Madison Chock, Evan Bates back on Grand Prix circuit with ‘new power’

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GRENOBLE, France – Madison Chock and Evan Bates have always been known for their mastery of edges, their footwork, and sheer generosity they display on the ice. Since they arrived in their new training base in Montréal some 18 months ago, they have developed a new charisma and interpretation skills, which give each of their performances an enhanced intensity, impact, and visibility.

How did they achieve such a transformation?

“I don’t know! The charming of the snake maybe?” Chock suggested with a laugh after their “Egyptian snake” themed free dance in at Grand Prix France, where the couple earned silver a silver medal.

The “charming” is efficient: one could even argue there has been a complete change of style for the team, who is now much more consistent and powerful than it used to be. That change was obvious from their rhythm dance and confirmed by their free dance during their first Grand Prix outing of the season.

“That may be due to our evolution as performers, more than [as] athletes,” Bates added. “Performing has become our new motto: at the point we are in our careers, it’s more about the performance than about the technicalities. Our free program is a good example of this. Now we are more focused on our story, on the energy of the program, on the connection between the two of us. It’s a good a mindset to have, and it has changed our skating.”

Managing such a transformation is not easy, at a point in their career when most skaters just capitalize on their names and past performance. After all, Chock and Bates have been Olympians together twice already (in 2014 and 2018), they have won medals at two world championships (silver, 2015; bronze, 2016) and at two Grand Prix Finals (silver in 2014 and 2015). And they claimed gold at Four Continents in 2019.

“They allowed us to put them in discomfort, so that we could help them crack the mold they were in,” explained Marie-France Dubreuil, who coaches them with Patrice Lauzon and Romain Haguenauer in Montréal.

“We’ve always been willing to keep learning and improving – in our sport, but that applies also to all the aspects of our lives,” Chock confirmed.

“There is a new dynamic between the two of them,” Haguenauer added.

“And even a new power,” Dubreuil continued. “At one point, when [Chock] was injured, I saw [Bates] skate by himself and I was struck to see how powerful he was when he was by himself. As if he was re-training himself when his partner was with him. Evan is tall, powerful. We tried to help him be more aligned with his blade-to-ice contacts, more controlled. Both are hyper-elegant. So, we tried to free the machine and let it go.”

“Since we’ve arrived in Montréal, we have become more dancers, and less skaters,” Bates added. “This is also what you see from [training partners] Gabriella [Papadakis] and Guillaume [Cizeron]. They can be on skates and they could be off skates, and they would still be just as beautiful. They transcend the ice.”

Part of the impact of Chock and Bates’ performances is due to a renewed set of interpretation skills, something the school in Montréal has also been known for.

“Madison has always been a great performer,” Bates acknowledged. “I am working not to be only the guy next to her, or who is presenting her. It’s more our couple now, a man and a woman on the ice. It’s so natural for her to drive everybody’s eyes. But at the same time, it’s also a big responsibility for me to skate with someone who is so talented.”

“Of course, the choreographic work is paying off,” Dubreuil explained. “For us every movement has to bear a meaning. A movement is not there to fill the music, but to bring to it.”

That’s also a part of Chock and Bates’ transformation: embodying each of their movements.

“A lot of it is a feeling,” Bates explained. “When we are choreographing, some things work and some don’t. Those things that come to us naturally, that’s where the movement becomes authentic.”

“Also, every program evolves with time,” Chock added. “It changes with the speed and more complex elements you add on through the season. Gestures have to come from a very genuine place within us. When a movement comes organically, it becomes clear that it needs to be in the program.”

The transformation of the team should also be highly visible in Chongqing, China, where they are due to compete this weekend for Cup of China, just one week after Grand Prix France.

“Doing two Challenger Series earlier in the season [they won both the U.S. Classic and Finlandia Trophy] was a good thing for us,” Bates offered. “Our two programs are now in place.”

Their new style is, too. For the better.

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