Bradie Tennell on self-doubt, lessons learned this season

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Before a stop on the Stars on Ice tour, Olympian and U.S. champion Bradie Tennell caught up with NBCSports.com/figure-skating, discussing what she learned from the post-Olympic year and what direction she wants to go next season.

This conversation has been lightly edited for length and clarity.

NBC Sports: How would you evaluate this season?

Tennell: It was a bit challenging. It didn’t go quite the way I expected it to or hoped it would. I think I learned a lot and there were some very valuable lessons that I’m glad that happened. Looking forward, I know how to better handle some situations now because of the year that I had. I’m just really grateful for all the experiences. Of course, my skate at worlds was everything that I wanted to do all season. So, I was really happy with that.

NBC Sports: It sounds like now is a good time in the quad to maybe learn those things.

Tennell: For sure. If it was any time to happen, I did it at the right time.

NBC Sports: What were some of those lessons?

Tennell: Not to let the unexpected bring me down. When I’m out there, just trust myself more, not have so much self-doubt. Because I know I’m trained. When I go to competition, I’m trained, I’m ready. I know what I’m doing. This year, when I stepped on the ice, I started second-guessing myself. That’s where some of those under-rotations came from. So then of course the self-doubt crept in even further. It’s cyclical. I think I need to believe in myself and keep that confidence moving forward.

NBC Sports: Where does that get the worst for you? Does it happen mid-program, if things start to fall apart? Before the music starts?

Tennell: I think it’s right before the music starts. In that second or two of absolute dead silence, all those thoughts come racing into your head. You’re like, “No! I’ve got this!”

NBC Sports: Looking ahead, have you started looking at music? Will you work with choreographer Benoit Richaud again?

Tennell: Yes, I will be working with Benoit again. I am looking for music. That’s very challenging for me – just because I’m so picky. I’m still in that process.

NBC Sports: Last season you had one program from both worlds, the modern and the classic. Is that something you want to try again?

Tennell: Not necessarily. I know I want programs in two different genres to show a wider range. I definitely wanna have programs that are very different from each other, I’m just not sure what yet.

NBC Sports: It seems like tour is the place to experiment with new programs. Can you tell me about your program to “Stay” and “Diamonds” by Rihanna?

Tennell: I love my costume for it. It’s the black unitard, super cool. I think people really like it. It’s something different for me. I can’t say I would’ve thought that I would pick it, but Benoit and I were just listening to music one day and I was like, ‘Oh I could kinda get into this.’ And he’s like [in an accent] ‘OK, we make program.’ I was like ‘OK! Sounds good!’

NBC Sports: You clearly give him a lot of room for input.

Tennell: Yeah, he’s amazing. He’s got such a vision for everything and he challenges me a lot, which is really great. I’m really glad that he does that. He’s pushed me out of my comfort zone but that’s really helped me grow as an athlete.

MORE: Bradie and Benoit’s vision for “Romeo & Juliet”

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Germany opens bobsled worlds with double gold; Kaillie Humphries gets silver

Laura Nolte Bobsled
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Germans Laura Nolte and Johannes Lochner dethroned the reigning Olympic and world champions to open the world bobsled championships in St. Moritz, Switzerland, this weekend.

Nolte, the Olympic two-woman champion driver, won the four-run monobob by four tenths of a second over American Kaillie Humphries, who won the first world title in the event in 2021 and the first Olympic title in the event in 2022. Another German, Lisa Buckwitz, took bronze.

In the two-man, Lochner became the first driver to beat countryman Francesco Friedrich in an Olympic or world championships event since 2016, ending Friedrich’s record 12-event streak at global championships between two-man and four-man.

Friedrich, defeated by 49 hundredths, saw his streak of seven consecutive world two-man titles also snapped.

Lochner, 32, won his first outright global title after seven Olympic or world silvers, plus a shared four-man gold with Friedrich in 2017.

Swiss Michael Vogt drove to bronze, one hundredth behind Friedrich. Geoff Gadbois and Martin Christofferson filled the top American sled in 18th.

Americans Steven Holcomb and Steven Langton were the last non-Germans to win a world two-man title in 2012.

Bobsled worlds finish next weekend with the two-woman and four-man events.

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Novak Djokovic wins 10th Australian Open, ties Rafael Nadal for most men’s Slam titles

Novak Djokovic Australian Open
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MELBOURNE, Australia — Novak Djokovic climbed into the Rod Laver Arena stands to celebrate his 10th Australian Open championship and record-tying 22nd Grand Slam title Sunday and, after jumping and pumping his fists with his team, he collapsed onto his back, crying.

When he returned to the playing surface, Djokovic sat on his sideline bench, buried his face in a white towel and sobbed some more.

