Christie Jenkins

Insightful John Curry Documentary Has NY Premiere

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While British filmmaker James Erskine is too young to have seen legendary skater John Curry (1949-94) perform live, he had seen performances on television and was certainly aware of the artistic influence of the 1976 Olympic men’s gold medalist from Great Britain. After reading an article about Curry’s complicated life, he felt moved to bring the story to the screen.

“The idea of someone who had to win a gold medal to fulfill his artistic dreams seemed to me remarkable,” said Erskine. “Curry had to overcome these incredible odds to succeed on one level, and having succeeded parlayed that success onto another level.

“When that combined with his personal struggles and what was going on in New York in the early 1980s, it seemed to be a story worth telling,” he continued.

Erskine’s documentary film, The Ice King, debuted in the United Kingdom earlier this year. It had its U.S. premiere on Nov. 9 in New York City and is now available on iTunes. Among those in attendance at the premiere were several people featured in the film: Nathan Birch, Timothy Murphy, Cathy Foulkes, JoJo Starbuck, William Whitener and Meg Streeter Lauck.

Credit: Lois Elfman
JoJo Starbuck with filmmaker James Erskine. Credit Lois Elfman

Using archival interview footage, current interviews with friends and colleagues and at times Curry’s own words from letters written to friends and family, it depicts his struggles with the sport’s rigid style for male skaters and his desire to elevate skating’s artistry. It also details his extremely unhappy early home life and his search for love and affection throughout his life.

“I’m really interested in genius and how genius interacts with society and the struggle to express yourself and be permitted to be yourself,” said Erskine. “To reach for any artistic ideal is in itself a great challenge. When you add in somebody who grows up in a society and a family that rejects the right to be themselves, I thought there was great symmetry between the personal and the professional in Curry’s life that was moving and also resonates.”

The film shows bits and pieces of Curry’s amateur skating, which culminated with him winning European, Olympic and World titles in 1976. It delves deeply into Curry’s post-Olympic collaborations with dancers and choreographers such as Twyla Tharp, Peter Martins and Laura Dean as well as his own choreography. The Ice King includes some rarely seen footage, such as “Moonskate,” a melancholy masterpiece created for Curry by modern dance choreographer Eliot Feld.

“We wanted to construct the film around specific performances that were emblematic of his journey,” said Erskine. “He was a man who spent his life expressing himself on the ice. It would be correct to try and parallel that in his life story.”

Lauck’s mother, the late Nancy Streeter, welcomed Curry into their New York home in the early 1970s when Curry was floundering as a competitor. She encouraged Curry to not sway from his vision of bringing artistry to his programs.

“My mother encouraged him in some of the darkest times, and I think that’s where he drew strength. It was that deep faith she had in him that I believe was at the core that helped him bring his dreams to fruition,” said Lauck, who worked in TV production for more than two decades. As she directed skating broadcasts in the 90s and early 2000s, she saw Curry’s influence.

Two-time U.S. men’s champion and Olympic bronze medalist Scott Allen attended the premiere. “The film was a stunning example of the fusion of skating and art,” he said. “There was no higher example of that than John Curry.”

Following his golden season, Curry set about forming his own skating company. After debuting in London, he brought the company to the U.S. in 1978, performing for several weeks on Broadway at the Minskoff Theatre until it abruptly closed after Curry’s emotional breakdown during a show.

Credit: Lois Elfman
(l-r) Nathan Birch, Cathy Foulkes, William Whitener and Timothy Murphy participated in a Q&A after the film. Credit Lois Elfman

Several years later, after getting financial backing, Curry organized a company that spent time in Colorado rehearsing, toured internationally and ultimately had a triumphant run at the Metropolitan Opera House in New York City. An international tour commenced, but the show was plagued with financial issues as well as Curry’s desire to stop skating.

Three-time U.S. pairs champion, two-time Olympian, longtime professional skater Starbuck performed extensively with Curry, including originating the renowned “Tango, Tango” program choreographed by Martins, then a dancer with the New York City Ballet.

“It was a really special, magical time,” said Starbuck, after seeing The Ice King for the first time. “All of us came together and we were in this beautiful bubble. We got to perform in beautiful theaters with people who loved and appreciated what we were doing. We got to be part of John Curry’s vision. It was a magnificent ride.”

The film also focuses on Curry’s complex and often self-destructive romantic life. One former lover interviewed said Curry was always searching for love, but that often had a dark side.

“We wanted to get the truth and persuade the people [interviewed] about the emotional honesty of the film and that we wouldn’t speak of his private life in a prurient way,” said Erskine, who shared details of the film with Curry’s brother. “It was a sincere attempt to understand him and his world.”

Curry, who was outed by a journalist during the 1976 Olympic Winter Games, was diagnosed HIV-positive in 1987 and developed AIDS in 1991. He returned home to England and spent the final years of his life living with his mother.

Although it is nearly a quarter of a century since his death, his impact continues in contemporary men’s competitive skating, where skaters such as Patrick Chan of Canada, Yuzuru Hanyu of Japan and Jason Brown of the U.S. move audiences with musicality, choreography and exquisite line.

Curry’s concept of ensemble skating and dance on ice continues with artistic skating companies such as the Next Ice Age, founded by Birch and Murphy, both of who were members of the cast at the Metropolitan Opera, and Ice Theatre of New York.

