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Gabriella Papadakis and Guillaume Cizeron on training with three American ice dance teams

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Three-time world champions Gabriella Papadakis and Guillaume Cizeron started a trend when they moved to their Montreal training camp. Now, they train with three American teams – which includes their top competitors.

After winning their fifth consecutive European Championship title (no other team had ever won five in a row), they sat with NBCSports.com/figure-skating to discuss how they see ice dance changing since they’ve come to dominate the field, what it takes in order to do so for so long, and how to keep things fresh.

The world championships are in Saitama, Japan from March 18-24. Papadakis and Cizeron are chasing their fourth World title.

You’re now training with three American teams – Madison Hubbell and Zachary Donohue, Madison Chock and Evan Bates, and Kaitlin Hawayek and Jean-Luc Baker. How is it going?

Cizeron: The atmosphere in the Gadbois rink has not changed. It’s still quite a sportive one!

Papadakis: They were already good friends before coming to Montreal. You can feel that Madi and Zach, and Madison and Evan had a good relationship together. It’s not like they would compete against one another and were acquainted through competition. They had a sheer appreciation of one another. Each one is quite friendly and has a lot of respect for the others. Each one works his or her best. Each one is fun to share the ice with.

Madison Hubbell and Zachary Donohue were the first ones to join you: how did you see them improve?

Cizeron: Madi and Zach are relying on speed more than on glide. Their approach has been unique.

Papadakis: They were coming from quite different backgrounds than ours. They have more of an American approach, they went to hip-hop and opened several other fields. They really exploded at the highest level with their short dance to Leonard Cohen’s “Hallelujah.” They had such an incredible connection to this program. They may have discovered at that point the huge capacity they had to be connected, which in fact very few teams have. They’ve developed from then on.

MORE: One-on-one with Hubbell and Donohue before Worlds

How do you train together? Do you feel like everyone is following your lead as the pioneers in Montreal? 

Papadakis: We have the ice from 7 a.m. to 5 p.m. Each one of us has one’s share of it for three to four hours. That allows us to practice together – or not.

Cizeron: We don’t really feel that we would be leaders there. Each one has one’s own style, and that’s what matters most. You keep your eyes concentrated onto your own work, really. Daily routine is always the same: you have some runs, you have some exercises to practice, you have some private lessons. There’s no surprise. You just support each other. It’s just like what we do at competition: you are concentrated on your own work. If you think of what the others are doing, then you’re doing your job!

On the bigger scale, do you see the landscape of ice dance change under your leadership?

Papadakis: We don’t try to make the sport change. But we certainly don’t want to follow paths that have been already opened by others.

Cizeron: It’s the same question as who, from the chicken or the egg, which came first? Do we win because we’re doing what we do, or do the others follow the doors we’ve opened because we win? It may be something we’ll realize later, when we have more perspective. The real challenge for us is to renew ourselves, and never be contempt with what we do, especially as we’re opening a second chapter in our career with this new quadrennial.

The good thing with ice dance is that you learn your technique forever. Once you get your steps, you keep them for life.

Papadakis: It’s not like with ladies, for instance: you don’t lose your choctaws at puberty!

MORE: Hawayek, Baker on what Montreal means to them

What does it take then to stay at the top in this sport?

Cizeron: Of course, you need to preserve oneself, both physically and mentally. Have a superlative team. Then keep your curiosity and will to learn. Just as in any field when you want to perform.

Papadakis: As success comes, you need to give up things. Then you may fear to let go things that were key to your success. Will it work the same way, if you leave them away? The new things you take on board have not proven themselves. But don’t be frightened. We could certainly make up a list of everything that works and get points, and derive a formula for success. Maybe some do that. We can’t. We’re not into marketing.

Cizeron: In fact, durability is also a fight with people’s opinions. We’ve always changed costumes many times during the course of a season. People told us: “No, don’t it’s so good!” And then once we had changed, they would say: “Oh yes, it’s better!” You need to believe that you can always do better. You need to believe in your instincts for that. That’s a major point: listen to your instinct and never doubt it. You’re growing and encompassing different phases, just like in your life. Some things become more important. Our coaches listen a lot, and then they have a filter and a funnel to decide what to discuss with us.

Papadakis: We’re lucky to have several faces in front of us. You’re better off with five people making a decision than with just one.

