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By any measure, Nathan Chen’s performance at Worlds matches standard for transcendent greatness

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Transcendent greatness in sports is both absolute and relative.

Absolute, because anyone who sees an exceptional performance can recognize it as exceptional judged against nothing but its own merits.

Relative, because we seek to define greatness by comparison, to determine levels of it (greater? greatest?) when judged by other exceptional performances we have seen or know of, no matter how hard it is to make such comparisons across long periods of time, with the wildly different athletic parameters of different eras.

No matter which standard we use, absolute or relative, what Nathan Chen did in winning the 2019 World Figure Skating Championships in Japan was transcendent greatness.

No one other than Chen in the 123-year history of the event has done two unblemished, artistically compelling skates with the technical demands of the jump elements in his short program and free skate.

And no one else has done it while on spring break from his freshman year at Yale, one of the most academically demanding universities in the world. Or with a video chat coaching arrangement, separated by 3,000 miles from Rafael Arutunian, his skating mentor for eight years.

“I can’t put it into perspective because I do not understand how he can go to school, train all those quads and then perform so well – AND do it like it was nothing,” Kurt Browning of Canada, a four-time world champion, said in a text message Saturday after watching Chen win his second straight world title. “He looked so calm and made winning Worlds look ‘easy.’”

Chen won the short and free easily and the title in a rout, by 22.45 points. He beat two-time Olympic champion Yuzuru Hanyu of Japan by nearly 10 points in the free skate, no matter that Hanyu gave a title-worthy performance with just one mistake.

At the press conference following the free skate, a Japanese reporter framed a question by noting Hanyu had said even two perfect programs might not have been good enough for him to win. That underscores the level of excellence the 19-year-old Chen achieved at this Worlds.

Hyperbole? Not at all. It is impossible to overstate how good Chen was.

“Incredible,” Olympic and two-time world champion Brian Boitano of the U.S. said via telephone. “And the way he did it – the composure, pacing, strength, focus. It has all fallen into place for him in a year.”

One was left to wonder if that was how Chen skated in his dreams of the ultimate performances?

“Of course,” he told me in an interview a couple hours after it was over. “That is exactly what I have trained for, everything I have wanted from skating. It’s amazing to have it actually come true.”

Chen became the first U.S. skater to win consecutive men’s singles world titles since Scott Hamilton took his last of four straight in 1984. Said Hamilton, via text: “Nathan is consistently performing at a level I never thought possible.”

As is the case when Chen is in command, his jumping was boggling. He did a quadruple Lutz and quad toeloop in combination with a triple toeloop in the short. A quad Lutz, quad flip, solo quad toe and quad toe with triple toe in the free. The quad Lutz in the free – rock solid, mile high, long run-out and seemingly effortless – got the highest Grade of Execution (4.76) (GOE) ever recorded for a jump.

It wasn’t the jumps that separated this Chen from the Chen of past seasons. It was the rest of his skating, the part evaluated in the five program component scores (PCS), the part that loosely falls under the rubrics of artistry and presentation.

At the Olympics, when Chen also won the free skate but finished fifth after a short program disaster, his PCS in the free was 9.32 below that of Hanyu, whose movements and edge work some find the most beautiful of the sport’s great champions. Saturday, Chen’s free skate PCS was just 1.04 behind Hanyu’s.

Shae-Lynn Bourne, the Canadian ice dance world champion who choreographed Chen’s short programs the past two seasons, said she has concentrated on getting him to share his personality with the audience and the judges by expressing himself and the program’s story in every movement.

“If you start from that place, people will feel something,” Bourne said. “They won’t just see it as going from element to element.

“It’s not easy to really share something of your personality. Nathan was willing to try from the first time we worked together. Each time I see him, it comes out even more.

“It’s like it is all clicking, and because it’s all clicking, he is starting to cover all the (PCS) bases, to show the whole package. It’s not just the steps but how he does the steps, the presence in each step. It’s not just doing the jumps but how he goes in and how he lands and goes out of the jumps. It’s the ride of the blade so it doesn’t feel like he is setting up for jumps: they just arrive. It’s affecting everything about how people see him and perceive him on the ice.”

Chen left Japan – and global TV audiences – with the perception of an extraordinary athlete and an eye-catching artist on ice. That left the question of whether his was the greatest overall performance in Worlds history.

“Because he put out SO much energy in both programs bringing the nuances of the music to life and simply entertaining the audiences on top of the mountain of technical difficulty, I think an argument can be made [for it being the greatest],” Browning replied. “Both programs would work well in a show environment, without all the technical content.”

