Serena Williams into U.S. Open semifinals after outlasting fellow mom

Serena Williams
Danielle Parhizkaran/USA TODAY Sports
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NEW YORK (AP) — They were just two particular points from Serena Williams’ latest three-set comeback at the U.S. Open, yet they were pivotal and consisted of the sorts of lengthy exchanges filled with athleticism and brilliance that in any other, non-pandemic year would be marked by thousands of folks rising to their feet for delirious roars and raucous applause.

She needed both of these points to reverse a deficit that reached the scale of a set and a break after 45 minutes of her quarterfinal against Tsvetana Pironkova on a cloudy Wednesday in empty Arthur Ashe Stadium.

Williams needed both of these points during a five-game, match-altering run — along with 20 aces, her most in a match in eight years — to end up on the right side of a 4-6, 6-3, 6-2 score after more than two hours to get to the semifinals at Flushing Meadows for an 11th consecutive appearance.

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“It’s not how you start, it’s how you finish, right?” Williams said.

Two more victories would allow her to claim a record-tying 24th Grand Slam singles title.

“In the beginning, I was a little fatigued, for whatever reason,” Williams said. “Obviously, I can’t do that if I want to keep winning, so I need to figure that out.”

How big an upset would this have been if Pironkova had held on? Not only is she not seeded at Flushing Meadows, she doesn’t even appear in the WTA rankings at all — this was her first tournament of any sort in more than three years, because she left the tour to become a mother.

“It’s unbelievable,” Williams said about Pironkova’s impressive return to competition. “Wow. I couldn’t even do that.”

When the players stepped out onto the court, the stadium announcer — announcing for whom, exactly, was something of a mystery — referred to Pironkova, a 32-year-old from Bulgaria, as “Alexander’s mom” and then to Williams as “Olympia’s mom” during the pre-match introductions.

“It just shows me how tough moms are,” Williams said afterward.

“You play a match and you go home and you’re still changing diapers,” said Williams, whose daughter turned 3 on Sept. 1 and is a little older than Pironkova’s son. “It’s like a double life. It’s really surreal.”

The American, who turns 39 in less than three weeks, has won six U.S. Open championships; she was the runner-up the past two years.

Williams last lost before the semifinals in New York in 2007, when Justine Henin eliminated her in the quarterfinals.

On Thursday, Williams will face Victoria Azarenka, who returned to the U.S. Open semifinals for the first time since 2013 by overwhelming Elise Mertens 6-1, 6-0 on Wednesday night. Williams leads her head-to-head series against Azarenka 18-4, including beating her in the 2012 and 2013 finals in New York.

It was in a 2012 match against Azarenka at Wimbledon that Williams last topped 20 aces, producing 24.

The other women’s semifinal Thursday will be 2018 champion Naomi Osaka vs. No. 28 seed Jennifer Brady.

In the men’s quarterfinals Wednesday, 2019 runner-up Daniil Medvedev beat No. 10 Andrey Rublev 7-6 (6), 6-3, 7-6 (5) to return to the final four, with No. 2 Dominic Thiem against No. 21 Alex de Minaur scheduled to meet at night. Medvedev hasn’t dropped a set in the tournament.

Williams also needed a comeback and the maximum number of sets to get through the fourth round before defeating 15th-seeded Maria Sakkari 6-3, 6-7 (6), 6-3.

In Wednesday’s turnaround, the first key moment involved 24 strokes, the next-to-last a cross-court forehand by Williams from wide of the doubles alley, and the last an on-the-run squash forehand by Pironkova that landed in the net. That gave Williams a break and a 5-3 edge in the second set.

Williams raised her left fist as her husband yelled from his front-row corner seat; Pironkova put a hand on her knee, smiled ruefully and squatted behind the baseline.

The other came in a four-deuce opening game of the final set, and began with the right-handed Williams taking a page out of old friend Maria Sharapova’s playbook by hitting a left-handed return of serve. Another 15 strokes followed, with Williams smacking a forehand passing shot that Pironkova volleyed into the net tape.

“That was intense,” Williams said. “I was just trying to do everything I can — whether righty or lefty.”

Pironkova dropped onto her back, chest heaving; she left so much sweat on the court that a ball person was beckoned to wipe it away with a towel. That afforded Williams a third break point, which was converted for a 1-0 lead when Pironkova sent a forehand long.

“She definitely played like the champion she is,” Pironkova said.

Williams then only added to the lead, her strokes finding targets better the longer the match went on. Her serve was especially good, as it usually is.

In contrast, Pironkova began to have more trouble on the longer points that she dominated early; she won the first half-dozen that lasted 10 strokes or more before Williams found more success.

A couple of times, Pironkova drew Williams forward with a drop shot, then took the point with a perfectly arced lob.

“I tried everything,” Pironkova said.

But after compiling only five unforced errors in the first set, Pironkova had 21 over the last two.

Williams, in contrast, made 11 in the first set, just 13 the rest of the way.

