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Elizaveta Tuktamysheva, armed with triple Axel, fights to compete with Russian teens

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Figure skating is moving fast, and 2015 World champion Elizaveta Tuktamysheva is banking on an extra half-rotation to compete with a technical revolution led by quad-jumping countrywomen.

“I want to be on top,” Tuktamysheva told NBCSports.com/figure-skating in a phone interview following a bronze medal at Skate America. “If I want to do that, I have to work and keep improving in everything. Otherwise, I should stop skating.”

Five times a champion on the Grand Prix circuit – including at the 2014 Grand Prix Final – Tuktamysheva rallied from a solid short program but disappointing score of 67.28 (nearly six points below her season average) to land on the podium behind Russian national champion Anna Shcherbakova and 2018 U.S. champion Bradie Tennell.

“I was even happier to be third place here than I was when I was first place in Skate Canada last year, because I was thinking I could have been fifth because of the short program,” Tuktamysheva said. “I’m happy my free program was much better.”

Though the 22-year-old cleanly landed three of her signature triple Axels last weekend – including one in combination with a double toe loop in the free skate – she was nonetheless technically outgunned by Shcherbakova who, in her senior Grand Prix debut, became the first woman to land two quadruple Lutzes in international competition.

“Right now, it’s really hard to be on top in Russia, but you should keep trying so long as you feel like there’s a chance to win,” Tuktamysheva said. “I believe that I can compete. If there’s a girl who doesn’t believe, I don’t know why they would even try.”

Most fighting for one of three spots on the Russian team have a reasonable shot at earning medals – if not winning – at March’s world championships in Montréal, making December’s Russian Nationals a must-watch.

Besides Shcherbakova, Tuktamysheva must contend with Olympic champion Alina Zagitova, two-time world champion and Olympic silver medalist Yevgenia Medvedeva, reigning European champion and fellow Alexei Mishin pupil Sofia Samodurova, junior Grand Prix Final champion Alena Kostornaia – who attempted two triple Axels (landing one fully rotated) to win the Finlandia Trophy, and two-time world junior champion Alexandra Trusova, who landed four quadruple jumps at the free skate-only Japan Open on Oct. 5.

At an age where many skaters scale back their technical arsenals, Tuktamysheva continues to innovate, experimenting with a triple flip-triple toe loop short program combination while committing to three triple Axels at every competition.

Since beginning her season at the Russian Senior Test Skates – a veritable mini-Olympics featuring all eight women set to compete on the Grand Prix series – she has cleanly landed an impressive 12 of 14 triple Axels in competition.

“My technical conditioning is really good,” Tuktamysheva said. “This season, I hope to improve my components, programs, and also do the jumps. It’s so hard to be in your prime all season. It doesn’t work for me and, after all, I should be taking care of my health. I hope I’m going to do even better, but at the same time, I’m aware that I’m in my best-ever shape at the moment.”

Skate America saw more tinkering from Tuktamysheva, who unveiled a new transition into her “Drumming Song” short program’s triple Axel and changed the final edit of her Yiddish Jazz-themed free skate from “Bei Mir Bist Du Schoen” to a reprise of the opening “Caravan.”

“We had one day after between Finlandia and Skate America, but in one day we made so many changes,” she said. “When I did the free program in Finlandia, I felt that the music at the end might not be as powerful, so we took the time to change. I heard the new version and thought it was 100 percent better. This is the final part to the program, and this time, I feel much more power and happiness as I finish it.”

Her current free skate layout allows for seven triple jumps – one away from the maximum eight she was competing at the end of last season to win the World Team Trophy over triple Axel rival Rika Kihira. Tuktamysheva plans to retain that content ahead of her next competition at Cup of China, while re-introducing the flip-toe combination back into the short program.

MORE: Quad revolution within women’s skating

“I don’t want to make big changes now,” she said. “I just want to skate clean, with power. I want my programs to feel like films, with no empty places.”

Her two programs are an intriguing contrast, and an artistic evolution from last year’s “Assassin’s Tango” and “You Don’t Love Me/Petit Fleur/Catgroove” outings.

