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Coco Gauff stuns Naomi Osaka at Australian Open; Serena upset, Federer escapes

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MELBOURNE, Australia (AP) — Perhaps Serena Williams, now 38, will win a 24th Grand Slam title someday.

And maybe Coco Gauff, still just 15, never will earn her first major championship.

Sure felt, though, as if a generational shift was being signaled Friday at the Australian Open, with a pair of monumentally significant third-round results hours apart in the same stadium: a surprising first-week loss by Williams, then a historic victory by Gauff.

First, Williams faltered down the stretch for her earliest exit at Melbourne Park in 14 years, a 6-4, 6-7 (2), 7-5 loss to 27th-seeded Wang Qiang of China. It pushed Williams’ gap between Slam trophies to three years.

“I’m way too old to play like this at this stage of my career,” Williams said. “Definitely going to be training tomorrow, that’s first and foremost — to make sure I don’t do this again.”

AUSTRALIAN OPEN DRAWS: Men | Women

Gauff also was planning a practice session for Saturday, but hers was to prepare for a fourth-round match.

That’s because the 67th-ranked Gauff took the latest step in her quick progression, becoming the youngest player in the professional era to eliminate the defending women’s champion at the Australian Open, beating former No. 1 Naomi Osaka 6-3, 6-4.

Only once the last point had been played did the preternaturally poised Gauff turn into a rather typical teen, joking about wanting to take “a selfie for Instagram” with Rod Laver, the 11-time major champion after whom the tournament’s main stadium is named.

“Honestly, like, what is my life? Like, oh, my gosh!” Gauff told the crowd. “Two years ago, I lost first round in juniors and now I’m here. This is crazy.”

It certainly is remarkable.

With a booming serve, a top-flight backhand and a winner’s mentality, Gauff reversed the result from the first time she was across the net from Osaka, a former No. 1 who already owns two major titles at the age of 22.

When they played each other at the U.S. Open last September, Osaka won in two quick sets and then consoled Gauff, encouraging her to speak to the spectators who were pulling for her.

One reminder of just how young Gauff is: Most of the entrants in this year’s junior Australian Open are older than she is.

Another: She is taking online classes and said she’s been given permission to turn in homework late, “considering the circumstances.”

Yet another: She doesn’t have an official driver’s license quite yet, stuck practicing behind the wheel with a learner’s permit.

But put a tennis racket in her hands and move out of the way: Gauff is now 8-2 in her nascent Grand Slam career, with three of those wins coming against women who have multiple major titles. Her next match is against No. 14 Sofia Kenin, a 21-year-old American who beat Zhang Shuai of China 7-5, 7-6 (7).

The most intrigue in men’s action came at the very end of the night — at nearly 1 a.m., actually, when Roger Federer reeled off the last six points to edge 47th-ranked Australian John Millman 4-6, 7-6 (2), 6-4, 4-6, 7-6 (8).

It lasted more than four hours in humid conditions, and Federer needed to overcome a hard-to-believe 48 unforced errors from his forehand and an 8-4 deficit in the last tiebreaker, which is first-to-10.

Federer had lost to Millman at the 2018 U.S. Open and it sure seemed this one might be headed that way again.

“Oh, God, it was tough,” Federer said.

Williams vs. Wang was a rematch from Flushing Meadows last season — and the reverse result also happened for them. At the U.S. Open, Williams won 6-0, 6-1 in 44 minutes.

Wang credited that with prompting her to spend more time in the gym so she could add more oomph to her shots.

“I always believed I could do this one day,” Wang said with a laugh. “I didn’t know which day.”

Like Wang, Gauff was much better Friday than in New York. Gauff’s improvement revealed itself in her serving — she put 15 of her initial 16 first serves in play — and her steadiness.

Gauff declared herself more calm for this matchup.

“That,” she decided, “made the difference.”

So did letting Osaka make the mistakes, 30 unforced errors in all, compared to 17 for Gauff.

With that, Gauff became the youngest player to beat a top-five opponent in a women’s tour-level match since Jennifer Capriati did it at 15 in 1991.

“You don’t want to lose to a 15-year-old, you know?” Osaka said.

So, Naomi, could you have done something differently?

“Put the ball in the court,” came the reply.

Williams had similar issues, and even though she went from a massive deficit to even as can be, she could not do what was required in the late going.

