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By any measure, Nathan Chen’s performance at Worlds matches standard for transcendent greatness

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Transcendent greatness in sports is both absolute and relative.

Absolute, because anyone who sees an exceptional performance can recognize it as exceptional judged against nothing but its own merits.

Relative, because we seek to define greatness by comparison, to determine levels of it (greater? greatest?) when judged by other exceptional performances we have seen or know of, no matter how hard it is to make such comparisons across long periods of time, with the wildly different athletic parameters of different eras.

No matter which standard we use, absolute or relative, what Nathan Chen did in winning the 2019 World Figure Skating Championships in Japan was transcendent greatness.

No one other than Chen in the 123-year history of the event has done two unblemished, artistically compelling skates with the technical demands of the jump elements in his short program and free skate.

And no one else has done it while on spring break from his freshman year at Yale, one of the most academically demanding universities in the world. Or with a video chat coaching arrangement, separated by 3,000 miles from Rafael Arutunian, his skating mentor for eight years.

“I can’t put it into perspective because I do not understand how he can go to school, train all those quads and then perform so well – AND do it like it was nothing,” Kurt Browning of Canada, a four-time world champion, said in a text message Saturday after watching Chen win his second straight world title. “He looked so calm and made winning Worlds look ‘easy.’”

Chen won the short and free easily and the title in a rout, by 22.45 points. He beat two-time Olympic champion Yuzuru Hanyu of Japan by nearly 10 points in the free skate, no matter that Hanyu gave a title-worthy performance with just one mistake.

At the press conference following the free skate, a Japanese reporter framed a question by noting Hanyu had said even two perfect programs might not have been good enough for him to win. That underscores the level of excellence the 19-year-old Chen achieved at this Worlds.

Hyperbole? Not at all. It is impossible to overstate how good Chen was.

“Incredible,” Olympic and two-time world champion Brian Boitano of the U.S. said via telephone. “And the way he did it – the composure, pacing, strength, focus. It has all fallen into place for him in a year.”

One was left to wonder if that was how Chen skated in his dreams of the ultimate performances?

“Of course,” he told me in an interview a couple hours after it was over. “That is exactly what I have trained for, everything I have wanted from skating. It’s amazing to have it actually come true.”

Chen became the first U.S. skater to win consecutive men’s singles world titles since Scott Hamilton took his last of four straight in 1984. Said Hamilton, via text: “Nathan is consistently performing at a level I never thought possible.”

As is the case when Chen is in command, his jumping was boggling. He did a quadruple Lutz and quad toeloop in combination with a triple toeloop in the short. A quad Lutz, quad flip, solo quad toe and quad toe with triple toe in the free. The quad Lutz in the free – rock solid, mile high, long run-out and seemingly effortless – got the highest Grade of Execution (4.76) (GOE) ever recorded for a jump.

It wasn’t the jumps that separated this Chen from the Chen of past seasons. It was the rest of his skating, the part evaluated in the five program component scores (PCS), the part that loosely falls under the rubrics of artistry and presentation.

At the Olympics, when Chen also won the free skate but finished fifth after a short program disaster, his PCS in the free was 9.32 below that of Hanyu, whose movements and edge work some find the most beautiful of the sport’s great champions. Saturday, Chen’s free skate PCS was just 1.04 behind Hanyu’s.

Shae-Lynn Bourne, the Canadian ice dance world champion who choreographed Chen’s short programs the past two seasons, said she has concentrated on getting him to share his personality with the audience and the judges by expressing himself and the program’s story in every movement.

“If you start from that place, people will feel something,” Bourne said. “They won’t just see it as going from element to element.

“It’s not easy to really share something of your personality. Nathan was willing to try from the first time we worked together. Each time I see him, it comes out even more.

“It’s like it is all clicking, and because it’s all clicking, he is starting to cover all the (PCS) bases, to show the whole package. It’s not just the steps but how he does the steps, the presence in each step. It’s not just doing the jumps but how he goes in and how he lands and goes out of the jumps. It’s the ride of the blade so it doesn’t feel like he is setting up for jumps: they just arrive. It’s affecting everything about how people see him and perceive him on the ice.”

Chen left Japan – and global TV audiences – with the perception of an extraordinary athlete and an eye-catching artist on ice. That left the question of whether his was the greatest overall performance in Worlds history.