She called “Drumming Song” – an earthy and primal Florence and The Machine song – her favorite short program of her career. A mash-up of “Caravan” and “Utt Da Zay” in the free skate shows the powerful Russian at her most fun and flirty – a refreshing departure from some of the more dramatic numbers attempted by her younger competitors.

“I’m a different feel in figure skating,” she said. “It just comes from inside. I listen to the music and the choreographer, and try to do my best to feel. When I feel and understand, it all comes together and looks really nice.”

A near-lock for last year’s world team, a bout of pneumonia felled Tuktamysheva days after taking bronze at the Grand Prix Final, forcing her out of the national championships. A narrow defeat to Medvedeva at February’s Russian Cup Final handed the last spot to her compatriot, who went on to earn a bronze medal at the world championships in Japan.

Where last season was a return to form, this season forecasts the former world champion, one of the most decorated athletes to never make an Olympic Games, at her athletic and artistic peak. With the Winter Games in Beijing just over two years away, the otherwise amiable Tuktamysheva still has something to say on the ice and plans to use the next three months of competitions to make her point.

“I will skate until I no longer feel I can compete with the other girls,” she said. “Right now, I want, and I will, and I will fight.”

MORE: Final Skate America takeaways

As a reminder, you can watch the events from the 2019-20 figure skating season live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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Peter Snell, 3-time Olympic track champion, dies

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WELLINGTON, New Zealand (AP) — Three-time Olympic champion and world mile record-holder Peter Snell has died in Dallas. He was aged 80.

Snell, who is regarded as one of the greatest middle-distance runners of all-time, won the 800m at the 1960 Rome Olympics aged 21, and the 800m-1500m double at the 1964 Tokyo Games.

He was the first man since 1920 to win the 800m and 1500m at the same Olympics. No male athlete has done so since.

Snell also won two Commonwealth Games gold medals in the 880 yards and mile at Perth in 1962.

He twice held the mile world record and also held world records in the 800m, 880 yards, 1000m, and the 4xmile relay.

Snell’s death was confirmed by family friend and New Zealand sports historian Ron Palenski, who heads New Zealand’s Sport Hall of Fame.

“It is very sad news, a grievous loss for New Zealand,” Palenski said. “In terms of track and field, he is probably the greatest athlete New Zealand has had.”

Snell was coached by Arthur Lydiard, an innovator who was regarded as one of the world’s finest coaches of middle and long distance athletes. Lydiard also coached Murray Halberg to win the 5000m at Rome in 1960.

Snell’s wife, Miki, said he died suddenly at his home in Dallas around noon on Thursday. He had been suffering from a heart ailment and had required a pacemaker for several years.

Snell’s athletics career was relatively short. He retired in 1965 to pursue educational opportunities in the United States.

Snell graduated with a Bachelor of Science degree in human performance from the University of California, Davis, and later with a Ph.D. in exercise physiology from Washington State University.

He became a research fellow at the University of Texas Southwestern Medical Center in 1981, later becoming director of the university’s Human Performance Center.

Snell was knighted by New Zealand in 2009. A statue in his honor stands at Cooks Gardens, Whanganui, near his birthplace of Opunake, where he broke the mile world record for the first time in 1962.

Grand Prix Final results show women’s figure skating revolution progressing quickly

Grand Prix Final podium
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The revolution in women’s figure skating is being televised.

That’s a turn of phrase on an admittedly dated reference (Google it). The point is we all have been able to witness, from TV broadcasts or live streams, a season with the most radical change in the sport since child prodigy Sonja Henie, then age 11, began doing jumps in her programs nearly a century ago.

What we watched other child prodigies do at last week’s Grand Prix Final boggled the minds of even those who saw it coming, because no one imagined it coming this soon and to this degree.

This essentially Russian revolution, which has taken maximum advantage of the scoring system and youthful body types to overthrow longtime technical norms of women’s skating, has split the discipline into haves and have-nots.

