Simone Biles wins record 13th world title, completes medal set

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Simone Biles is the most decorated world champion in gymnastics history. And the only American to earn world medals in every event.

Biles earned her first world title on vault and her first world medal (silver) on the uneven bars on Friday, checking off two of the (relatively) biggest holes on her résumé. They came exactly one year after the four-time Rio Olympic champ returned to training following a 14-month break.

Biles, unable to pass a large kidney stone in Doha, passed retired Belarusian Vitaly Scherbo for most career world titles with her 13th gold.

Biles cruised to it on vault — after two silvers and a bronze in previous years — despite taking out difficulty. She chose not to perform her signature vault, the one she sat down in Thursday’s all-around final.

“You can’t change what happened yesterday,” Biles said of one of her two falls in Thursday’s all-around, which she still won convincingly due to her huge edge in difficulty.

She took out a half-twist, and though Biles had a big step on the landing, she still scored 15.266. She nailed an Amanar on her second vault for a 15.466. None of the other seven finalists cracked 15 points on either vault.

Also in the vault final, 43-year-old Oksana Chusovitina finished fourth, missing a medal by .208. The Uzbek who debuted at worlds for the Soviet Union in 1991 already holds the Olympic record of seven gymnastics appearances. At Tokyo 2020, she can become the oldest Olympic gymnast in 100 years.

An hour and leotard change later, Biles took second to Belgian Nina Derwael on bars, five tenths behind. Biles was 14th on bars in Rio and had previously made one bars final at worlds, finishing fourth in 2013.

“[2013] is when I wanted to chainsaw every bar in the country and the world,” Biles told media in Doha.

When she returned to training last year under a new coach known for his bars workers, Laurent Landi, Biles set out to improve her weakest event. What if you had told her then that she would put in the work necessary to become a world medalist in 365 days?

“I would have probably said I’m quitting,” she said, laughing. “To even work and put that much effort into bars, I probably would have been like, no, no thank you.”

If Biles earns medals on balance beam and floor exercise Saturday, she will become the first woman to make the podium in every event at worlds since Soviet Yelena Shushunova in 1987. She would also tie retired Russian Svetlana Khorkina for the most world medals for a woman with 20.

GYM WORLDS: Full Results | TV Schedule

In other events, two-time Olympian Sam Mikulak‘s bid for a first individual Olympic or world medal was foiled yet again. Mikulak, a five-time U.S. all-around champion, finished fourth on pommel horse and seventh on floor exercise.

On Wednesday, Mikulak was in third place going into the last rotation of the all-around, erred and dropped to fifth. He also finished fourth in high bar finals at the 2013 Worlds and 2016 Olympics. Mikulak has two more medal chances Saturday on parallel bars and high bar.

The pommel horse title came down to a tiebreaker. Xiao Ruoteng, who on Wednesday lost his all-around repeat bid via tiebreak, this time took gold over Olympic champion Max Whitlock of Great Britain, though both had the same score of 15.166. Xiao had a higher execution score, keeping Whitlock from a third world title on the event.

Russian Artur Dalaloyan added floor gold to his all-around title from Wednesday. Dalaloyan unseated three-time world champion Kenzo Shirai with a 14.9-point routine, despite having six fewer tenths of difficulty. Shirai scored 14.866.

Carlos Yulo earned the Philippines’ first gymnastics worlds medal, a bronze, .034 ahead of fourth-place Yul Moldauer. Moldauer, the 2017 U.S. all-around champion, earned floor bronze last year.

Greek Eleftherios Petrounias put off shoulder surgery to win his fourth straight Olympic or world title on still rings, beating 2012 Olympic champ Arthur Zanetti by .266.

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MORE: Why Simone Biles can win with two falls

Novak Djokovic rolls at French Open; top women escape

Novak Djokovic
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Novak Djokovic began what could be a march to his 18th Grand Slam title, sweeping Swede Mikael Ymer 6-0, 6-2, 6-3 in the French Open first round on Tuesday.