No wonder Arutunian told me by telephone Saturday that this was the first time in 44 years of coaching he felt complete happiness over one of his skaters’ performances and the work he had accomplished to help the skater do it. That doesn’t mean Arutunian felt Chen has done all he can.

Coach Rafael Arutunian, left, hugs Nathan Chen after he was declared the gold medal winner during the World Figure Skating Championships at Saitama Super Arena in Saitama, north of Tokyo, Japan. (AP Photo/Andy Wong)

“He should skate better than that,” Arutunian said. “He has no choice. The sport does not stay in one spot. I just hope Yale will give me more time to help him do that.”

Chen likely will take some semesters off to prepare for the 2022 Olympics, although he has no definite plans yet. From the time Chen matriculated at Yale in August through now, he and Arutunian have worked together face-to-face only during Christmas break, while at the U.S. Championships and while at Worlds.

There was a lot of rush-to-judgment naysaying about how such an arrangement would work when Chen bombed his first competition, the free-skate-only Japan Open in early October. It was a complete mess: he fell on three quad attempts and doubled a fourth.

“I trained for that like I would train around a summer event, and I wasn’t in the best shape to run a whole program,” Chen recalled Saturday. “That was a wake-up call that you have to train more appropriately if you want to maintain what you are doing.”

Few highly successful figure skaters in the past 50 years have tried to handle a full college academic load and compete.

Chen admitted to just “throwing myself in there and thinking, ‘Hopefully everything turns out the way I want.’ Fortunately, that was the case. Every competition, I was able to improve. I was even able to improve on what I was doing in school as well.

“Honestly, I had my doubts about whether I could pull it off. It’s easy to get caught up in other people’s thinking that it is too ambitious. Of course, there were also those who supported it, and having the support of my family and Raf played a huge role in me deciding this is what I wanted to do.”

He made steady progress after the Japan Open, enough to win two Grand Prix events and the Grand Prix Final. But Chen was not fooled by the victories. He knew his skating level was below what it had been on the Grand Prix the past two seasons and below his own expectations.

His Japan Open doubling of an opening quad loop, a jump he had tried in only one previous competition, had led Chen to wildly attempt to compensate with way more quads than he could handle at that point. That, too, was a wakeup call.

“I played it smart after that in terms of the number of jumps I did and how I approached the beginning of the Grand Prix season,” Chen said. “Competition after competition, I built confidence.”

Suddenly, at the U.S. Championships in late January, Chen was better than ever, tossing off quads with absolute security, showing the feeling for movement that Bourne had him focus on. As his Worlds teammate Jason Brown said at nationals: “It’s unbelievable. He is pushing the sport in ways that growing up I could only dream of.”

As Chen prepared for Worlds, Hanyu was trying to recover from an ankle injury that had kept him out of competition since November. It was a replay of a year ago, when a similar injury had kept the Japanese superstar out of competition for three months leading to the Olympics, when Hanyu became the first man to win consecutive Olympic titles since Dick Button in 1948-52. A month later, he then wisely chose full recovery over trying to defend his 2017 world title.

Hanyu, 24, has not won every championship gold since his first Olympic triumph but he has been the sport’s gold standard over the ensuing five years. Arutunian unabashedly asked for Hanyu’s autograph at a Grand Prix event in Japan several seasons ago (“I still have the magazine with it,” the coach said.)  Chen said Hanyu has been his skating idol.

So, faced with Hanyu’s stature, fierce competitive will and desire to win for the home fans, Chen figured it likely would take something extra to earn another world title. He worked on a free skate pattern with a fifth quad but abandoned the idea because he couldn’t get the program as consistent as he wanted. He returned to the four-quad program from nationals.

“As soon as I made the decision, I stuck with it, and I think that boosted my confidence knowing that one, I had done it well before and two, I had trained a harder program and now I would be doing an easier one,” Chen said. “At the same time, I knew the (top) guys would all be doing as many quads, and it would come down to who skated the cleanest.”

In the short program last Thursday, reigning Olympic silver medalist Shoma Uno of Japan fell on his opening quad and stumbled to sixth in the short program. And Hanyu faltered, doubling a planned quad Salchow and receiving zero points for that element.

Chen took advantage of his rivals’ errors with a clean program that earned a PCS score just .29 below Hanyu’s, with a big technical score difference. That gave him a 12.53-point lead over Hanyu and 16 over Uno going into the free skate.

