Chock, Bates charge to second U.S. title; Hubbell, Donohue charge the wrong way

Madison Hubbell, Zach Donohue
AP
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GREENSBORO, N.C. – Evan Bates, who had just won his second U.S. ice dance title with partner Madison Chock, put it best.

“Ice dance is a strange sport in some ways,” he said.

Chock and Bates have had their share of unusual mishaps in their near 10-year career, but on Saturday night at the 2020 U.S. Figure Skating Championships in Greensboro, North Carolina, everything was smooth sailing.

The couple’s exotic “Egyptian Snake Dance” free dance went off without a hitch, gaining the highest possible levels for nearly all of its elements and impressing judges with its intricacy, synchronization and striking lifts. It earned 134.23 points, giving the Montreal-based team the win with 221.86.

“It was (our coach Marie-France Dubreuil’s) idea for me to be a snake, and Evan a traveler who finds me,” Chock said of the routine. “It was just such a fun process, cool new characters for us to dive into, and we’ve really been enjoying it. It shows when we skate.”

Greensboro has been lucky for the skaters, who teamed up in 2011; they won their first U.S. title here in 2015. The five-year title gap is the longest in history for U.S. ice dance champions.

“It feels longer than five years,” Chock said with a breezy laugh. “It feels so much has changed, and in us as people as well (as dancers). We’re in a very good place, we could not be happier with the way the season has been going.”

If Chock’s humor was lighthearted, Madison Hubbell’s can only be described grim.

Hubbell and her partner, Zach Donohue, trailed their long-time rivals and Montreal training partners by about 1.3 points following Friday’s rhythm dance. A stellar outing of their Star is Born free dance might have won a third consecutive U.S. title; instead, it became a living nightmare.

“Out of the first element, the dance spin, we got turned around somehow and came out the wrong direction,” Hubbell said. “The next four elements, which are pretty valuable elements, all were facing the wrong direction.”

(Video available here for NBC Sports Gold subscribers; Hubbell and Donohue skate at the 1:06:50 mark.)

Not until their fifth element, a step sequence, did the skaters get back on track. In between, there was a world of hurt, likely unnoticed by many members of the audience but readily apparent to the judges, who had seen the free dance in  practice.

“Our twizzle sequence, it’s a high-scoring element, is supposed to charge right at the judges, and today it charged away from them,” Hubbell said. “In the rotational life, there’s a large leg flare that looks very cool going the opposite direction, and today I just opened my crotch right in front of the judges.”

The score was far from disastrous; Hubbell and Donohue’s 130.88 points for their “wrong-way” free dance gave them 217.19 overall. But it was a missed opportunity to show judges, and fans, the improvements they had made to A Star Is Born since the Grand Prix Final in December.

“It was probably one of the hardest performances, and not the most enjoyable,” Hubbell said. “It was a really thoughtful focus on the elements, and somehow putting one portion of the brain aside to fix things as best we could.”

The silver medal was Hubbell and Donohue’s first. They also won bronze medals in 2012, and 2015-17.

Kaitlyn Hawayek and Jean-Luc Baker, whose rhythm dance to Saturday Night Fever stole the show on Friday, felt their Flamenco-style free dance didn’t pack the same punch.

“Yesterday was such a high for us, in terms of (audience) reaction and performance, that tonight didn’t have the same euphoria when we finished,” Hawayek said. “Both Jean-Luc and I see the potential for it being much higher than what we were able to put out today.”

Despite the disappointment, the third team in the Montreal troika earned 118.57 points and won a second consecutive bronze medal with 201.16.

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IOC looks for ways Russian athletes ‘who do not support war’ could compete as neutrals

Thomas Bach
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GENEVA (AP) — Russian athletes who do not endorse their country’s war in Ukraine could be accepted back into international sports, competing under a neutral flag, IOC president Thomas Bach said in an interview published Friday.

“It’s about having athletes with a Russian passport who do not support the war back in competition,” Bach told Italian daily Corriere della Sera, adding, “We have to think about the future.”

Most sports followed IOC advice in February and banned Russian teams and athletes from their events within days of the country’s military invasion of Ukraine.

With Russians starting to miss events that feed into qualifying for the 2024 Paris Olympics, an exile extending into next year could effectively become a wider ban from those Games.

In an interview in Rome, Bach hinted at IOC thinking after recent rounds of calls with Olympic stakeholders asked for views on Russia’s pathway back from pariah status.

“To be clear, it is not about necessarily having Russia back,” he said. “On the other hand — and here comes our dilemma — this war has not been started by the Russian athletes.”

Bach did not suggest how athletes could express opposition to the war when dissent and criticism of the Russian military risks jail sentences of several years.

Some Russian athletes publicly supported the war in March and are serving bans imposed by their sport’s governing body.

Olympic gold medalist swimmer Yevgeny Rylov appeared at a pro-war rally attended by Vladimir Putin in Moscow. Gymnast Ivan Kuliak displayed a pro-military “Z” symbol on his uniform at an international event.

