Four Continents Reporter’s Notebook: Not-so-stationary lift yields shock result in ice dance

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Madison Hubbell and Zachary Donohue arrived in Anaheim, Calif. for the Four Continents Figure Skating Championships riding a white-hot winning streak that included their two Grand Prix events, the Grand Prix Final and their second consecutive U.S. Championships.

Their tango rhythm dance in Anaheim went pretty much as planned. Despite the loss of a few points on their steps, they narrowly led the field, including training partners Madison Chock and Evan Bates, heading into the free dance.

On Sunday, the skaters were all smiles as they left the ice after their routine to “Romeo + Juliet.” As they nestled into the kiss-and-cry next to coaches Marie-France Dubreuil and Patrice Lauzon, they thought, Hubbell later said, that they had won.

“There are not too many times we feel so strongly (about) a performance,” she said. “We left it all out there.”

Then, their score flashed up: 119.71 points, just fourth-best in the free dance. It dropped them to fourth overall with 201.66 points.

Chock and Bates, who train alongside Hubbell and Donohue in Montreal, performed a highly entertaining free dance to a medley of Michael Buble’s rendition of “Fever” and Elvis Presley’s “Burning Love,” highlighted by eye-catching and unique lifts, to win the free dance and their first Four Continents title with 207.42 points.

So, what happened?

Hubbell and Donohue open their free dance with a stationary lift: Donohue holding Hubbell aloft while rotating in place. As it turns out, it was not stationary enough, and the technical panel dropped it to base level, meaning it earned only a single point. That’s more than four points less than Hubbell and Donohue were counting on.

“It’s a lift we’ve done over and over again this season. They (the technical panel) saw it all week in practice,” Hubbell said. “It was definitely shocking to hear they did not count it as a stationary lift. It’s certainly unfortunate, we would have loved to stand on top of that podium. But we’re incredibly proud of our performance, that mark doesn’t change that.”

Replay of the lift shows Donohue traveling, and the technical panel – including Helena Gordon-Poltarak, chair of the ISU ice dancing technical committee – determined that was enough to drop the element down.

“We were told that it initially got called a Level 4 (the highest level), but upon review we were told that a stationary lift traveled just enough to not be called stationary, so it was dropped to base value,” Hubbell said. “That’s what we know so far.”

The couple also lost about two points or so on their spin, which gained just Level 2.

It’s a safe bet that Lauzon, a noted taskmaster, will be drilling the U.S. champions in these elements, as well as their rhythm dance step sequences, upon their return to Montreal.

The couple are putting a positive spin on the loss.

“We already know the (technical) panel who is going to be at the world championships and its tough,” Hubbell said. “This is kind of a good wake-up call.”

“My favorite thing is proving people wrong,” Donohue said.

Four Continents reporter’s notebook: Day 1 | Day 2 | Day 3 | Day 4

As a reminder, you can watch the world championships live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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Football takes significant step in Olympic push

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Kirby Lee-USA TODAY Sports
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Football took another step toward possible Olympic inclusion with the IOC executive board proposing that the sport’s international federation — the IFAF — be granted full IOC recognition at a meeting in October.

IOC recognition does not equate to eventual Olympic inclusion, but it is a necessary early marker if a sport is to join the Olympics down the line. The IOC gave the IFAF provisional recognition in 2013.

Specific measures are required for IOC recognition, including having an anti-doping policy compliant with the World Anti-Doping Agency and having 50 affiliated national federations from at least three continents. The IFAF has 74 national federations over five continents with almost 4.8 million registered athletes, according to the IOC.

The NFL has helped lead the push for flag football to be added for the 2028 Los Angeles Games. Flag football had medal events for men and women at last year’s World Games, a multi-sport competition including Olympic and non-Olympic sports, in Birmingham, Alabama.

Football is one of nine sports that have been reported to be in the running to be proposed by LA 2028 to the IOC to be added for the 2028 Games only. LA 2028 has not announced which, if any sports, it plans to propose.

Under rules instituted before the Tokyo Games, Olympic hosts have successfully proposed to the IOC adding sports solely for their edition of the Games.