The free skate draw put Hanyu right ahead of Chen. He and Arutunian prepared for what that meant: as Chen took the ice, the crowd would probably be going wild, and time would be needed to clear the surface littered with plush Winnie the Pooh toys of all sizes, the fans’ salute to Hanyu’s talisman. Chen would later joke about being happy only one side of the rink had been covered with Poohs, so he still had room to loosen up.

Hanyu’s wonky finish on his second of four quads in the free skate, also a Salchow, drew both an under-rotation call and a negative GOE, costing him some five points. Arutunian said he still thought, “We are not allowed a mistake.”

Whether that was the case became a moot point because Chen did not make one. His GOEs on the four jumping passes with quads were huge: the 4.76, a 2.04 and two of 3.39. His feeling for the dreamy, wistful music, “Land of All” by Woodkid, was striking. His blades simply flowed across the ice.

Arutunian thought this title was more meaningful than Chen’s victory a year ago because Hanyu was there, because of the consequences of the skating order, because Chen skated better than he had not only at the 2018 Worlds but also in his dazzling performances at the 2019 nationals.

Even as he noted it was a great feeling to win against “a full roster this time,” Chen sees the meaning of the second title in a more nuanced way than simply for having taken the top spot from Hanyu.

“We’re in completely different (places) in skating,” Chen said. “He has accomplished so, so much. It’s not like I’m trying to take over what he has started. I want to respect everything he has done in the sport and for the sport.

“I’m in the generation below him. He’s always been a person for me to look up to, for me to try to close the gap to be close to him. It’s a little foreign for me to be in this position. At the same time, I have put in the work to be in this position.”

Theirs is now a legitimate competitive rivalry, one rooted in mutual respect, one that can only enhance the sport leading to the 2022 Olympics. Whether both still hold the pre-eminent positions in men’s skating three years from now is impossible to predict, even if there are few apparent challengers to Chen and Hanyu on the scene. If both remain healthy, they likely will be battling each other for the gold in every major event over the upcoming three seasons.

Whatever happens in the future will not change the history, absolute or relative, of what Nathan Chen did last week. It was and forever will be a transcendent example of sporting greatness.

Philip Hersh, who has covered figure skating at the last 11 Winter Olympics, is a special contributor to NBCSports.com/figure-skating.

MORE: Hersh: Nathan Chen, student and skater, tries to have two parts in harmony

As a reminder, you can watch the events from the 2018-19 figure skating season live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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Heather Bergsma, world champion speed skater, retires

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Heather Bergsma, a world champion and Olympic medalist speed skater, decided to retire during what has been a two-year break from the sport, according to U.S. Speedskating.

“I don’t have any regrets,” Bergsma said, according to TeamUSA.org. “I’m completely satisfied with how everything went.”

Bergsma, 30, now lives in the Netherlands with her husband, Jorrit, a Dutch Olympic champion speed skater, and son, Brent, who was born in October 2018.

Bergsma converted from inline skating to make the last three Olympic teams. She was the U.S.’ best skater in the 2014 and 2018 Olympic cycles and finished her career with a team pursuit bronze medal in PyeongChang, the first podium finish for U.S. women’s speed skating since the 2002 Olympics.

When Bergsma announced a two-year break from the sport in April 2018, she said she would “see if I have that drive again.”

Bergsma retires as the only U.S. speed skater to earn world titles in three different individual events — the 500m, 1000m and 1500m, between 2015 and 2017 — since the world single distance championships debuted in 1996.

Her best individual Olympic finish was sixth in her first Olympic race — the 500m at the 2010 Vancouver Games.

She also broke the 1000m and 1500m world records on consecutive Saturdays in November 2015. Other skaters since lowered those records.

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MORE: Shani Davis retires, takes new role in speed skating

Evan Lysacek, 10 years removed from Olympic victory in Vancouver, reflects on his changed life

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Last month, when Evan Lysacek was speaking to students in Kuala Lumpur, Malaysia in his role as a sports envoy for the U.S. Department of State, the presentation included a showing of his figure skating short program and free skate from the 2010 Winter Olympics in Vancouver.

Lysacek rarely skates these days. He last did something that could be called a public performance when Ice Theatre of New York honored him in October 2016. With an ankle ligament still sore from a misstep injury that threatened to have him in a cast for his wedding last Dec. 14, he shuffled briefly around the ice while working with skaters in Malaysia.