Russian former international athletes are being called up for military service in the current mobilization, according to media reports. They include former heavyweight boxing champion Nikolai Valuev and soccer player Diniyar Bilyaletdinov.

Russians have continued to compete during the war as individuals in tennis and cycling, without national symbols such as flags and anthems, even when teams have been banned.

Bach told Corriere della Sera it was the IOC’s mission to be politically neutral and “to have the Olympic Games, and to have sport in general, as something that still unifies people and humanity.”

“For all these reasons, we are in a real dilemma at this moment with regard to the Russian invasion in Ukraine,” he suggested. “We also have to see, and to study, to monitor, how and when we can come back to accomplish our mission to have everybody back again, under which format whatsoever.”

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How did U.S. women’s basketball replace its legends? It starts with Alyssa Thomas.

Alyssa Thomas
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If this FIBA World Cup marks the beginning of a new era of U.S. women’s basketball, it is notable, if not remarkable, that no player has been more visible than Alyssa Thomas.

Thomas is making her global championship debut in Sydney. She is the only woman on the team in her 30s. Rarely, if ever, has a player who waited this long to put on a U.S. uniform made such an impact out of the gate. Certainly not since the last major tournament in Australia, when 30-year-old Yolanda Griffith starred at the 2000 Olympics.

Over the last week, Thomas leads the U.S. in minutes played and is one of two players to start all seven games along with Breanna Stewart, the Tokyo Olympic MVP. She ranks fourth on the team in scoring (10.6 points per game), is tied for second in rebounding (6.7), second in assists (4.6) and first in steals (2.7).

The Americans, with their new breakthrough power forward, face China in Saturday’s final, seeking a fourth consecutive world title and 60th consecutive victory between Olympic and world championship play dating to 2006.

“She takes a lot of pressure off of us,” two-time WNBA MVP A’ja Wilson said after Thomas had 13 points, 14 rebounds and seven assists in a quarterfinal win over Serbia. “I think she’s the glue of this team, the X-factor of this team, because that’s her game and that’s her style.”

Thomas earned the nickname “Baby Bron Bron” at the University of Maryland for her LeBron James-like play. USA Basketball took notice in 2013, when she was one of six collegians named to a 33-player national team training camp.

But that participation was the last of Thomas’ bullet points on her USA Basketball bio for another nine years, until she was named to the FIBA World Cup qualifying team last February.

Thomas had to wait her turn.

The U.S. was loaded in the frontcourt in the 2010s with more established players — Candace ParkerTina CharlesSylvia FowlesBrittney GrinerElena Delle Donne — and then Stewart and Wilson came along, becoming arguably the two most valuable Americans in the last Olympic cycle.

Thomas produced, to that point, the best WNBA season of her career in 2020, but tore an Achilles playing overseas in January 2021, ruling out any chance of making the Tokyo Olympic team. (Thomas was not in the 36-player national team pool at the time of her injury.)

The combination of players’ absences this year — Charles, after three Olympic golds, ceded to younger players, Fowles retired and Griner is being detained in Russia — and Cheryl Reeve becoming head coach created an opportunity.

Thomas seized it, leading the Connecticut Sun to the WNBA Finals, where she recorded triple-doubles in the last two games of a series loss to the Las Vegas Aces. Then she boarded a plane to Sydney for her first major international experience and has similarly flourished.

Jennifer Rizzotti, part of the USA Basketball selection committee, said the 6-foot-2 Thomas combines the movement of Lindsay Whalen, the passing of Parker and the physicality of Rebekkah Brunson. She plays with labrum tears in each shoulder. There’s no single player like her.

“There’s definitely some post players that have that point forward mentality, but not quite with the guard skills that Alyssa has,” Rizzotti said. “I don’t see anybody, including guards, that can do what she does in the open court. Then you talk about how disruptive she is defensively and her ability to guard one through five. A’ja can guard one through five, Stewie can guard one through five, but nobody’s as disruptive as Alyssa is. On the perimeter and off the ball.”

Thomas also fit what Reeve, who succeeded Dawn Staley as head coach, was looking for in retooling the roster following the retirement of Sue Bird and possible end of Diana Taurasi‘s national team career at age 40.

“[Reeve] made it clear that she was hoping with the guard turnover that we would be able to play faster, more athletically, more possessions in the game,” Rizzotti said. “And therefore, she wanted to have post players that could push tempo, that could facilitate and kind of fit in with a ball-handling, passing mentality from the trail spot.”

Still, Thomas did not expect to be putting on a USA jersey this year. “Shocked” is the word USA Basketball chose to describe her reaction to making this team.

“It was kind of a surprise,” she said, according to USA Basketball. “I had just really taken my name out of it.”

Rizzotti said Thomas is an example — a very successful one, it turns out — of an asset in the eyes of the selection committee: patience.

“I think a lot of players feel like if they don’t make the USA national team right away, it’s never going to happen,” she said. “You get the comments like, oh, it’s political, or they keep inviting the same guys back. And it’s not true.”

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