Birch and Murphy recently revived the piece that closed the film, “On the Beautiful Blue Danube,” which Curry choreographed for the Next Ice Age in 1990, as well as other Curry programs, “Tango, Tango” and “Skaters’ Waltz.” Curry never wanted anyone to restage his work, which they honored for decades, but The Ice King inspired them to show these programs to the world once again.

“It’s been wonderful,” said Birch. “The best thing of it is actually studying the dances themselves and the way he moved.”

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Danell Leyva makes incredible save on ‘American Ninja Warrior’

Danell Leyva
NBC
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Danell Leyva, a three-time Olympic gymnastics medalist, put those skills to the test in the “American Ninja Warrior” finals, saving himself from splashing out of the course.

In one obstacle, Leyva slipped and fell off one of four flexible boards positioned above water.

He faceplanted onto the last board, his lower body falling off. But Leyva held on with his arms and pulled himself back onto the apparatus and to the next obstacle.

The full Las Vegas Finals episode airs Monday at 8 p.m. ET on NBC.

Leyva previously splashed out of the “Leaps of Faith” obstacle in the Los Angeles City Finals episode that aired last month.

Leyva, a 27-year-old who took all-around bronze at the 2012 London Games, retired with parallel bars and high bar silvers in Rio.

Other Olympic gymnasts have tackled ANW, including gold medalists Nastia Liukin and Paul Hamm.

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VIDEO: U.S. gymnast catches high bar with one hand at nationals

Kim Rhode triumphs over theft on road to record-breaking Olympic bid

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Kim Rhode arrived at the Pan American Games in Lima, Peru, missing a few things.

The six-time Olympic shooting medalist had nearly all her equipment stolen prior to her trip earlier this month after her bag was nabbed from her father’s car.

“I lost everything but my vest and my gun,” Rhode said in Lima (noting with a smile she has seen worse: her gun was stolen a few years ago, though it was later returned). This time, “we’re all frantically trying to piece it back together, somewhat. … At the end of the day, you just have to kinda roll with it.”

It would take more than theft to rattle Rhode, who remains one of her sport’s top athletes 23 years after her first Olympic gold medal at the Atlanta Games.

The continental skeet title she won at Pan Ams (new equipment in tow) built upon a string of strong results since the last Olympics, including a world silver medal in 2018. Earlier this year, she became the first woman to win four straight World Cups in shooting.

At the Tokyo Olympics, Rhode could do something unprecedented: win seven medals in as many consecutive Olympics.

Rhode remembered a lot from her first trip to the Games as a 17-year-old carrying a pager. She described the volume of the crowd chanting “U-S-A” at the Opening Ceremony and the hum of the audience watching her compete, “almost like they were helping us to pull the trigger each and every time.” She recalled the athlete bowling alley, where both the balls and shoes were adorned with an Olympic flame symbol.

After winning gold in double trap, Rhode went back to high school life in El Monte, Calif. She couldn’t have known then that five more Olympics would follow. That one day, she’d have an Olympic medal from every continent in which the Games have been contested. That at 40, she’d still be at the top of her sport.

“I don’t think you ever get over the Olympics,” she said. “I don’t think you ever get used to it. It really takes on a life of its own.”

Rhode has been a constant in a sport that continues to evolve and change, and noted the technological advances that pushed it forward in the last several years: “you are seeing a lot more on the technical side of the stocks, more of these specialized grips,” she said, and “more people going with multiple lenses.”

Her competitors changed, too. Rhode described younger teammates showing her how to take a live photo and set up an Instagram account. “I’m kind of archaic in that sense,” she said with a laugh.

Her competitive spirit remains unchanged. While Tokyo would mark a milestone, Rhode has no plans of slowing down.

“I think I still have a few more in me,” she said, noting she’d like to compete in front of a home crowd again when the Olympics return to Los Angeles in 2028. “I definitely don’t see a need to stop. … Some of the shooters tend to be a lot older than most of the other Olympians because we have no shelf life. That’s the great thing about us.”

Rhode competed at the London Olympics not knowing she was pregnant with son Carter.

What followed was what she described as a difficult pregnancy and recovery. Her bones separated during the pregnancy, and she had her gall bladder removed after the birth.

The complications affected her ability to walk and complete endurance-related activities, which she continues to face. These days, Rhode said she still can’t run a mile, but in preparation for Tokyo, she is working with a physical therapist and nutritionist.

After Pan Ams, Rhode planned to add more strength training. “At the end of the day, I’m slowly but surely making small strides to get back to where I’m at,” she said.

Carter, now 6, speaks three languages and sometimes helps Rhode during practice, pulling for her before she shoots and collecting shells. He was on hand when Rhode earned a bronze medal at the Rio Olympics, but he isn’t overly impressed (yet) by his mom’s long list of accomplishments.

“I don’t think he grasps the whole picture of what it is that I’m doing,” she said. “I think that’ll come a little bit later.”

She stores Olympic mementos at her parents’ home, a collection of bags from each Games stuffed with clothing, pins and other paraphernalia, and vacuum-sealed.

“My family is running out of room with all the bags,” she said, noting she isn’t sure when she’ll open them up and go through what’s inside.

Maybe after she collects a few more.

“To have had that opportunity so many times is amazing,” she said of her Olympic career so far. “I feel very, very fortunate.”

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