The top seed Djokovic lost just seven points in the first set. He gets Lithuanian Ricardas Berankis in the second round in a half of the draw that includes no other man with French Open semifinal experience.

Djokovic had plenty going for him into Roland Garros, seeking to repeat his 2016 run to the title. The chilly weather is similar to four years ago.

As is Djokovic’s form. His only loss in 2020 was when he was defaulted at the U.S. Open for hitting a ball in anger that struck a linesperson in the throat.

Djokovic got a break with the draw when No. 3 seed Dominic Thiem was put in No. 2 Rafael Nadal‘s half. The Serbian also won his clay-court tune-up event in Rome, where he received warnings in back-to-back matches for breaking a racket and uttering an obscenity.

“I don’t think that [the linesperson incident] will have any significant negative impact on how I feel on the tennis court,” Djokovic said before Roland Garros. “I mean, I won the tournament in Rome just a week later after what happened in New York.

“I really want to be my best version as a player, as a human being on the court, and win a tennis match. Because of the care that I have for that, I sometimes express my emotions in good way or maybe less good way.”

If Djokovic can lift the Coupe des Mousquetaires two Sundays from now, he will move within two of Roger Federer‘s career Slams record. Also notable: He would keep Nadal from tying Federer’s record and head into the Australian Open in January, his signature Slam, with a chance to match Nadal at 19.

FRENCH OPEN DRAWS: Men | Women | TV Schedule

Earlier Tuesday, No. 2 Karolina Pliskova and No. 4 Sofia Kenin each needed three sets to reach the second round.

The Czech Pliskova rallied past Egyptian qualifier Mayar Sherif 6-7 (9), 6-2, 6-4. Pliskova, the highest-ranked player without a major title, next gets 2017 French Open champion Jelena Ostapenko of Latvia.

“Let’s not talk about my level [of play],” Pliskova said. “I think there is big room for improvement.”

Kenin, the American who won the Australian Open in February, outlasted Russian Liudmila Samsonova 6-4, 3-6, 6-3.

“It doesn’t matter how you win — ugly, pretty, doesn’t matter,” Kenin said on Tennis Channel.

She gets Romanian Ana Bogdan in the second round. Only one other seed — No. 14 Elena Rybakina — is left in Kenin’s section en route to a possible quarterfinal.

American Jen Brady, who made a breakthrough run to the U.S. Open semifinals, was beaten by Danish qualifier Clara Tauson  6-4, 3-6, 9-7.

Sam Querrey nearly made it eight American men into the second round, serving for the match in the third set. But he succumbed to 13th-seeded Russian Andrey Rublev 6-7 (5), 6-7 (4), 7-5, 6-4, 6-3. It’s still the best first-round showing for U.S. men since nine advanced in 1996.

The second round begins Wednesday, highlighted by Serena Williams and Rafael Nadal.

MORE: Halep, Comaneci and the genesis of a Romanian friendship

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Alysa Liu grows on the ice and adds inches, too

Liu and Scali in San Francisco
Courtesy Massimo Scali
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Word on the street is Alysa Liu has grown.

The two-time reigning U.S. figure skating champion said that’s true… to a degree. The two inches of height she added between last season and her 15th birthday in August don’t change Liu’s perspective.

“I just went from really short to very short,” Liu said, wryly, via telephone after a training session last week in San Francisco. “I’m up to 5-0. I like the five-foot number, but it’s still short.”

Anyway, the more important measure will be how much Liu has grown as a skater since her successful 2019-20 debut in international junior competition.

As is the case for all skaters, especially those in North America, such skating growth risks being temporarily stunted by restrictions on training and lack of competition caused by the coronavirus pandemic. And physical growth, even if it is only two inches, can also be problematic.

In Liu’s case, issues related to the pandemic have complicated her sudden shift to a new coaching team in late June, when she announced a split from Laura Lipetsky, who had coached her since age 5. Cancellation of the Junior Grand Prix series is giving Liu more travel-free time to adapt to the new situation, although, ironically, travel restrictions are keeping her from having the two-country, three-coach arrangement work the way it was planned.