“Because he put out SO much energy in both programs bringing the nuances of the music to life and simply entertaining the audiences on top of the mountain of technical difficulty, I think an argument can be made [for it being the greatest],” Browning replied. “Both programs would work well in a show environment, without all the technical content.”

No wonder Arutunian told me by telephone Saturday that this was the first time in 44 years of coaching he felt complete happiness over one of his skaters’ performances and the work he had accomplished to help the skater do it. That doesn’t mean Arutunian felt Chen has done all he can.

Coach Rafael Arutunian, left, hugs Nathan Chen after he was declared the gold medal winner during the World Figure Skating Championships at Saitama Super Arena in Saitama, north of Tokyo, Japan. (AP Photo/Andy Wong)

“He should skate better than that,” Arutunian said. “He has no choice. The sport does not stay in one spot. I just hope Yale will give me more time to help him do that.”

Chen likely will take some semesters off to prepare for the 2022 Olympics, although he has no definite plans yet. From the time Chen matriculated at Yale in August through now, he and Arutunian have worked together face-to-face only during Christmas break, while at the U.S. Championships and while at Worlds.

There was a lot of rush-to-judgment naysaying about how such an arrangement would work when Chen bombed his first competition, the free-skate-only Japan Open in early October. It was a complete mess: he fell on three quad attempts and doubled a fourth.

“I trained for that like I would train around a summer event, and I wasn’t in the best shape to run a whole program,” Chen recalled Saturday. “That was a wake-up call that you have to train more appropriately if you want to maintain what you are doing.”

Few highly successful figure skaters in the past 50 years have tried to handle a full college academic load and compete.

Chen admitted to just “throwing myself in there and thinking, ‘Hopefully everything turns out the way I want.’ Fortunately, that was the case. Every competition, I was able to improve. I was even able to improve on what I was doing in school as well.

“Honestly, I had my doubts about whether I could pull it off. It’s easy to get caught up in other people’s thinking that it is too ambitious. Of course, there were also those who supported it, and having the support of my family and Raf played a huge role in me deciding this is what I wanted to do.”

He made steady progress after the Japan Open, enough to win two Grand Prix events and the Grand Prix Final. But Chen was not fooled by the victories. He knew his skating level was below what it had been on the Grand Prix the past two seasons and below his own expectations.

His Japan Open doubling of an opening quad loop, a jump he had tried in only one previous competition, had led Chen to wildly attempt to compensate with way more quads than he could handle at that point. That, too, was a wakeup call.

“I played it smart after that in terms of the number of jumps I did and how I approached the beginning of the Grand Prix season,” Chen said. “Competition after competition, I built confidence.”

Suddenly, at the U.S. Championships in late January, Chen was better than ever, tossing off quads with absolute security, showing the feeling for movement that Bourne had him focus on. As his Worlds teammate Jason Brown said at nationals: “It’s unbelievable. He is pushing the sport in ways that growing up I could only dream of.”

As Chen prepared for Worlds, Hanyu was trying to recover from an ankle injury that had kept him out of competition since November. It was a replay of a year ago, when a similar injury had kept the Japanese superstar out of competition for three months leading to the Olympics, when Hanyu became the first man to win consecutive Olympic titles since Dick Button in 1948-52. A month later, he then wisely chose full recovery over trying to defend his 2017 world title.

Hanyu, 24, has not won every championship gold since his first Olympic triumph but he has been the sport’s gold standard over the ensuing five years. Arutunian unabashedly asked for Hanyu’s autograph at a Grand Prix event in Japan several seasons ago (“I still have the magazine with it,” the coach said.)  Chen said Hanyu has been his skating idol.

So, faced with Hanyu’s stature, fierce competitive will and desire to win for the home fans, Chen figured it likely would take something extra to earn another world title. He worked on a free skate pattern with a fifth quad but abandoned the idea because he couldn’t get the program as consistent as he wanted. He returned to the four-quad program from nationals.

“As soon as I made the decision, I stuck with it, and I think that boosted my confidence knowing that one, I had done it well before and two, I had trained a harder program and now I would be doing an easier one,” Chen said. “At the same time, I knew the (top) guys would all be doing as many quads, and it would come down to who skated the cleanest.”