That detachment from the sport has made it difficult for him to believe what he was seeing in the video of the greatest performances of his career.

“It’s surreal to watch,” Lysacek said. “When I think of what it took to get there, I think, ‘How did I ever do that?’”

Lysacek, 34, was speaking by phone from Bangkok, Thailand, where he will be living about half the year while he and wife of three months, Duangpatra “Dang” Bodiratnangkura, work together on a real estate development project outside Bangkok. Most of the other half will be spent in Los Angeles, where they are about to start another real estate project.

Evan Lysacek wedding photos
Duangpatra Bodiratnangkura and Evan Lysacek’s December wedding at Nai Lert Park Heritage Home in Bangkok. Courtesy: Evan Lysacek

The physical distance from his landmark achievement as an athlete and from all the rinks in the United States where he trained on that journey seems to add to Lysacek’s disconnect from images of his winning the men’s figure skating gold medal on this date 10 years ago at the Pacific Coliseum on the east side of Vancouver.

When his mind travels back to Feb. 18, 2010 in Vancouver, it conjures up the joy of a success both shared and personal, evokes pride both individual and national, recalls long days of lonely practices in frigid, nondescript rinks and refocuses on the disappointments and failures that preceded his seven minutes, 20 seconds of glory with the world watching. His most vivid memories are of the things that came to him during the awards ceremony, with the rising flag and the sound of the National Anthem as a music video in the background.

“To have my whole crazy life justified by winning the gold medal is still an incredible feeling that is hard to put into words,” he said.

It is the only Olympic singles gold for a U.S. man since Brian Boitano in 1988. It was a once-in-a-lifetime gold for not only the skater but also for his renowned coach, Frank Carroll, who had resigned himself to having his six-decade coaching career end without one of his many celebrated skaters winning one. Lysacek trained under Carroll for 12 years.

“I remember every time someone would mention the Olympics around Frank, they would say, ‘Do you think you are going to get it? Will you retire it you get it?’” Lysacek said. “The first thing that went through my mind when I realized I had won was, ‘Frank got it.’”

When Carroll finally did retire, not long after his 80th birthday in July 2018, he said Lysacek’s gold medal was “was basically a complete, utter, delightful shock.”

But no one ever had been better prepared mentally, physically and strategically to pull it off than Lysacek, even if it took him longer than many recent Olympic champions to have all the pieces fit into place.

He would finish 12th, 12th, 7th and 5th at his first four U.S. Championships as a senior. Once Lysacek made the podium for the first time at nationals with a bronze medal in 2005, he would finish off the podium just twice in his final 25 competitions – a fourth at the 2006 Olympics, when he let a medal slip away with uncharacteristic short program mistakes, and a fifth at the 2007 worlds.

Lysacek won medals at his last 15 competitions. His three world medals are the most by any U.S. man since Todd Eldredge won a sixth in 2001. He was inducted into the U.S. Figure Skating Hall of Fame in 2016.

“What I liked most about skating was competing,” Lysacek said. “I’m not ashamed to say I liked to win and hated to lose.”

That is why his performance at the 2009 U.S. Championships was galling, unnerving and a catalyst for what followed.

After winning the two previous U.S. titles, Lysacek staggered into third overall in 2009 with a fourth in the free skate. Judges gave him a myriad of reasons for his poor scores. At a loss to sort through the criticisms, he called Tatiana Tarasova, the Russian coaching legend who had choreographed his 2009 problems.

“At the time, all I could think was, “It’s only a year from the Olympics, and I’m not ready. What do I do?’” Lysacek recalled.

Tarasova’s advice? Don’t worry about what anyone on the outside is saying but seek some answers from Lori Nichol, who had choreographed his programs the year before and would do so again in the Olympic season.

“It was very big of Lori to welcome me back with open arms,” Lysacek said. “We spent two weeks together, with her reminding me of basic things – be faster, hold your landings longer, strengthen your positions. It was what I needed to hear. That was a real turning point.”

Two months after his disappointment over nationals, Lysacek won the world title, becoming the first U.S. man to do that in the 13 years since Eldredge’s 1996 triumph.

But one week before the 2009 worlds, the reigning Olympic champion, Yevgeny Plushenko of Russia, announced he had resumed training with his longtime coach, Alexei Mishin, with the intention of ending his three-year break from competition in the 2010 Olympic season.

Plushenko and Lysacek would have the leading roles in what became part drama, part soap opera, and part hissing match in Vancouver. The key element in the plot was a quadruple jump.