Cizeron: Then we need to devise programs that will please us and will please the audience. We like to bring a density, a depth to every program. We love movement, we love dancing extremely, both of us. We don’t do things because they are trendy. When we skated to Mozart concerto, in 2015, it was not that trendy. But people loved it. We created a kind of a fashion, without even knowing it.

Papadakis: Still we need to pay attention: we may create a fashion, but we shouldn’t stay in it. You can’t create a fashion and be stuck with it.

Fashion designers do take the trends they perceive in society, and they create a fashion to push them forward. Aren’t you saying that you are aiming at becoming like the fashion designers of ice dance?

Cizeron: Ice dance may not be an art, but it’s an artistic field. Fashion needs to be renewed all the time, just like for clothes. In order to succeed, you need to be fully yourself, but not stick to the same forever. If you’re too much of yourself, people will say “they don’t change.” We aim at creating timeless pieces. We would like to create fashions, not trends. A dress designed by Christian Lacroix may become out of fashion, but still be remarkable on anyone. Those who follow fashions are easily forgotten. Those who create them are remembered forever. We don’t really invent anything. We listen and observe, we go to theater and ballet and to the movies. The whole process is not a conscious one, but that’s how it works.

MORE: Chock, Bates planning on peaking at world championships

As a reminder, you can watch the world championships live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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Hayley Wickenheiser is 7th woman elected to Hockey Hall of Fame

Hayley Wickenheiser
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Hayley Wickenheiser, arguably the greatest female hockey player of all time who retired in 2017, will be the seventh female player in the Hockey Hall of Fame.

The six-time Canadian Olympian (once in softball) was elected in her first year of eligibility. Wickenheiser is joined by Sergei Zubov, who earned gold at the 1992 Albertville Games with the Unified Team, two-time Czech Olympic medalist Václav Nedomanský and 1980s and ’90s NHLer Guy Carbonneau, among others.

The induction ceremony is Nov. 18 in Toronto.

Wickenheiser is the fifth Canadian female player elected after Angela James (2010), Geraldine Heaney (2013), Danielle Goyette (2017) and Jayna Hefford (2018). Americans Cammi Granato (2010) and Angela Ruggiero (2015) are also Hall of Famers.

Wickenheiser, now the Toronto Maple Leafs’ assistant director of player development, earned four golds and one silver in the first five Olympic women’s hockey tournaments. She played 23 years for the Canadian national team, earning seven world titles and being named Olympic tournament MVP in 2002 and 2006.

She also carried the Canadian flag at the Sochi 2014 Opening Ceremony and recited the Athletes’ Oath at the Vancouver 2010 Opening Ceremony. She was elected to the International Olympic Committee Athletes’ Commission in 2014.

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MORE: Finland hockey Hall of Famer retires at age 46

Breaking provisionally added for 2024 Olympics

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Breaking (don’t call it break dancing) was provisionally added to the Olympics for the 2024 Paris Games.

The IOC also announced Tuesday that skateboarding, sport climbing and surfing were provisionally added to the 2024 Olympic program. Those three sports will debut at Tokyo 2020 but were not assured places on the Olympic program beyond next year.

“They contribute to making the program more gender balanced and more urban, and offer the opportunity to connect with the younger generation,” IOC President Thomas Bach said in a press release. “The proposed sports are in line with these principles and enhance Paris 2024’s overall dynamic Games concept, which focuses on inclusivity, inspiring a new audience and hosting socially responsible Games.”

The IOC Executive Board will make the final decision on the Paris 2024 event program in December 2020, but no more sports can be proposed for inclusion. That means baseball and softball, which return to the Olympics next year, will not be on the 2024 Olympic program. Those sports can still be added for the 2028 Los Angeles Games.

Breaking debuted at the Youth Olympics last year, where the U.S. did not have any athletes. Sergei “Bumblebee” Chernyshev of Russia and Ramu Kawai of Japan took gold medals.

Breaking had never previously been up for a vote for Olympic inclusion, but the World DanceSport Federation is recognized by the IOC.

Teenagers, some of whom went by nicknames like Bad Matty, Senorita Carlota and KennyG, went head-to-head in dance battles at the Youth Olympics in Buenos Aires last year. They performed on a mat atop an outdoor basketball court to a musical beat and emcees.

Judges determined winners using six criteria: creativity, personality, technique, variety, perfomativity and musicality.

“Breaking (also called b-boying or b-girling) is an urban dance style,” according to the Youth Olympics. “The urban dance style originated during the mid 1970s in the Bronx borough of New York City.”

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