In the short program last Thursday, reigning Olympic silver medalist Shoma Uno of Japan fell on his opening quad and stumbled to sixth in the short program. And Hanyu faltered, doubling a planned quad Salchow and receiving zero points for that element.

Chen took advantage of his rivals’ errors with a clean program that earned a PCS score just .29 below Hanyu’s, with a big technical score difference. That gave him a 12.53-point lead over Hanyu and 16 over Uno going into the free skate.

The free skate draw put Hanyu right ahead of Chen. He and Arutunian prepared for what that meant: as Chen took the ice, the crowd would probably be going wild, and time would be needed to clear the surface littered with plush Winnie the Pooh toys of all sizes, the fans’ salute to Hanyu’s talisman. Chen would later joke about being happy only one side of the rink had been covered with Poohs, so he still had room to loosen up.

Hanyu’s wonky finish on his second of four quads in the free skate, also a Salchow, drew both an under-rotation call and a negative GOE, costing him some five points. Arutunian said he still thought, “We are not allowed a mistake.”

Whether that was the case became a moot point because Chen did not make one. His GOEs on the four jumping passes with quads were huge: the 4.76, a 2.04 and two of 3.39. His feeling for the dreamy, wistful music, “Land of All” by Woodkid, was striking. His blades simply flowed across the ice.

Arutunian thought this title was more meaningful than Chen’s victory a year ago because Hanyu was there, because of the consequences of the skating order, because Chen skated better than he had not only at the 2018 Worlds but also in his dazzling performances at the 2019 nationals.

Even as he noted it was a great feeling to win against “a full roster this time,” Chen sees the meaning of the second title in a more nuanced way than simply for having taken the top spot from Hanyu.

“We’re in completely different (places) in skating,” Chen said. “He has accomplished so, so much. It’s not like I’m trying to take over what he has started. I want to respect everything he has done in the sport and for the sport.

“I’m in the generation below him. He’s always been a person for me to look up to, for me to try to close the gap to be close to him. It’s a little foreign for me to be in this position. At the same time, I have put in the work to be in this position.”

Theirs is now a legitimate competitive rivalry, one rooted in mutual respect, one that can only enhance the sport leading to the 2022 Olympics. Whether both still hold the pre-eminent positions in men’s skating three years from now is impossible to predict, even if there are few apparent challengers to Chen and Hanyu on the scene. If both remain healthy, they likely will be battling each other for the gold in every major event over the upcoming three seasons.

Whatever happens in the future will not change the history, absolute or relative, of what Nathan Chen did last week. It was and forever will be a transcendent example of sporting greatness.

Philip Hersh, who has covered figure skating at the last 11 Winter Olympics, is a special contributor to NBCSports.com/figure-skating.

MORE: Hersh: Nathan Chen, student and skater, tries to have two parts in harmony

As a reminder, you can watch the events from the 2018-19 figure skating season live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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Athletes warily embrace progress as USA Gymnastics evolves

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INDIANAPOLIS (AP) — The dread was familiar. The fear too. They gripped MyKayla Skinner shortly after she decided to return to elite gymnastics last summer.

Skinner wasn’t worried about recapturing the skills that made her an alternate on the 2016 U.S. Olympic team. A standout college career at Utah not only rekindled her love of the sport but served as a form of self care, the hyper intense pressure of performing for former national team coordinator Martha Karolyi replaced by the sense of joyousness she felt competing for the Utes.

That feeling of safety vanished as Skinner prepared for her first national team camp since deciding she would make a run at the 2020 Olympics.

She’d watched her friends and former teammates come forward to admit in open court they’d been abused by former national team doctor Larry Nassar, now serving what amounts to a life sentence for sexually assaulting gymnasts with his hands and possessing child pornography.

She kept an eye on USA Gymnastics as it stepped on one land mine after another in the aftermath as the lawsuits piled up and its role as the sport’s national governing body became tenuous at best. And while the organization believes it has taken positive steps to emerge from the rubble, Skinner wondered what was real and what wasn’t. She texted friend and reigning Olympic champion Simone Biles in hopes of finding clarity, worried about a bait and switch.

“I was like, ’I’m so scared to come to camp. Like, how is it with all the changes, new coaches and everything?″ Skinner said.