For Tokyo, baseball-softball, karate, skateboarding, sport climbing and surfing were added. For Paris, skateboarding, sport climbing and surfing were approved again, and breaking will make its Olympic debut. Those sports were added four years out from the Games.

For 2028, the other sports reportedly in the running for proposal are baseball and softball, breaking, cricket, karate, kickboxing, lacrosse, motorsports and squash.

All of the other eight sports reportedly in the running for 2028 proposal already have a federation with full IOC recognition (if one counts the international motorcycle racing federation for motorsports).

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Helen Maroulis stars in wrestling documentary, with help from Chris Pratt

Helen Maroulis, Chris Pratt
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One of the remarkable recent Olympic comeback stories is the subject of a film that will be shown nationwide in theaters for one day only on Thursday.

“Helen | Believe” is a documentary about Helen Maroulis, the first U.S. Olympic women’s wrestling champion. It is produced by Religion of Sports, the venture founded by Gotham Chopra, Michael Strahan and Tom Brady. Showing details are here.

After taking gold at the 2016 Rio Games, Maroulis briefly retired in 2019 during a two-year stretch in which she dealt with concussions and post-traumatic stress disorder. The film focuses on that period and her successful bid to return and qualify for the Tokyo Games, where she took bronze.

In a poignant moment in the film, Maroulis described her “rock bottom” — being hospitalized for suicidal ideations.

In an interview, Maroulis said she was first approached about the project in 2018, the same year she had her first life-changing concussion that January. A wrestling partner’s mother was connected to director Dylan Mulick.

Maroulis agreed to the film in part to help spread mental health awareness in sports. Later, she cried while watching the 2020 HBO film, “The Weight of Gold,” on the mental health challenges that other Olympians faced, because it resonated with her so much.

“When you’re going through something, it sometimes gives you an anchor of hope to know that someone’s been through it before, and they’ve overcome it,” she said.

Maroulis’ comeback story hit a crossroads at the Olympic trials in April 2021, where the winner of a best-of-three finals series in each weight class made Team USA.

Maroulis won the opening match against Jenna Burkert, but then lost the second match. Statistically, a wrestler who loses the second match in a best-of-three series usually loses the third. But Maroulis pinned Burkert just 22 seconds into the rubber match to clinch the Olympic spot.

Shen then revealed that she tore an MCL two weeks earlier.

“They told me I would have to be in a brace for six weeks,” she said then. “I said, ‘I don’t have that. I have two and a half.’”

Maroulis said she later asked the director what would have happened if she didn’t make the team for Tokyo. She was told the film still have been done.

“He had mentioned this isn’t about a sports story or sports comeback story,” Maroulis said. “This is about a human story. And we’re using wrestling as the vehicle to tell this story of overcoming and healing and rediscovering oneself.”

Maroulis said she was told that, during filming, the project was pitched to the production company of actor Chris Pratt, who wrestled in high school in Washington. Pratt signed on as a producer.

“Wrestling has made an impact on his life, and so he wants to support these kinds of stories,” said Maroulis, who appeared at last month’s Santa Barbara Film Festival with Pratt.

Pratt said he knew about Maroulis before learning about the film, which he said “needed a little help to get it over the finish line,” according to a public relations company promoting the film.

The film also highlights the rest of the six-woman U.S. Olympic wrestling team in Tokyo. Four of the six won a medal, including Tamyra Mensah-Stock‘s gold.

“I was excited to be part of, not just (Maroulis’) incredible story, but also helping to further advance wrestling and, in particular, female wrestling,” Pratt said, according to responses provided by the PR company from submitted questions. “To me, the most compelling part of Helen’s story is the example of what life looks like after a person wins a gold medal. The inevitable comedown, the trauma around her injuries, the PTSD, the drive to continue that is what makes her who she is.”

Maroulis, who now trains in Arizona, hopes to qualify for this year’s world championships and next year’s Olympics.

“I try to treat every Games as my last,” she said. “Now I’m leaning toward being done [after 2024], but never say never.”

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