Gabriella Papadakis, Guillaume Cizeron on ‘Fame,’ chasing history

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World ice dance champions Gabriella Papadakis and Guillaume Cizeron sat for an interview with NBCSports.com/figure-skating after winning their first Grand Prix event of the season at home in France.

This interview has been lightly edited for clarity and condensed.

Your free dance this season, an extended poem set to music, is different from anything ice dance fans are used to. How did you come up with this idea?

Papadakis: Several of us had the same idea at the same time. We thought we could use words to skate to. [Coach] Marie [-France Dubreuil] and I, in particular. That’s often what happens. We all intuitively find ourselves to be on the same page. This year we felt like skating to words.

Cizeron: We also found some videos of ballet dancers dancing to Forest Black’s songs, and we could imagine what it might be. So, we worked with those words.

Could you describe the creative process you followed?

Papadakis: We didn’t want only to show something beautiful. We really worked on each word and its meaning. We tried to find a specific movement to express each word of the lyrics.

Cizeron: Our idea was to stick to the interpretation of each word through specific body movements. The sonority and the rhythm of these words inspired a certain way to move. This gave us an additional opportunity to create some contemporary movements – instead of dancing something that would just be meant to be beautiful.

Papadakis: The poem doesn’t bear an obvious and clear meaning. It’s rather abstract. But when I heard it for the first time, I felt a rhythm, a specific way to pronounce the words, how the artist played with the noise behind him, and how he projected us out of reality. Afterwards, I read the text as a whole, and of course I found it was magnificent.

In this poem you feel something like an atmosphere, an idea, an emotion, even though you don’t know exactly what the author may be talking about. It creates a somewhat abstract ambiance, which we like.

Cizeron: Also, we’ve always had the wish to integrate poetry into our free programs.

So, you feel that while it’s different from past ideas, you’re also taking one step further down the path you’ve already been following?

Papadakis: That’s right. Abstract and poetry are two tracks we’ve always been following. They are combined in this year’s free dance.

Cizeron: In a way, it’s completely different from what we’ve done, but at the same time it’s completely ourselves. The process we are taking is to deepen who we are each time a bit more.

What are you chasing, now that you’ve won four world and five European titles, plus an Olympic silver medal? Medals, or history?

Papadakis: Both, if it’s possible. Winning titles wouldn’t be enough to make us wake up early every morning. We would love to mark the history of our sport and the audience.

Cizeron: They go together, actually, and one serves the other. Pushing ourselves in our artistic journey generates medals. And because there are medals at stake, [it] motivates us to create.

You said that your “Fame”/disco-themed rhythm dance was fun. How fun was it to create?

Cizeron: When [coach] Romain [Haguenauer] proposed “Fame” to us, we went to see some videos. I brought the movie.

Papadakis: We found the 1980s were a very funny period of time. People were wearing those big stockings and small shorts and fluorescent outfits and headbands. That was too much, but so funny at the same time.

Cizeron: The more it went, and the more interested we got. We all dreamt in front of movies like “Flashdance,” “Un Dos Tres,” … We’ve seen all dancers’ movies, and they’ve made us dream.

Papadakis: When you watch these movies, you kind of think, wow, they were so lucky. They had a school and they were together. Then we realized that it was pretty much our own life. We also are living in a school, and learning, and practicing together, all vying to succeed.

Cizeron: We were rather worried to do something that would look ridiculous – or to give those years a ridiculous outlook. We wanted to push the cool and fun side of this period, with the vintage outfits, not too serious, and update with our own look of people who were born in 1994.

And yet, again you manage to deliver a story during the program.

Cizeron: Many fans who were born in the 1980s keep thanking us for selecting that theme. That’s so cool. We remind them of their younger years, and that creates an additional link with the audience.

Of course, we can’t be nostalgic for years we’ve not lived ourselves, but our dance generates that nostalgia in those who’ve lived them. I went to ask my parents if they really dressed that way. My mom did – because as a dance teacher she did dance ballet and jazz. But my dad obviously answered “No, not at all.”

MORE: Gracie Gold qualifies for U.S. nationals

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Olympian Derrick Mein ends U.S. men’s trap drought at shotgun worlds

Derrick Mein
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Tokyo Olympian Derrick Mein became the first U.S. male shooter to win a world title in the trap event since 1966, prevailing at the world shotgun championships in Osijek, Croatia, on Wednesday.

Mein, who grew up on a small farm in Southeast Kansas, hunting deer and quail, nearly squandered a place in the final when he missed his last three shots in the semifinal round after hitting his first 22. He rallied in a sudden-death shoot-off for the last spot in the final by hitting all five of his targets.

He hit 33 of 34 targets in the final to win by two over Brit Nathan Hales with one round to spare.

The last U.S. man to win an Olympic trap title was Donald Haldeman in 1976.

Mein, 37, was 24th in his Olympic debut in Tokyo (and placed 13th with Kayle Browning in the mixed-gender team event).

The U.S. swept the Tokyo golds in the other shotgun event — skeet — with Vincent Hancock and Amber English. Browning took silver in women’s trap.

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Mo Farah withdraws before London Marathon

Mo Farah
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British track legend Mo Farah withdrew before Sunday’s London Marathon, citing a right hip injury before what would have been his first 26.2-mile race in nearly two years.

Farah, who swept the 2012 and 2016 Olympic track titles at 5000m and 10,000m, said he hoped “to be back out there” next April, when the London Marathon returns to its traditional month after COVID moved it to the fall for three consecutive years. Farah turns 40 on March 23.

“I’ve been training really hard over the past few months and I’d got myself back into good shape and was feeling pretty optimistic about being able to put in a good performance,” in London, Farah said in a press release. “However, over the past 10 days I’ve been feeling pain and tightness in my right hip. I’ve had extensive physio and treatment and done everything I can to be on the start line, but it hasn’t improved enough to compete on Sunday.”

Farah switched from the track to the marathon after the 2017 World Championships and won the 2018 Chicago Marathon in a then-European record time of 2:05:11. Belgium’s Bashir Abdi now holds the record at 2:03:36.

Farah returned to the track in a failed bid to qualify for the Tokyo Olympics, then shifted back to the roads.

Sunday’s London Marathon men’s race is headlined by Ethiopians Kenenisa Bekele and Birhanu Legese, the second- and third-fastest marathoners in history.

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