The redoubtable Plushenko, 27 years old at the 2010 Olympics, returned to competition at the 2009 Grand Prix of Russia and followed that with impressive victories at the Russian and European Championships. Lysacek, then 24, was a distant second (third in the free skate) to a flawless Jeremy Abbott at the 2010 U.S. Championships.

The Russians sensed that Lysacek, as 2009 world champion, was more of a threat to Plushenko at the Olympics than Abbott, who had finished 11th at both the 2008 and 2009 worlds. So Mishin and Plushenko began a lobbying campaign in the press, deriding men like Lysacek who did not do a quadruple jump.

Retorted Carroll: “He (Plushenko) is doing a 6.0 (old judging system) program. He is not getting the bullet points and difficulty of the new system. I am not impressed.”

That controversy took on another dimension when the French sports newspaper, L’Equipe, revealed that longtime international judge Joe Inman of the United States had emailed some other judges questioning what Inman felt were overly generous scores for Plushenko at Europeans in the “transitions / linking footwork” component score category. Even though Inman was not judging in Vancouver, his email looked like backroom lobbying in a sport famous for that.

Neither Lysacek nor Carroll let the quad brouhaha affect their plans for the jump content in Lysacek’s Olympic programs. There would be no quad. Lysacek landed a quad toe loop at the 2007 nationals but struggled with the jump repeatedly after that, eschewing it altogether in winning worlds.

“In 20 years of competing, I don’t think I ever competed in a field where I would say I was the best skater, but I never doubted I could win,” Lysacek said. “To me, sport was about strategy, and I would think I could use it as a way to beat everybody.

“At the time, the quad was high risk for me, and it wasn’t a risk I felt was worthwhile. I believed I could accumulate enough points elsewhere.

“Of course, that was a gamble. I could have made mistakes on other things, and then the whole plan would be completely foiled.”

In the short program, neither Lysacek, whose toughest jump was a triple Axel, nor Plushenko, who landed a quad toe-triple toe combination, made a mistake. Plushenko (90.85 points) won it by just .55 because Lysacek had a 2.25 margin in component scores, more than half of that difference from the transitions / linking footwork category, where two judges gave the Russian only 5.0.

That would make the results of the free skate two days later seem especially ironic and satisfying to Lysacek.

Skating to excerpts from Russian composer Rimsky–Korsakov’s “Scheherazade,” Lysacek was first to perform in the final group of six. He made minor errors on two jump landings but did a seamless interpretation of the music, with three exceptionally strong spins.

When he finished, Lysacek did five double fist pumps above his head, celebrating having skated to his full capacity, no matter the outcome.

Evan Lysacek
Lysacek on ice in Vancouver with his gold medal.

Then he had to wait, as Plushenko was the event’s last skater. Lysacek finished nearly 50 minutes before the Russian’s scores were announced.

“The time went really quickly,” Lysacek remembered. “I did the mixed zone (interviews) during the first couple skaters after me. Then I sat (backstage) and watched Yevgeny skate.”

He saw a Plushenko who did another quad-triple in a typically Russian men’s program – all the hard stuff at the beginning, missing out on second-half bonus points. Lysacek did five of his eight jumping passes in the bonus period, Plushenko just three of his eight. Plushenko, skating to “Tango of Love” by Edvin Marton, filled time with posing, hip swivels and pelvic gyrations.

Plushenko gave away 1.26 points in technical scores to Lysacek on spins and .9 on footwork – but less (.7) than in the short for PCS transitions / footwork. Lysacek won the free skate by 1.86 and the gold by 1.31 – 257.67 to 256.36, the smallest margin between men’s gold and silver in the four Olympics scored and judged with the new system.

The way it broke down would be especially rewarding to Lysacek. He lost just .3 to Plushenko on free skate jumps. His winning margin had come from the technical scores in the free skate; the component scores were tied.

“It justified my strategy,” Lysacek said. “I extracted as many points as I could from the technical side of that program.”

When the results appeared on the monitor Lysacek was watching, his reaction developed in stages. First came a smile. Then a broad laugh. Then he briefly jumped up and down with Nichol and hugged Carroll while registering disbelief by saying, “No way.” Then the Chinese pairs gold medalists, Shen Xue and Zhao Hongbo, whose programs Nichol also had choreographed, gave Lysacek a hug.

Plushenko’s reaction would not be gracious. “If the Olympic champion doesn’t know how to jump quad, it’s not men’s figure skating; it’s dancing,” he said.