Down to what sure felt like her last chance, Williams came through with a cross-court forehand winner to close a 24-stroke point, then raised her arms, held that celebratory pose and looked over toward her guest box.

Finally, on her sixth try, after 1½ hours of action, she had managed to convert a break point against Wang. Soon enough, they were headed to a third set and it appeared that the comeback was on.

It turned out that Williams only was delaying a surprising defeat.

So tough at the toughest moments for so many years, Williams was the one who came undone, often displaying what she later called “the signature ‘Serena frustration’ look.”

Since grabbing major championship No. 23 at the 2017 Australian Open, while she was pregnant, Williams hasn’t added to her total.

She appeared in four major finals over the past two seasons, losing each one.

Williams owns seven trophies from the Australian Open and hadn’t lost as early as the third round at either of the hard-court Grand Slam tournaments — in Melbourne or at the U.S. Open — since all the way back in 2006.

This was the first Grand Slam tournament in 11 years with each of the top 10 seeded women reaching the third round. Who would have suspected Williams would be the first to lose, followed soon thereafter by No. 3 Osaka?

Williams was only seeded No. 8, on account of how infrequently she has competed since being away from the tour while having a baby in September 2017.

She started 2020 well enough, winning a hard-court tuneup title in Auckland, New Zealand, this month for her first trophy of any sort in three years — and first as a mom.

But Williams wasn’t able to carry that success to the Grand Slam level, where it matters the most to her.

She began her news conference by crediting Wang but eventually shifted to criticizing herself for not playing well enough to win.

“I didn’t return like Serena. Honestly, if we were just honest with ourselves, I lost that match,” Williams said. “I can’t play like that. I literally can’t do that again. It’s unprofessional. It’s not cool.”

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Heather Bergsma, world champion speed skater, retires

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Heather Bergsma, a world champion and Olympic medalist speed skater, decided to retire during what has been a two-year break from the sport, according to U.S. Speedskating.

“I don’t have any regrets,” Bergsma said, according to TeamUSA.org. “I’m completely satisfied with how everything went.”

Bergsma, 30, now lives in the Netherlands with her husband, Jorrit, a Dutch Olympic champion speed skater, and son, Brent, who was born in October 2018.

Bergsma converted from inline skating to make the last three Olympic teams. She was the U.S.’ best skater in the 2014 and 2018 Olympic cycles and finished her career with a team pursuit bronze medal in PyeongChang, the first podium finish for U.S. women’s speed skating since the 2002 Olympics.

When Bergsma announced a two-year break from the sport in April 2018, she said she would “see if I have that drive again.”

Bergsma retires as the only U.S. speed skater to earn world titles in three different individual events — the 500m, 1000m and 1500m, between 2015 and 2017 — since the world single distance championships debuted in 1996.

Her best individual Olympic finish was sixth in her first Olympic race — the 500m at the 2010 Vancouver Games.

She also broke the 1000m and 1500m world records on consecutive Saturdays in November 2015. Other skaters since lowered those records.

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MORE: Shani Davis retires, takes new role in speed skating

Evan Lysacek, 10 years removed from Olympic victory in Vancouver, reflects on his changed life

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Last month, when Evan Lysacek was speaking to students in Kuala Lumpur, Malaysia in his role as a sports envoy for the U.S. Department of State, the presentation included a showing of his figure skating short program and free skate from the 2010 Winter Olympics in Vancouver.

Lysacek rarely skates these days. He last did something that could be called a public performance when Ice Theatre of New York honored him in October 2016. With an ankle ligament still sore from a misstep injury that threatened to have him in a cast for his wedding last Dec. 14, he shuffled briefly around the ice while working with skaters in Malaysia.

That detachment from the sport has made it difficult for him to believe what he was seeing in the video of the greatest performances of his career.

“It’s surreal to watch,” Lysacek said. “When I think of what it took to get there, I think, ‘How did I ever do that?’”

Lysacek, 34, was speaking by phone from Bangkok, Thailand, where he will be living about half the year while he and wife of three months, Duangpatra “Dang” Bodiratnangkura, work together on a real estate development project outside Bangkok. Most of the other half will be spent in Los Angeles, where they are about to start another real estate project.