Biles, a Nassar survivor who has embraced her role as the the sport’s most influential voice since rocketing to stardom following her golden run at the 2016 Games, assured Skinner the vibe had shifted.

Sitting in a small conference room this week while preparing for the first national team camp of 2020, the Olympics just seven months away, the 23-year-old recently married Skinner admitted she’s still adjusting to the “new” USA Gymnastics.

“It’s just so weird coming into the gym and not feeling like, you know, ‘I’m going to die,’” she said. “Before it was like, ‘I’ve got to hit that routine or I’m going to get yelled at.’ So it’s just been really nice to kind of relax a little bit and be able to really focus on gymnastics and get to enjoy it more.”

There is a sense of lightness during practices that was hard to come by during Karolyi’s hugely successful but strident tenure.

The athletes no longer end each workout by lining up in order of height and offering a robotic, monotone “thank you” to the staff.

Upbeat music plays as they stretch. They talk openly and animatedly while waiting for their turn at each event, a decided departure from the near silence that was commonplace — and perhaps symbolic — of Karolyi’s authoritarian leadership style.

It’s one of the reasons Biles is “optimistic” about USA Gymnastics’ future. When asked why, her words sounded conciliatory even as her tone suggested she has no plans to stop calling out the powers that be when the moment requires.

“I feel like they’re working towards the right direction,” Biles said. “But there are still a lot of unanswered questions that a lot of us as survivors and as the community around us need. But for the most part, in the gym and what we do as a team, that’s going good.”

That wasn’t always the case under Karolyi. At turns brilliant and brutal, Karolyi’s near total control over the women’s elite program turned it into a powerhouse even as it left its athletes at times feeling powerless, the most decorated gymnast in the history of the sport included.

“With Martha you really feared (her) because she held your whole career in her hand,” Biles said. “And now I feel like you’re a little bit more forgiven because it’s such a hard sport and mistakes will be made but it’s how you rise from them and to learn to not do it again.”

A lesson USA Gymnastics itself is attempting to learn itself as it tries to recover from the largest sexual abuse scandal in sports history. The changes it has instituted since the summer of 2017 are both obvious and subtle.

It moved training centers twice, from the Karolyi Ranch in Texas — a decision reached only after Biles expressed outrage about possibly returning to a place she associated with Nassar’s behavior — to Evo Athletics in Bradenton, Florida, to The Gymnastics Company in suburban Indianapolis.

The rustic cabins at the remote ranch tucked into the Sam Houston National Forest have been replaced by hotel rooms near an interstate, a Starbucks and fast food restaurants. Coaches and athletes are prohibited from being alone together during trips to and from national team camps, forcing some to ride share or carpool upon arrival.

Perhaps most telling, the training tables inside The Gymnastics Company are situated right in the middle of the massive steel-structure, not tucked away in a corner.

“We didn’t want to create a back room,” high performance team coordinator Tom Forster said.

Those days are over.

During practice on Monday evening, Annie Heffernan, vice president of the women’s program, sat at a table with Kim Kranz, the organization’s first-ever vice president of athlete health and wellness.

President Li Li Leung, a former collegiate gymnast who came over from the NBA last spring, quietly walked among them, making small talk as she went. Forster — as approachable as Karolyi was aloof — gave the coaches a brief talk and then offered more smiles in 15 minutes than Karolyi did in a given year.

While gymnasts are still rewarded during camps for their performance, national team staff members now have the ability to honor an athlete for things that have nothing to do with chasing perfection.

“It could be an attitude, it could be sportsmanship,” Forster said. “It could be that they came back after that fall and did great. It’s not based on ‘this one’s the best, we have to acknowledge her.’”

The organization has stressed the need for open communication. The members of the 2019 World Championship team were asked to fill out a survey after the competition and share their thoughts on what worked and what didn’t. The same is done after team camps.

“They can complain about anything and anyone that they want to,” Forster said. “They can make it anonymous if they choose or they can say, ‘Hey I want feedback, or ’This is me, and I want to hear from you.’ They can do whatever they wish.”

Measuring any progress is tricky. The organization that long served as the gold standard for the U.S. Olympic movement has lost the benefit of the doubt. Even as it tries to prove how it has evolved over the last three years, the reality is things remain complicated.