Lysacek took the high road in his national TV appearances a day later, relentlessly praising Plushenko for having the guts to make his comeback and for the quality of his skating. But Lysacek had admitted to me a couple hours after the free he was saddened by Plushenko’s reaction, and he expanded on that late the next afternoon.

“I guess I was a little disappointed that someone that was my role model would take a hit at me in probably one of the most special moments of my life, that I will never forget, regardless of what anyone says,” Lysacek told me at that time.

In the years since, Lysacek has seen Plushenko only a few times.

“He was always very civil,” Lysacek said, “but we never really talked about anything. There was no reason to reignite an old argument.”

Plushenko would go on to compete at the 2014 Winter Games in Sochi, Russia. He won gold in the new team event, giving him medals in all four Olympics in which he competed, but he withdrew from the singles event with a back injury just before the short program.

Lysacek never competed again.

“My life changed right away,” he said. “My focus for 20 years before the 2010 Olympics was very singular and linear. You had good days or bad days, you performed well or performed poorly, very black or white. After winning, my life got a lot more gray.”

Lysacek went on Dancing with the Stars in the spring following the Olympics, finishing second. He toured with Stars on Ice in 2010 and 2011. He was named a sports envoy in 2012. His intention was to seek a spot on the 2014 Olympic team, but persistent injuries forced him to abandon that goal in December 2013.

Lysacek went to Sochi for one of his sponsors, did some work for the Today show and learned quickly he was, by his own admission, “not good at TV.”

“After that, I dove right into a whole other life,” Lysacek said.

He moved from Los Angeles to New York to work for a real estate development company but left that job in 2015 for a final go-around with Stars on Ice. When that tour ended, he joined the Vera Wang Group, spending four years doing licensing and marketing for the famous designer, a former figure skater who has created competition costumes for many of the sport’s biggest names over the past quarter-century.

Late in 2018, Lysacek renewed acquaintances with a woman he had met seven years earlier, a woman whom a couple of Lysacek’s friends in Los Angeles had predicted would be his wife when the friends had first met her at an early 2011 dinner in Bangkok.

Their relationship remained largely dormant as each pursued busy careers: he in New York, she as a real estate developer in Los Angeles, Bangkok and London.

“The timing never was right,” Lysacek said.

That changed when 2014 Olympic bronze medalist Denis Ten of Kazakhstan was murdered in July 2018 in his hometown of Almaty, Kazakhstan. Lysacek and Ten had trained together under Carroll.

Ten’s death left Lysacek so at sea he began wondering whom he would regret not telling how much he cared about them. He realized Dang was one of those people and flew to Los Angeles to say that in person.

After he went back New York, she texted him to ask if he thought the relationship would work if they were together. Lysacek replied that he had thought about that all the time. She came to New York for much of the next year. They were engaged in April 2019 and married seven months later with lavish festivities in Bangkok.

Evan Lysacek wedding photos
Duangpatra Bodiratnangkura and Evan Lysacek’s December wedding at Nai Lert Park Heritage Home in Bangkok. Courtesy: Evan Lysacek

Lysacek has been out of the United States since last June. When he and his wife return in late February to their house in Beverly Hills, he hopes to find time to skate more regularly.

He spent the 10th anniversary of his Olympic triumph at a considerable geographic remove from where it happened, doing a sports envoy appearance at the Naniwa Ice Rink in Osaka, Japan. He worked with skaters and talked to a general audience of students, emphasizing how to set goals.

Tuesday’s presentation happened to be called, “Go for Gold!” Yet he and his sport have moved on.

“For a while after winning the gold medal, everyone recognized me, and that was fun,” Lysacek said. “Then my life went back to what it always was.

“I wouldn’t expect anyone 10 years later to remember what I did, especially because it’s such a young athletes’ sport. If anyone did, I hope they would say I represented the sport and the country well.”

In Osaka, as in the other places where Lysacek represents the State Department, they will undoubtedly show some video of his 2010 triumph.

It will make him realize again how such a personal moment can have such far-reaching resonance because of the Olympics’ global impact and because of the common language of sport. It will make him marvel again at how he did it and at how the kid who grew up in a largely homogenous Chicago suburb has become a man of, and for, the world at large.

Philip Hersh, who has covered figure skating at the last 11 Winter Olympics, is a special contributor to NBCSports.com/figure-skating.

MORE: In figure skating, a radical proposal to reshape the sport

As a reminder, you can watch the events from the 2019-20 figure skating season live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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