There are those who have the high-scoring quadruple jumps or multiple triple Axels to seize all the medals. And those who do not have those big jumps and, as of now, no chance to regain the podiums from which they have been summarily ousted.

Given what already had happened this season, it was not surprising that Russian first-year seniors Alena Kostornaia, Anna Shcherbakova and Alexandra Trusova swept the medals in the senior Final. Each had qualified by winning two of the six events in the Grand Prix series.

What is surprising is how far and fast the Troika – as NBC commentator and two-time Olympian Johnny Weir artfully nicknamed them, in a reference to a traditional Russian three-horse sled – has pushed the envelope and how far and fast they have left everyone else behind.

And imagine what the gap could be if women were allowed to do quads in the short program, which likely will be proposed at next year’s International Skating Union congress.

A year ago, it was shocking when the Troika, then all juniors internationally, swept the medals at the senior Russian Championships. Now it will be shocking if they don’t do it again at this year’s Russian Championships, which take place Dec. 24-29.

No women were regularly doing quads until last season. Consider what the Troika has done just this autumn:

*Kostornaia, 16, did not attempt a triple Axel in international competition before this season. Now she is doing one in the short program and two in the free, and all three were very well executed as she took gold at the Grand Prix Final.

*Shcherbakova, 15, began her international season the way she had finished last year at junior worlds, with one quad Lutz in the free skate; at the Grand Prix Final, she did two quad Lutzes (one clean, one under-rotated) and attempted her first quad flip (fall) in finishing second.

*Trusova, 15, began this season after having landed quad Lutz, quad Salchow and quad toe loop as a junior, but she was not attempting more than two in a program. In her senior Grand Prix debut at Skate Canada, she did four quads (three clean). At the Grand Prix Final, she added an excellent quad flip for five free skate quads, one of which she doubled and three of which were clean. She also attempted (and under-rotated) a triple Axel for the first time in the short program.

Even with the mistakes, the quads still racked up enough points for Shcherbakova that she beat a flawless Kostornaia in the free skate. And they gave Trusova a 20.71-point overall margin over fourth finisher Rika Kihira, 17, of Japan, who already had mastered triple Axels but has dropped so far from contention against the Troika that Kihira tried (and fell on) her first quad in competition.

And you have to feel a little sorry for reigning Olympic and world champion Alina Zagitova of Russia, at the technical cutting edge of her sport less than two years ago, now utterly overmatched – and still just 17 years old.

Zagitova’s free skate, an error-filled mess, dropped her from second after a fine short (less than six points behind Kostornaia) to sixth overall, more than 42 points behind Kostornaia and nearly 28 behind the third-place Trusova.

Even had she skated cleanly, having a long program with no quads or triple Axels meant the base value of Zagitova’s elements was more than 30 points less than Trusova’s, more than 20 less than Shcherbakova’s and about five less than Kostornaia’s. Zagitova would have needed otherworldly Grades of Execution marks and program component scores to compete for a medal.

Zagitova acknowledged the futility of her current situation by telling a Russian TV station Friday she was effectively putting her competitive career on hold by withdrawing from the Russian Championships and not asking to be considered for selection for either the European or world championships.

According to a Eurosport summary of the interview, Zagitova said she needed to find new motivation to continue competing. The story quoted her as saying she intended to do shows and keep training under her longtime coach, Eteri Tutberidze, who also coaches the Troika.

Zagitova also said she intended to learn new elements and ways to go into jumps.

“I need to find the desire to want to go into a competition,” she said, according to a translation. “The athletes who have gone down that road will understand me.”

Those who decry how much the quads have thrown the sport’s athletic-artistic balance out of whack found some satisfaction in Kostornaia’s having won with a performance and interpretive quality rare for a skater of her age.

Yet Kostornaia also accumulated some 21 free skate points for her triple Axels, about 13 more points than fifth-place finisher Bradie Tennell of the U.S. got for two clean double Axels. Even if Tennell had not made some relatively small mistakes, there was no way she could make up that difference.