This trip to Australia was far more successful than that of a year ago, when he was deported from the country because he was not vaccinated against COVID-19. And Djokovic accomplished all he could have possibly wanted in his return: He resumed his winning ways at Melbourne Park and made it back to the top of tennis, declaring: “This probably is the, I would say, biggest victory of my life.”

Only briefly challenged in the final, Djokovic was simply better at the most crucial moments and beat Stefanos Tsitsipas 6-3, 7-6 (4), 7-6 (5). As a bonus, Djokovic will vault from No. 5 to No. 1 in the ATP rankings, a spot he already has held for more weeks than any other man.

“I want to say this has been one of the most challenging tournaments I’ve ever played in my life, considering the circumstances. Not playing last year; coming back this year,” Djokovic said, wearing a zip-up white jacket with a “22” on his chest. “And I want to thank all the people that made me feel welcome, made me feel comfortable, to be in Melbourne, to be in Australia.”

The 35-year-old from Serbia stretched his unbeaten streak in Melbourne to 28 matches, the longest run there in the Open era, which dates to 1968. He adds trophy No. 10 to the seven from Wimbledon, three from the U.S. Open — where he also was absent last year because of no coronavirus shots — and two from the French Open, to match rival Rafael Nadal for the most by a man.

Only two women — Margaret Court, with 24, and Serena Williams, with 23 — are ahead of him.

This was also the 93rd ATP tour-level title for Djokovic, breaking a tie with Nadal for the fourth-most.

“I would like to thank you for pushing our sport so far,” Tsitsipas told Djokovic.

Djokovic was participating in his 33rd major final, Tsitsipas in his second — and the 24-year-old from Greece also lost the other, at the 2021 French Open, to Djokovic.

On a cool evening under a cloud-filled sky, and with a soundtrack of chants from supporters of both men prompting repeated pleas for quiet from the chair umpire, Djokovic was superior throughout, especially so in the two tiebreakers.

He took a 4-1 lead in the first, then reeled off the last three points. He led 5-0 in the closing tiebreaker and, when it finished, he pointed to his temple before screaming, a prelude to all of the tears.

“Very emotional for us. Very emotional for him,” said Djokovic’s coach, Goran Ivanisevic. “It’s a great achievement. It was a really tough three weeks for him. He managed to overcome everything.”

Perhaps surprisingly, Tsitsipas was willing to engage in the kind of leg-wearying, lung-searing back-and-forths upon which Djokovic has built his superlative career. How did that work out? Of points lasting at least five strokes, Djokovic won 43, Tsitsipas 30.

Then again, on those rare occasions that Tsitsipas did charge the net, Djokovic often conjured up a passing shot that was too tough to handle.

It’s not as though Tsitsipas played all that poorly, other than a rash of early miscues that seemed to be more a product of tension than anything.

It’s that Djokovic was too unyielding. Too accurate with his strokes, making merely 22 unforced errors, 20 fewer than his foe. Too speedy and flexible chasing shots (other than on one second-set point, when, running to his left, Djokovic took a tumble).

“I did everything possible,” said Tsitsipas, who also would have moved to No. 1 with a victory, replacing Carlos Alcaraz, who sat out the Australian Open with a leg injury.

Perhaps. Yet Djokovic pushes and pushes and pushes some more, until it’s the opponent who is something less than perfect on one swing, either missing or providing an opening to pounce.

That’s what happened when Tsitsipas held his first break point — which was also a set point — while ahead 5-4 in the second and Djokovic serving at 30-40. Might this be a fulcrum? Might Djokovic relent? Might Tsitsipas surge?

Uh, no.

A 15-stroke point concluded with Djokovic smacking a cross-court forehand winner that felt like a statement. Two misses by Tsitsipas followed: A backhand long, a forehand wide. Those felt like capitulation. Even when Tsitsipas actually did break in the third, Djokovic broke right back.

There has been more than forehands and backhands on Djokovic’s mind over the past two weeks.

There was the not-so-small matter of last year’s legal saga — he has alternately acknowledged the whole thing served as a form of motivation but also said the other day, “I’m over it” — and curiosity about the sort of reception he would get when allowed to enter Australia because pandemic restrictions were eased.

He heard a ton of loud support, but also dealt with some persistent heckling while competing, including applause after faults Sunday.

There was the sore left hamstring that has been heavily bandaged for every match — until the final, that is, when only a single piece of beige athletic tape was visible.

And then there was the complicated matter of his father, Srdjan, being filmed with a group of people with Russian flags — one with an image of Vladimir Putin — after Djokovic’s quarterfinal. The tournament banned spectators from carrying flags of Russia or Belarus, saying they would cause disruption because of the ongoing invasion of Ukraine. Djokovic and his father said it was a misunderstanding; Srdjan thought he was with Serbian fans.

Still, Srdjan Djokovic did not attend his son’s semifinal or the final.

No matter any of it, Djokovic excelled as he so often has.

“He is the greatest,” Tsitsipas said, “that has ever held a tennis racket.”

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