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Duangpatra Bodiratnangkura and Evan Lysacek’s December wedding at Nai Lert Park Heritage Home in Bangkok. Courtesy: Evan Lysacek

The physical distance from his landmark achievement as an athlete and from all the rinks in the United States where he trained on that journey seems to add to Lysacek’s disconnect from images of his winning the men’s figure skating gold medal on this date 10 years ago at the Pacific Coliseum on the east side of Vancouver.

When his mind travels back to Feb. 18, 2010 in Vancouver, it conjures up the joy of a success both shared and personal, evokes pride both individual and national, recalls long days of lonely practices in frigid, nondescript rinks and refocuses on the disappointments and failures that preceded his seven minutes, 20 seconds of glory with the world watching. His most vivid memories are of the things that came to him during the awards ceremony, with the rising flag and the sound of the National Anthem as a music video in the background.

“To have my whole crazy life justified by winning the gold medal is still an incredible feeling that is hard to put into words,” he said.

It is the only Olympic singles gold for a U.S. man since Brian Boitano in 1988. It was a once-in-a-lifetime gold for not only the skater but also for his renowned coach, Frank Carroll, who had resigned himself to having his six-decade coaching career end without one of his many celebrated skaters winning one. Lysacek trained under Carroll for 12 years.

“I remember every time someone would mention the Olympics around Frank, they would say, ‘Do you think you are going to get it? Will you retire it you get it?’” Lysacek said. “The first thing that went through my mind when I realized I had won was, ‘Frank got it.’”

When Carroll finally did retire, not long after his 80th birthday in July 2018, he said Lysacek’s gold medal was “was basically a complete, utter, delightful shock.”

But no one ever had been better prepared mentally, physically and strategically to pull it off than Lysacek, even if it took him longer than many recent Olympic champions to have all the pieces fit into place.

He would finish 12th, 12th, 7th and 5th at his first four U.S. Championships as a senior. Once Lysacek made the podium for the first time at nationals with a bronze medal in 2005, he would finish off the podium just twice in his final 25 competitions – a fourth at the 2006 Olympics, when he let a medal slip away with uncharacteristic short program mistakes, and a fifth at the 2007 worlds.

Lysacek won medals at his last 15 competitions. His three world medals are the most by any U.S. man since Todd Eldredge won a sixth in 2001. He was inducted into the U.S. Figure Skating Hall of Fame in 2016.

“What I liked most about skating was competing,” Lysacek said. “I’m not ashamed to say I liked to win and hated to lose.”

That is why his performance at the 2009 U.S. Championships was galling, unnerving and a catalyst for what followed.

After winning the two previous U.S. titles, Lysacek staggered into third overall in 2009 with a fourth in the free skate. Judges gave him a myriad of reasons for his poor scores. At a loss to sort through the criticisms, he called Tatiana Tarasova, the Russian coaching legend who had choreographed his 2009 problems.

“At the time, all I could think was, “It’s only a year from the Olympics, and I’m not ready. What do I do?’” Lysacek recalled.

Tarasova’s advice? Don’t worry about what anyone on the outside is saying but seek some answers from Lori Nichol, who had choreographed his programs the year before and would do so again in the Olympic season.

“It was very big of Lori to welcome me back with open arms,” Lysacek said. “We spent two weeks together, with her reminding me of basic things – be faster, hold your landings longer, strengthen your positions. It was what I needed to hear. That was a real turning point.”

Two months after his disappointment over nationals, Lysacek won the world title, becoming the first U.S. man to do that in the 13 years since Eldredge’s 1996 triumph.

But one week before the 2009 worlds, the reigning Olympic champion, Yevgeny Plushenko of Russia, announced he had resumed training with his longtime coach, Alexei Mishin, with the intention of ending his three-year break from competition in the 2010 Olympic season.

Plushenko and Lysacek would have the leading roles in what became part drama, part soap opera, and part hissing match in Vancouver. The key element in the plot was a quadruple jump.

The redoubtable Plushenko, 27 years old at the 2010 Olympics, returned to competition at the 2009 Grand Prix of Russia and followed that with impressive victories at the Russian and European Championships. Lysacek, then 24, was a distant second (third in the free skate) to a flawless Jeremy Abbott at the 2010 U.S. Championships.

The Russians sensed that Lysacek, as 2009 world champion, was more of a threat to Plushenko at the Olympics than Abbott, who had finished 11th at both the 2008 and 2009 worlds. So Mishin and Plushenko began a lobbying campaign in the press, deriding men like Lysacek who did not do a quadruple jump.

