsoever.”

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