Two coaches currently under investigation by U.S. SafeSport attended the camp with their athletes this week. Mediators are still trying to work through the bankruptcy petition USA Gymnastics filed in 2018 as a last-ditch effort to avoid decertification by the USOPC. Nassar survivors continue to call for the organization’s dissolution. Money is tight as sponsors wait for the legal process to play out. When the organization started placing equipment inside The Gymnastics Company, it had staffers do most of the lifting rather than hire professional movers.

All of which leaves the young women vying for an Olympic spot in an awkward position.

Most of the gymnasts in the senior elite program have no connection to Karolyi or Nassar, who was dismissed in the summer of 2015. Yet they find themselves serving as a beta test of sorts on whether the culture shift the organization is trying to bring about is actually happening.

Each of the 15 gymnasts interviewed by The Associated Press this week said they feel they have the freedom to express themselves without fear of retribution. Each believe their mental and physical health and safety is considered important. All of them, however, talked with a coach or a member of the USA Gymnastics staff within earshot.

It’s a lot for group of teenagers and 20-somethings to carry around. Yet it doesn’t appear overwhelming. When Grace McCallum inadvertently sailed off the uneven bars during training on Tuesday morning, her group broke out into laughter — McCallum included — as the three-time world championship medalist picked herself up off the mat.

Yet it was just one moment during one practice that happened to be conducted in front of reporters, photographers and video crews. Whether any of this new approach actually sticks will depend on what happens when the cameras aren’t around.

Much like the sport itself, the process will take dedication, discipline and the ability to address mistakes honestly. Two-time Olympic medalist Laurie Hernandez, however, is hopeful it can be done. She went nearly 3 1/2 years between national team camps after winning gold and silver in Rio. The difference between then and now is jarring. In the best way.

“Now we can truly enjoy each other’s company while just relaxing and enjoying our gymnastics,” Hernandez said. “That says a lot about the environment that’s being created for us. … it’s going to take a second. It’s not going to happen overnight. It’s not like we’re going to forget what happened before. But it’s getting there.”

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MORE: Investigators at home of Olympic gymnastics coach tied to Larry Nassar

Jason Brown reflects on nationals experience with 2022 Olympics still in play

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GREENSBORO, N.C. – For Jason Brown, coming to a national championships in Greensboro for the third time in 10 seasons meant opening a time capsule of fond memories and recalling how different his ambitions have been at each.

In 2011, Brown was 16, making his senior debut, second youngest in a field of 22. He delivered a breakthrough free skate, bringing the crowd to its feet, moving from 11th after the short program to seventh overall, leading his coach at the time, Kori Ade, to proclaim, with seeming hubris, that Brown’s goal would be to make the 2014 Olympic team.

Which, in fact, he did.

His goals going into the 2011 nationals free skate had been more modest than to begin establishing himself as an Olympic team contender. Brown simply wanted to make the 2011 U.S. team for the Junior World Championships, which he did, and get on TV, which he didn’t, much to his bemusement.

“I told all my friends I was going to be on TV because I was in one of the final two groups. But they showed just nine of the 12, and I was one of the other three,” he recalled, with a laugh, just before boarding a Thursday flight in Toronto on his way to North Carolina.

Four years later, after his 2014 Riverdance free skate had become a viral sensation and he had won an Olympic bronze in the team event, Brown returned to Greensboro aiming for the U.S. title. That changed mindset told him how far he had come.

And he won what remains his only national title, as his artistry, elegant blade flow and striking spins no longer were enough in an era when his lack of success with quadruple jumps became an insurmountable and ever-growing disadvantage against rivals landing multiple quads.

Brown’s best total score since the judging system’s calculations dramatically changed before last season is more than 70 points behind that of three-time defending U.S. champion Nathan Chen.

“I don’t look at that in any negative way,” Brown said. “Nathan is killing it, and he is so dominant I am in awe of him and respect him so much.”

The jumping side of the sport has gotten away from Brown, 25, and, with it, his chances to win again. His view of that situation is grounded in realism and, he insists, free of frustration.

Brown understands that even if Chen is out there in another galaxy, there is still a chance for him to be the best Jason Brown possible, which is a fine skater.

