Virtual figure skating competition offers glimpse of sport’s possible future

Karen Chen
AP
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It was early April. The 2020 World Figure Skating Championships had been canceled by Covid-19, abruptly ending last season. Rinks were closing down for health reasons. Some entire countries were on lockdown.

Anyone who has been around figure skating as long as Gale Tanger could see even then how difficult it would be to have any competitions the rest of 2020 if they required travel by athletes or officials, whether the events were international, national, regional or local.

Tanger, an international judge for 32 years, began looking for an alternative to give elite U.S. skaters left unmoored by the pandemic’s impact at least something that could feel like a competition, something to anchor a goal in the early part of the 2020-21 season.

So the Peggy Fleming Trophy became the first virtual event in the sport’s history.

“It worked!!!!!!!” an excited Tanger said in an email late Tuesday, after the judging of the competition was completed. “What an incredible leap for our sport. Obstacles have been removed, and a new highway has been paved.”

A 90-minute streamed video of the event will be available to the public beginning Friday at 7 p.m. EDT on the U.S. Figure Skating Fan Zone video center. The question now is whether this concept can be expanded during the pandemic to make more competitions possible.

“Any time you experiment with something new, you always are paying attention to how it can be applied to other things – and for normal times, as well,” U.S. Figure Skating spokesman Michael Terry said. “The virtual concept has not yet been discussed for any other specific events, including the qualifying season (for the 2021 U.S. Championships).”

Tanger figured the Peggy Fleming Trophy was a good place to experiment. The event, which she and 1968 Olympic champion Fleming had created in 2018, already was an alternative to the usual competition format.

It has just one program, a three-and-a-half-minute freestyle in which there is heavy emphasis on artistry and musicality and significantly reduced weight on jumps. It allows men to compete against women and is easier to judge than an event using the International Judging System and ISU rules.

The third Peggy Fleming Trophy was supposed to take place July 1 at the Broadmoor World Arena in Colorado Springs, its home in 2018 and 2019. When it was clear by late April that doing it live would likely be impossible for public safety reasons, Tanger enlisted the help of U.S. Figure Skating and immediately began working through the logistics of doing it virtually.

After all, Tanger and her husband, Tom, who live in Wauwatosa, Wis., had been using Zoom to help with the virtual schooling of their grandchildren in Sydney, Australia, and she was using Facebook Live to judge off-ice competitions in Latin America. She thought there had to be a way to use such technology for a judged competition in which both athletes and judges could take part from their own rink or, in the case of the judges, their home or office.

Once the various parties were sufficiently convinced it could be done to post an online entry announcement, the 18-person field filled overnight.

Gale Tanger
Gale Tanger at the 2019 Peggy Fleming Trophy at the Broadmoor World Arena. (Courtesy Gale Tanger)

“I thought we may have found the Holy Grail,” Tanger said, referring to the way skaters responded to a solution to save at least this event.

“It’s so great that everyone associated with the event is trying to test the waters and see what is possible,” said 2018 Olympian Karen Chen, third in last year’s Peggy Fleming Trophy and a virtual contestant in the 2020 event.

This was the basic premise: each skater would perform a program at his or her convenience between July 8 and 10. He or she would submit video of the program, to be shot from a high center-ice position. Multiple attempts were permitted, but the video chosen had to be of a single complete attempt, with no editing.

The seven judges and technical specialist David Santee, all qualified to work international events, watched the videos from eight different places via Zoom at the same time Tuesday, as if they were in an arena. They scored on iPads, using the IJS software they have at live events, and they have taken a vow of secrecy about the results until the event is streamed.

Could it be more than a one-off? Probably not for more significant events like the Grand Prix series. The International Skating Union council will again discuss its fate for 2020 in early August. A decision is supposed to be made by Aug. 1 on Skate America, the series opener, scheduled Oct. 23-25 in Las Vegas.

To the question of whether the ISU is looking at a virtual format as a possibility for some events this season, ISU vice-president Alexander Lakernik said in an email: “No… At least at the moment.”

Added Fabio Bianchetti of Italy, chair of the ISU singles and pairs technical committee: “I didn’t know about the idea of having it (the Peggy Fleming Trophy) online this year, and I think it is a wonderful possibility to do it in this way in such a difficult moment. As to the possibility of using this format for other events this season, I have no answer. The matter has never been discussed so far.”

Chen, who has been training at the World Arena since late May, chose an expanded version of a short program to Katy Perry’s version of “Rise” that Drew Meekins had choreographed for her to use this season. She did three “takes,” with about 30 minutes between each, for an iPhone recording done by her boyfriend, Camden Pulkinen, the 2018 U.S. junior champion, who also competed. Another competitor, Andrew Torgashev, shot iPhone video of Chen as a backup.