And remember that if Trusova had cleanly landed the quad she doubled and the quad that resulted in a fall, she could have overcome not only her short program mistake but also the margin Kostornaia built in program components with clearly superior skating skills and artistry.

Tennell, 21, the top U.S. woman at the 2018 Olympics (ninth) and the last two World Championships (sixth and seventh), this season has displayed the best overall level of skating in her career. But a lack of quads and triple Axels has dropped her exponentially further behind the leaders.

Yet Tennell presses on.

“She may never catch them, but we keep pushing forward, trying to improve on both components and technical,” said Denise Myers, who coaches Tennell. “She is not settling for where she is now.”

About a month ago, I began to wonder if changing the factoring of the five Program Component Scores (PCS) so that they were the same for women as for men would level a playing field that has tilted so dramatically toward the jumpers.

Since the International Judging System was introduced in 2004, factors of .8 (short program) and 1.6 (long) have been applied to the raw total of each woman’s component score. They are 1.0 and 2.0 for men.

The logic behind the difference was until last season, a men’s free skate was 30 seconds longer with one more element. (Why it also applied to the short program is unclear, since the number of elements and time have been the same.)

“The idea of possible new factors for the program components for men was evaluated in the past season, because for the top skaters the technical score in the last years had considerably increased,” Italy’s Fabio Bianchetti, chair of the ISU technical committee for singles and pairs, said in an email.

“At the moment, for the majority of the [men], the [PCS] is still corresponding to about 50 percent of the total score. In some cases, the relation might not be exact, but a rule must consider all the skaters and not only the top five.

“Now we are dealing with the same situation for the ladies. This is something totally new, and we will study the problem during the season. But again, we cannot look at a couple of skaters only.”

In a recent interview with Nick Zaccardi of NBC Sports, Weir seconded the idea of giving the women’s PCS scores the same weight as the men’s.

“It would give them a little better chance,” Samuel Auxier, an international judge and former U.S. Figure Skating, said in a text message last month.

So much has changed on the jump front since then that it turns out using the men’s PCS factors would have had almost no impact on the women’s results at the Grand Prix Final.

With some computational help from skatingscores.com, I recalculated the PCS scores from the Final with the 1.0 and 2.0 factors, added them to the TES scores and found just one difference: Kostornaia would have moved from second to first in the free skate. The overall and short program finish order would have been the same.

Actual Grand Prix Final scores
One of these (factor .8 / 1.6) shows the actual scores. Skatingscores.com
A re-imagined scoring of the Grand Prix Final
The Refactored scores show what they would be with factors of 1.0 and 2.0. Skatingscores.com

So, the 20% adjustment of PCS factor gender equality is not enough to put women without the most difficult jumps into medal contention.

And as Bianchetti pointed out, making that change or a more substantial one in the women’s factoring must take into consideration not only a few exceptional new talents.

“I truly do not believe that anyone seriously thought a lady would deliver four quads so quickly and especially at such a young age,” Ted Barton of Canada, who was involved in the creation of IJS, said in a text message last month. “Alysa Liu is a good American example of what the present is and future might be.”

(And, yes, there is an elephant in the room: whether the young talents are getting exaggerated PCS scores from judges smitten by their jumping. That’s a question for another day – or lifetime.)

Yet there is every indication the Troika are only the leading edge of a blizzard of jumping phenoms, not only from Russia. After all, Junior Grand Prix Final silver medalist Liu, 14, last season became the youngest singles champion in U.S. history with three triple Axels, and she has added a quad Lutz this season.

“The factoring and [other] calculations were developed on what was being done at that point,” Barton said. “Now that skaters have shown new possibilities, the technical committees will look to see what adjustments can and should be made. Interesting times, indeed.”

For now, though, we are seeing in real time the unsettling effect revolutions can have.

And it seems surreal.

Philip Hersh, who has covered figure skating at the last 11 Winter Olympics, is a special contributor to NBCSports.com/figure-skating.

MORE: What’s next for Nathan Chen after third consecutive Grand Prix Final win?

As a reminder, you can watch the events from the 2019-20 figure skating season live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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