“I don’t think it affects the long-term plan that much,” Liu said. “I still have my school schedule [where she will finish her high school education before the 2021-22 season, her first as an international senior]. I’m training hard. I’m getting stronger.

“I wasn’t surprised the Junior Grand Prix was cancelled. I’m a little sad I can’t go, but I get to stay home and train, so it’s all good. I do like competing a lot, and I guess I’ll miss that feeling, but because of corona[virus], there is nothing I can do, so I just accepted it.”

As of now, Liu can’t go to Toronto to work face-to-face with coach Lee Barkell, the newest member of the team, and choreographer Lori Nichol, with whom the skater began collaborating last season.

Massimo Scali, the three-time Italian Olympic ice dancer based in the Bay Area who began helping Lipetsky with Liu a month before the 2020 U.S. Championships, now is her in-person coach. Barkell and Nichol contribute via several FaceTime or Zoom sessions each week. Once entry restrictions from the U.S. to Canada are eased, Liu intends to visit regularly while continuing to live with her family in the Bay Area.

Of course, little has gone as might have been planned for Liu over the last two seasons.

In January 2019, at 13, she stunningly became the youngest ever to win a U.S. singles title. In January 2020, at 14, she became the youngest to win two. In the process, Liu became the first U.S. woman to land two triple Axels in a free skate and the first to land a quadruple jump, the former at 2019 nationals, the latter at her 2019 Junior Grand Prix debut.

She won both her 2019 Junior Grand Prix series events. She finished a close second to Russia’s Kamila Valieva at the 2019 Junior Grand Prix Final and a distant third to Valieva at the 2020 World Junior Championships. That made her the first U.S. woman to win a Junior Grand Prix Final medal since 2012 and just the second to win a world junior medal during that period.

Taking over as primary coach of a skate with such a resume carries a burden, especially for a coach like Scali whose entire knowledge base and coaching experience is based in ice dance.

Scali and Liu
Scali and Liu at the Yerba Buena Ice Skating and Bowling Center in San Francisco. Courtesy Massimo Scali

“There is a little pressure on me, for sure,” Scali said. “She is an extremely talented skater and an amazing human being. But I know that I have a terrific team behind me, working really well together. My pressure is doing the best for Alysa to improve where she has to improve.”

Barkell is dealing with a different set of challenges: working remotely with a skater he barely knows.

“It was a bit difficult in the beginning, verbally explaining exercises, technique, corrections, etc., instead of being able to show Alysa,” Barkell said in a text message. “But we have figured out ways to make this work. Alysa is very coachable and has been very receptive to new ideas.

“We [myself, Massimo and Lori] are focusing on development of speed and power in her overall skating and continued development and consistency in all of her jumps. We all realize some of these changes will not happen overnight.”

There is a rule of thumb that says figure skaters need between 18 months and two years to get fully comfortable working with new coaches. For Liu, that time frame dovetails nicely with the next Olympic season.

Liu plans to give her first progress report by recording this week her new short and long programs, by choreographed by Nichol, for judging in U.S. Figure Skating’s international selection pool (ISP) points challenge competition. The performances are to go online Oct. 6.

The short uses music from Nino Rota’s score for the Fellini movie, “La Strada.” The long draws from “The Storm,” a work by the Hungarian composer/pianist Balázs Havasi that Nichol had choreographed for Carolina Kostner in the 2018-19 season, when an injury kept Kostner from competing with that program.

Liu’s jump layouts this season include a triple Axel in the short program with two triple Axels and a quadruple Lutz in the long. She may wait until later competitive events to include them. She plans to skate at the USFS Championship Series competitions in Spokane, Wash., November 10-15 and Henderson, Nevada Nov. 24-28.

“I just want to do good programs for whatever competitions are available,” Liu said. “It will take me a long time to get everything perfect. But I have been working hard on skating skills, and hopefully people can see a difference.”