(Defending champion Jason Brown heads the field, which includes 12 athletes who train at the World Arena. For a complete list of the competitors, now 10 women and seven men after Amber Glenn withdrew, click here.)

“I was quite happy with my first attempt, but I got nit-picky and ran two more,” Chen said. “I finally decided to use the third because it didn’t make sense to go with the first after all that effort.”

The limitations of iPhone video, where close-ups can lead to a blur from pixelization, meant about half the rink was visible on nearly all of Chen’s video. That obviously reduced the size of her image.

“For the most part, all the skaters’ videos were clear,” Tanger said.

Pulkinen, who competed in the first two editions of the Peggy Fleming Trophy (finishing second in 2018), also did three takes, using the third, as videographed by Torgashev. His performance, to “In This Shirt” by The Irrepressibles, enlarged on the new short program choreographed for him by Josh Farris.

“I tried to treat it as if each run-through was my only shot, the way it would be in a normal competition, instead of falling back on the mindset that if one was bad, I have multiple attempts,” Pulkinen said. “I felt the same sense of relief one would typically feel at the end of a competition.”

Pulkinen did not think it was impossible for a variation on this format to be used for more important events, perhaps with each competitor using a live feed and taking the ice one after another for a single attempt. It might require choreographic changes for skaters knowing they are not being judged on the view from several sets of eyes but on the view from a single camera angle.

“I’m keeping an open mind and taking this as, ‘Okay, this is a trial run for how video competitions may be, and maybe I learn how to choreograph something differently to appeal more to that specific camera more,’” Pulkinen said.

Such “virtually live” competitions would eventually depend on the ability of the ISU or USFS to ensure a high-quality, very reliable stream created with professional video equipment by a professional camera operator at the many rinks where skaters would perform. Given the money saved if there are no live Grand Prix or Junior Grand Prix events, arranging for such equipment might be money well spent to preserve some of the season.

“I think it would be very mentally challenging to do live feed competitions,” Chen said. “Part of competition is its whole environment: being with other skaters, feeling the pressure, having the adrenaline kick in when you get on the ice with people cheering.

“Letting go of that side of competition and embracing this new side will be quite challenging for people. I think it could work, but there will need to be a lot of experimentation.”

Over the weekend, Tanger judged a “live” off-line competition run by Argentina that had skaters from four countries. The marks were simple, on a scale of 1-to-10, but so was the execution of a concept that would have seemed like science fiction a few years ago.

Now the Peggy Fleming Trophy has paved a few miles of a way for figure skating to travel the information highway.

Philip Hersh, who has covered figure skating at the last 11 Winter Olympics, is a special contributor to NBCSports.com/figure-skating.

MORE: Jason Brown remains optimistic facing uncertain skating season

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U.S. women win record 27th consecutive FIBA World Cup game

USA Basketball
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SYDNEY — There’s been a long legacy of success for the U.S. women’s basketball team at the World Cup.

The names change over time, but the results don’t seem to.

Kelsey Plum scored 20 points, Chelsea Gray added 16 and the United States routed Bosnia and Herzegovina 121-59 on Tuesday to break the team record for consecutive wins at the World Cup.

The victory was the 27th in a row in World Cup play for the Americans, who haven’t lost since the 2006 semifinals against Russia. The U.S. won 26 in a row from 1994-2006 leading up to that game. The Soviet Union holds the World Cup record with 56 straight wins from 1959-86.

“It’s kind of amazing,” said Breanna Stewart, who has been part of the last three World Cup teams. “Obviously, been here for some of it, but you understand the legends before that who really kind of started the streak. It goes to show that no matter who is playing on USA Basketball, we’re always trying to chase excellence.

“This streak doesn’t mean much right now because we’re going into the quarterfinals and focusing on winning a gold medal, but it’s something to kind of hang your hat on later.”

What started with Sue Bird, Diana Taurasi and Sylvia Fowles has now been passed on to Stewart and A’ja Wilson. A legacy of excellence that doesn’t appear it will end anytime soon.

“The players change and, you know, there was a lot of concern about who’s next,” U.S. coach Cheryl Reeve said. “It was a concern when Dawn Staley and Lisa Leslie were playing and who was going to be next. Then it was Sue and (Taurasi) and then other great players, too. Now with this group they are saying, hey, we’re pretty good, too.”

MORE: FIBA World Cup Schedule, Results

The U.S. last lost a group play game in 1975, according to Bill Mallon of Olympedia.org.

“We know the responsibility when you put on this jersey. There’s a lot more than yourself,” Plum said. “Everyone puts pride to the side. We have a common goal. We have some amazing players on this team.”