Retorted Carroll: “He (Plushenko) is doing a 6.0 (old judging system) program. He is not getting the bullet points and difficulty of the new system. I am not impressed.”

That controversy took on another dimension when the French sports newspaper, L’Equipe, revealed that longtime international judge Joe Inman of the United States had emailed some other judges questioning what Inman felt were overly generous scores for Plushenko at Europeans in the “transitions / linking footwork” component score category. Even though Inman was not judging in Vancouver, his email looked like backroom lobbying in a sport famous for that.

Neither Lysacek nor Carroll let the quad brouhaha affect their plans for the jump content in Lysacek’s Olympic programs. There would be no quad. Lysacek landed a quad toe loop at the 2007 nationals but struggled with the jump repeatedly after that, eschewing it altogether in winning worlds.

“In 20 years of competing, I don’t think I ever competed in a field where I would say I was the best skater, but I never doubted I could win,” Lysacek said. “To me, sport was about strategy, and I would think I could use it as a way to beat everybody.

“At the time, the quad was high risk for me, and it wasn’t a risk I felt was worthwhile. I believed I could accumulate enough points elsewhere.

“Of course, that was a gamble. I could have made mistakes on other things, and then the whole plan would be completely foiled.”

In the short program, neither Lysacek, whose toughest jump was a triple Axel, nor Plushenko, who landed a quad toe-triple toe combination, made a mistake. Plushenko (90.85 points) won it by just .55 because Lysacek had a 2.25 margin in component scores, more than half of that difference from the transitions / linking footwork category, where two judges gave the Russian only 5.0.

That would make the results of the free skate two days later seem especially ironic and satisfying to Lysacek.

Skating to excerpts from Russian composer Rimsky–Korsakov’s “Scheherazade,” Lysacek was first to perform in the final group of six. He made minor errors on two jump landings but did a seamless interpretation of the music, with three exceptionally strong spins.

When he finished, Lysacek did five double fist pumps above his head, celebrating having skated to his full capacity, no matter the outcome.

Evan Lysacek
Lysacek on ice in Vancouver with his gold medal.

Then he had to wait, as Plushenko was the event’s last skater. Lysacek finished nearly 50 minutes before the Russian’s scores were announced.

“The time went really quickly,” Lysacek remembered. “I did the mixed zone (interviews) during the first couple skaters after me. Then I sat (backstage) and watched Yevgeny skate.”

He saw a Plushenko who did another quad-triple in a typically Russian men’s program – all the hard stuff at the beginning, missing out on second-half bonus points. Lysacek did five of his eight jumping passes in the bonus period, Plushenko just three of his eight. Plushenko, skating to “Tango of Love” by Edvin Marton, filled time with posing, hip swivels and pelvic gyrations.

Plushenko gave away 1.26 points in technical scores to Lysacek on spins and .9 on footwork – but less (.7) than in the short for PCS transitions / footwork. Lysacek won the free skate by 1.86 and the gold by 1.31 – 257.67 to 256.36, the smallest margin between men’s gold and silver in the four Olympics scored and judged with the new system.

The way it broke down would be especially rewarding to Lysacek. He lost just .3 to Plushenko on free skate jumps. His winning margin had come from the technical scores in the free skate; the component scores were tied.

“It justified my strategy,” Lysacek said. “I extracted as many points as I could from the technical side of that program.”

When the results appeared on the monitor Lysacek was watching, his reaction developed in stages. First came a smile. Then a broad laugh. Then he briefly jumped up and down with Nichol and hugged Carroll while registering disbelief by saying, “No way.” Then the Chinese pairs gold medalists, Shen Xue and Zhao Hongbo, whose programs Nichol also had choreographed, gave Lysacek a hug.

Plushenko’s reaction would not be gracious. “If the Olympic champion doesn’t know how to jump quad, it’s not men’s figure skating; it’s dancing,” he said.

Lysacek took the high road in his national TV appearances a day later, relentlessly praising Plushenko for having the guts to make his comeback and for the quality of his skating. But Lysacek had admitted to me a couple hours after the free he was saddened by Plushenko’s reaction, and he expanded on that late the next afternoon.

“I guess I was a little disappointed that someone that was my role model would take a hit at me in probably one of the most special moments of my life, that I will never forget, regardless of what anyone says,” Lysacek told me at that time.