Barkell handles nearly all the jump instruction, although Scali said is learning enough from watching the remote sessions to be aware of what Liu is supposed to do. Nichol is primary choreographer, with the concept, the music cuts and the steps coming from her.

Scali, who has done choreography for ice dancers, makes occasional choreographic suggestions. But his focus is the areas of skating covered by component scores (PCS).

Liu’s PCS was 6.31 points lower than Valieva’s in the world junior free skate. And Liu’s aggregate PCS for the two programs at 2020 nationals was 9.35 points behind that of runner-up Mariah Bell, but a whopping 18.66 margin over Bell in technical scores – most from jumps – made Liu an easy winner.

Scali and Liu
Scali and Liu at the Yerba Buena Ice Skating and Bowling Center in San Francisco. Courtesy Massimo Scali

“We want Alysa to go out on the ice and look like a mature, different skater,” Scali said. “We are working on details – expression, speed, gliding, posture – to polish the programs so that they give an image of an Alysa who is more empowered and more mature and really ready for senior level competition.”

Brian Boitano, the 1988 Olympic champion, skates twice a week at the San Francisco rink where Liu has been training for the last seven weeks. He gives her tips on jumps and moves like spread eagles.

Boitano proctored Liu’s clean run-throughs last week that did not include the Axels or a quad. “It was great,” Boitano said of the long program.

“We don’t know yet [about the big jumps],” Scali said. “Her training was so affected by this pandemic, and this ISP competition is so early in the season considering all she went through.”

Liu has been training in San Francisco because of issues with ice time availability at her home rink in Oakland, in a different county with different pandemic rules than San Francisco.

When no rinks at all near her were open after coming back from junior worlds, Liu and her father, Arthur, an attorney, went to Wilmington, Del., from early March through mid-May, living in an AirBnb property. She trained in Wilmington on her own except for spotting from a coach with jumps done on a pull harness.

She found herself going stir crazy at times in Delaware, especially missing her four younger siblings, who stayed in California. There is only so much anime on Netflix one can watch.

Once she and her father returned west, it became a case of being careful what you wish for. The siblings, like the home-schooled Liu, now are doing remote learning at home. So far, the Wi-Fi is holding up.

“It’s very chaotic,” she said, laughing. “They are all so crazy it’s kind of ridiculous. I get home every day, and there’s always a racket in the house. My sister Julia is always falling. My sister Selina is always FaceTiming her friends. And the boys [Joshua and Justin] are always fighting.”

Since she has been training in San Francisco, Liu takes the BART train back and forth, sometimes by herself, sometimes with Scali, who lives in Berkeley.

When they began working together on a full-time basis, it was briefly at her usual rink (the Oakland Ice Center), where Lipetsky still teaches. Lipetsky was away at the time, so there were no potentially uncomfortable encounters.

In the June 22 USFS release announcing the coaching change, Liu acknowledged and thanked Lipetsky for the coach’s role in the skater’s success.

“We’ve worked so closely together, and she has helped me get to where I am today,” Liu said.

In a June 22 text message to me, Lipetsky wrote:

“I have really enjoyed working with Alysa for her entire skating career. Massimo Scali and her father informed me that I would no longer be working with her. To not add to her distraction and allow her the opportunity to focus on being the best she can be, I prefer not to comment any further.”

In a text message to me a few days later, Arthur Liu said neither he nor Alysa wanted to talk about the reasons why she left Lipetsky.

“We need to move on and focus on her training,” he wrote.

Scali said they plan to return to the Oakland Ice Center as soon as they can get the ice time Alysa needs there. He does not expect any issues if they are in the rink at the same time as Lipetsky, who, Scali said, had asked him last December to work with the skater on skating skills and components.

“It’s all good,” Scali said. “Alysa is serene and happy about the decision she made, so there will be no problems.”

Philip Hersh, who has covered figure skating at the last 11 Winter Olympics, is a special contributor to NBCSports.com/figure-skating

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