The Americans (5-0) won their pool games by an average of 46.2 points and never trailed in any of them. Now they play Serbia in the quarterfinals.

The U.S. was coming off a record rout of South Korea in which the team broke the World Cup record for points with 145. While the Americans didn’t match that number, they put the game out of reach in the first 10 minutes, going up 33-15.

The lead ballooned to 63-31 at halftime. Bosnia and Herzegovina put together a small run to start the third quarter, but the U.S. scored the final 19 points of the period.

Once again they used a dominant inside performance, outscoring Bosnia and Herzegovina 84-28 in the paint led by Wilson, Stewart and Brionna Jones.

“It’s a huge part of our identity,” Reeve said. “Ninety-whatever we had yesterday and 84 today, we just know what we’re good at and we have players that are really understanding their opportunities for that.”

The U.S. was missing Jewell Loyd, whom the team said was resting. Kahleah Copper started in her place and finished with 11 points.

Nikolina Elez scored 19 points to lead the Bosniaks (0-5), who were playing in their first World Cup.

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2022 FIBA Women’s World Cup schedule, results

FIBA Women's World Cup
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The U.S. goes for its fourth consecutive title at the FIBA World Cup in Sydney — and eighth global gold in a row overall when including the Olympics.

A’ja Wilson, a two-time WNBA MVP, and Breanna Stewart, the Tokyo Olympic MVP, headline a U.S. roster that, for the first time since 2000, includes neither Sue Bird (retired) nor Diana Taurasi (injured).

The new-look team includes nobody over the age of 30 for the first time since 1994, before the U.S. began its dynasty at the 1996 Atlanta Games. The Americans have won 52 consecutive games between worlds and the Olympics dating to the 2006 Worlds bronze-medal game.

The field also includes host Australia, the U.S.’ former primary rival, and Olympic silver medalist Japan.

Nigeria, which played the U.S. the closest of any foe in Tokyo (losing by nine points), isn’t present after its federation withdrew the team over governance issues. Spain, ranked second in the world, failed to qualify.

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2022 FIBA Women’s World Cup Schedule

Date Time (ET) Game Round
Wed., Sept. 21 8:30 p.m. Puerto Rico 82, Bosnia and Herzegovina 58 Group A
9:30 p.m. USA 87, Belgium 72 Group A
11 p.m. Canada 67, Serbia 60 Group B
Thurs., Sept. 22 12 a.m. Japan 89, Mali 56 Group B
3:30 a.m. China 107, South Korea 44 Group A
6:30 a.m. France 70, Australia 57 Group B
8:30 p.m. USA 106, Puerto Rico 42 Group A
10 p.m. Serbia 69, Japan 64 Group B
11 p.m. Belgium 84, South Korea 61 Group A
Fri., Sept. 23 12:30 a.m. China 98, Bosnia and Herzegovina 51 Group A
4 a.m. Canada 59, France 45 Group B
6:30 a.m. Australia 118, Mali 58 Group B
Sat., Sept. 24 12:30 a.m. USA 77, China 63 Group A
4 a.m. South Korea 99, Bosnia and Herzegovina 66 Group A
6:30 a.m. Belgium 68, Puerto Rico 65 Group A
Sun., Sept. 25 12:30 a.m. France 74, Mali 59 Group B
4 a.m. Australia 69, Serbia 54 Group B
6:30 a.m. Canada 70, Japan 56 Group B
9:30 p.m. Belgium 85, Bosnia and Herzegovina 55 Group A
11:30 p.m. Serbia 81, Mali 68 Group B
Mon., Sept. 26 12 a.m. USA 145, South Korea 69 Group A
2 a.m. France 67, Japan 53 Group B
3:30 a.m. China 95, Puerto Rico 60 Group A
6:30 a.m. Australia 75, Canada 72 Group B
9:30 p.m. Puerto Rico 92, South Korea 73 Group A
11:30 p.m. China 81, Belgium 55 Group A
Tues., Sept. 27 12 a.m. USA 121, Bosnia and Herzegovina 59 Group A
2 a.m. Canada 88, Mali 65 Group B
3:30 a.m. Serbia 68, France 62 Group B
6:30 a.m. Australia 71, Japan 54 Group B
Wed., Sept. 28 10 p.m. USA vs. Serbia
Thurs., Sept. 29 12:30 a.m. Canada vs. Puerto Rico
4 a.m. China vs. France
6:30 a.m. Australia vs. Belgium
Fri., Sept. 30 3 a.m. Semifinal
5:30 a.m. Semifinal
11 p.m. Third-Place Game
Sat., Oct. 1 2 a.m. Final