“It’s a competition, and you want to be atop the podium, but it’s not a disappointment when that doesn’t happen,” he said. “I’m aware I can’t push the sport in the direction they (the quadmeisters) are pushing it, so I have to push in the way I am capable of.

“My goal is just to be in the top three, to get back to worlds and help the team maintain its three spots. For me, this competition is not about being national champion as much as it is being a gateway to other events.”

The primary other event on his mind, what he calls his “biggest goal, hands down,” is the 2022 Olympics. It is why, after failing to make the 2018 Olympic team, Brown left longtime coach Ade and Colorado and moved to Canada to work with Team Orser, notably his primary coach, Tracy Wilson, on a four-year project to get him back to the Winter Games.

Both Wilson and Brian Orser have worked on changing so much of Brown’s jump technique – getting into rotation sooner, having more efficient arm positions – and even basic skating skills that his first two seasons training with them have been marked by consistent inconsistency.

“I’ve gone through a lot of change the last 18 months and with change and uncertainty comes a lack of confidence,” Brown said.

“Last season, we put the changes on pause midway through, and I kind of got my bearings. This year, they are not holding back in the amount of change being thrown at me.”

He managed to get third at last year’s nationals and go to worlds, where Brown was ninth. Chen won, and teammate Vincent Zhou took the bronze.

Wilson said the extra load this season is part of the long-term plan.

“We see what he is capable of. We know what he wants to achieve,” Wilson said. “It’s not going to come to you in your comfort zone.

“Under pressure, he has reverted to old habits. What we are looking for now is to have him keep the new technique under pressure.”

Leading up to these nationals, where the men skate the short program Saturday and the long Sunday, this season has been more of a struggle for Brown than last season.

A big piece of it undoubtedly was related to the concussion he sustained in a late August car accident in Colorado. Wilson said Brown’s training was limited for six weeks.

He withdrew from his first planned competition, Nebelhorn Trophy in late September. He was unable to do full program run-throughs until two weeks before Skate America in late October.

“After he did something in training, instead of telling him, ‘That’s good, do it again,’ we were saying, ‘Okay, how are you feeling?’” Wilson said. “That wears on you after a while.

“I feel he’s really ready for this competition. I’m curious to see how he does.”

After finishing second to Chen at Skate America, Brown was fifth at the NHK Trophy, falling twice in each program. He went on to win the Golden Spin of Zagreb for the second straight year but his skating there a month ago was so relatively desultory that his score was 21 points lower than in 2018.

“I’m trying to be patient and trying to see it as objectively as I can,” he said. “But when you’re in it, you’re wondering, `What’s happening to me? Why aren’t I as consistent? What’s going on? Why can’t I perform the way I used to?’

“I’m not the kind of skater who will get super, super (mentally) defeated. I’m always able to take a step back, regroup, refocus and move forward.

“I’ve had these glimpses as the year goes on of what could be, of how bright and shiny the future can be. That has carried me to be so positive and continuing to trust (his coaches’) judgment.”

The dark cloud on the horizon remains, as always, the quad issue.

According to skatingscores.com, Brown has attempted 16 quads in international competition and one at the U.S. Championships, including 15 toe loops and two salchows. They have resulted in eight falls, seven downgrades and seven under rotations. Three have received full rotational credit, but none of the 17 has been landed cleanly.

Brown laughed when I brought up the subject by saying, “This wouldn’t be a conversation between Phil and Jason if I didn’t ask about the quad.”

“Of course,” he said. “I don’t think it’s a conversation with anyone without it coming up.”

Brown intends to try a quad toe loop in the free skate as he did last year, when it was downgraded.

This year, at least, Brown won’t need to live through the four-day costume drama of a year ago, when he discovered while packing for nationals in Detroit that his competition costumes had been left behind in Zagreb.

He was prepared to do the short program in black pants and plain black turtleneck, but his parents worked logistical miracles to get the costumes to the arena just before he skated.

“I couldn’t put my mother through that again,” Brown said. “The costumes are in my suitcase.”

Philip Hersh, who has covered figure skating at the last 11 Winter Olympics, is a special contributor to NBCSports.com/figure-skating.

MORE: Canadian ice dancers overcome wardrobe malfunction at nationals

As a reminder, you can watch the events from the 2019-20 figure skating season live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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