In the years since, Lysacek has seen Plushenko only a few times.

“He was always very civil,” Lysacek said, “but we never really talked about anything. There was no reason to reignite an old argument.”

Plushenko would go on to compete at the 2014 Winter Games in Sochi, Russia. He won gold in the new team event, giving him medals in all four Olympics in which he competed, but he withdrew from the singles event with a back injury just before the short program.

Lysacek never competed again.

“My life changed right away,” he said. “My focus for 20 years before the 2010 Olympics was very singular and linear. You had good days or bad days, you performed well or performed poorly, very black or white. After winning, my life got a lot more gray.”

Lysacek went on Dancing with the Stars in the spring following the Olympics, finishing second. He toured with Stars on Ice in 2010 and 2011. He was named a sports envoy in 2012. His intention was to seek a spot on the 2014 Olympic team, but persistent injuries forced him to abandon that goal in December 2013.

Lysacek went to Sochi for one of his sponsors, did some work for the Today show and learned quickly he was, by his own admission, “not good at TV.”

“After that, I dove right into a whole other life,” Lysacek said.

He moved from Los Angeles to New York to work for a real estate development company but left that job in 2015 for a final go-around with Stars on Ice. When that tour ended, he joined the Vera Wang Group, spending four years doing licensing and marketing for the famous designer, a former figure skater who has created competition costumes for many of the sport’s biggest names over the past quarter-century.

Late in 2018, Lysacek renewed acquaintances with a woman he had met seven years earlier, a woman whom a couple of Lysacek’s friends in Los Angeles had predicted would be his wife when the friends had first met her at an early 2011 dinner in Bangkok.

Their relationship remained largely dormant as each pursued busy careers: he in New York, she as a real estate developer in Los Angeles, Bangkok and London.

“The timing never was right,” Lysacek said.

That changed when 2014 Olympic bronze medalist Denis Ten of Kazakhstan was murdered in July 2018 in his hometown of Almaty, Kazakhstan. Lysacek and Ten had trained together under Carroll.

Ten’s death left Lysacek so at sea he began wondering whom he would regret not telling how much he cared about them. He realized Dang was one of those people and flew to Los Angeles to say that in person.

After he went back New York, she texted him to ask if he thought the relationship would work if they were together. Lysacek replied that he had thought about that all the time. She came to New York for much of the next year. They were engaged in April 2019 and married seven months later with lavish festivities in Bangkok.

Evan Lysacek wedding photos
Duangpatra Bodiratnangkura and Evan Lysacek’s December wedding at Nai Lert Park Heritage Home in Bangkok. Courtesy: Evan Lysacek

Lysacek has been out of the United States since last June. When he and his wife return in late February to their house in Beverly Hills, he hopes to find time to skate more regularly.

He spent the 10th anniversary of his Olympic triumph at a considerable geographic remove from where it happened, doing a sports envoy appearance at the Naniwa Ice Rink in Osaka, Japan. He worked with skaters and talked to a general audience of students, emphasizing how to set goals.

Tuesday’s presentation happened to be called, “Go for Gold!” Yet he and his sport have moved on.

“For a while after winning the gold medal, everyone recognized me, and that was fun,” Lysacek said. “Then my life went back to what it always was.

“I wouldn’t expect anyone 10 years later to remember what I did, especially because it’s such a young athletes’ sport. If anyone did, I hope they would say I represented the sport and the country well.”

In Osaka, as in the other places where Lysacek represents the State Department, they will undoubtedly show some video of his 2010 triumph.

It will make him realize again how such a personal moment can have such far-reaching resonance because of the Olympics’ global impact and because of the common language of sport. It will make him marvel again at how he did it and at how the kid who grew up in a largely homogenous Chicago suburb has become a man of, and for, the world at large.

Philip Hersh, who has covered figure skating at the last 11 Winter Olympics, is a special contributor to NBCSports.com/figure-skating.

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As a reminder, you can watch the events from the 2019-20 figure skating season live and on-demand with the ‘Figure Skating Pass’ on NBC Sports Gold. Go to NBCsports.com/gold/figure-skating to sign up for access to every ISU Grand Prix and championship event, as well as domestic U.S. Figure Skating events throughout the season. NBC Sports Gold gives subscribers an unprecedented level of access on more platforms and devices than ever before.

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