“Definitely, the first set, I think I was in control of the match. I was doing all kinds of shots, and everything went … my way,” Pironkova said. “But, you know, I was expecting (that) it’s not going to last forever.”

MORE: Naomi Osaka moved by messages from families of Martin, Arbery

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Helen Maroulis stars in wrestling documentary, with help from Chris Pratt

Helen Maroulis, Chris Pratt
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One of the remarkable recent Olympic comeback stories is the subject of a film that will be shown nationwide in theaters for one day only on Thursday.

“Helen | Believe” is a documentary about Helen Maroulis, the first U.S. Olympic women’s wrestling champion. It is produced by Religion of Sports, the venture founded by Gotham Chopra, Michael Strahan and Tom Brady. Showing details are here.

After taking gold at the 2016 Rio Games, Maroulis briefly retired in 2019 during a two-year stretch in which she dealt with concussions and post-traumatic stress disorder. The film focuses on that period and her successful bid to return and qualify for the Tokyo Games, where she took bronze.

In a poignant moment in the film, Maroulis described her “rock bottom” — being hospitalized for suicidal ideations.

In an interview, Maroulis said she was first approached about the project in 2018, the same year she had her first life-changing concussion that January. A wrestling partner’s mother was connected to director Dylan Mulick.

Maroulis agreed to the film in part to help spread mental health awareness in sports. Later, she cried while watching the 2020 HBO film, “The Weight of Gold,” on the mental health challenges that other Olympians faced, because it resonated with her so much.

“When you’re going through something, it sometimes gives you an anchor of hope to know that someone’s been through it before, and they’ve overcome it,” she said.

Maroulis’ comeback story hit a crossroads at the Olympic trials in April 2021, where the winner of a best-of-three finals series in each weight class made Team USA.

Maroulis won the opening match against Jenna Burkert, but then lost the second match. Statistically, a wrestler who loses the second match in a best-of-three series usually loses the third. But Maroulis pinned Burkert just 22 seconds into the rubber match to clinch the Olympic spot.

Shen then revealed that she tore an MCL two weeks earlier.

“They told me I would have to be in a brace for six weeks,” she said then. “I said, ‘I don’t have that. I have two and a half.’”

Maroulis said she later asked the director what would have happened if she didn’t make the team for Tokyo. She was told the film still have been done.

“He had mentioned this isn’t about a sports story or sports comeback story,” Maroulis said. “This is about a human story. And we’re using wrestling as the vehicle to tell this story of overcoming and healing and rediscovering oneself.”

Maroulis said she was told that, during filming, the project was pitched to the production company of actor Chris Pratt, who wrestled in high school in Washington. Pratt signed on as a producer.

“Wrestling has made an impact on his life, and so he wants to support these kinds of stories,” said Maroulis, who appeared at last month’s Santa Barbara Film Festival with Pratt.

Pratt said he knew about Maroulis before learning about the film, which he said “needed a little help to get it over the finish line,” according to a public relations company promoting the film.

The film also highlights the rest of the six-woman U.S. Olympic wrestling team in Tokyo. Four of the six won a medal, including Tamyra Mensah-Stock‘s gold.

“I was excited to be part of, not just (Maroulis’) incredible story, but also helping to further advance wrestling and, in particular, female wrestling,” Pratt said, according to responses provided by the PR company from submitted questions. “To me, the most compelling part of Helen’s story is the example of what life looks like after a person wins a gold medal. The inevitable comedown, the trauma around her injuries, the PTSD, the drive to continue that is what makes her who she is.”

Maroulis, who now trains in Arizona, hopes to qualify for this year’s world championships and next year’s Olympics.

“I try to treat every Games as my last,” she said. “Now I’m leaning toward being done [after 2024], but never say never.”

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IOC recommends how Russia, Belarus athletes can return as neutrals

Thomas Bach
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The IOC updated its recommendations to international sports federations regarding Russian and Belarusian athletes, advising that they can return to competitions outside of the Olympics as neutral athletes in individual events and only if they do not actively support the war in Ukraine. Now, it’s up to those federations to decide if and how they will reinstate the athletes as 2024 Olympic qualifying heats up.

The IOC has not made a decision on the participation of Russian or Belarusian athletes for the Paris Games and will do so “at the appropriate time,” IOC President Thomas Bach said Tuesday.

Most international sports federations for Olympic sports banned Russian and Belarusian athletes last year following IOC recommendations to do so after the invasion of Ukraine.

Bach was asked Tuesday what has changed in the last 13 months that led to the IOC updating its recommendations.

He reiterated previous comments that, after the invasion and before the initial February 2022 recommendations, some governments refused to issue visas for Russians and Belarusians to compete, and other governments threatened withdrawing funding from athletes who competed against Russians and Belarusians. He also said the safety of Russians and Belarusians at competitions was at risk at the time.

Bach said that Russians and Belarusians have been competing in sports including tennis, the NHL and soccer (while not representing their countries) and that “it’s already working.”

“The question, which has been discussed in many of these consultations, is why should what is possible in all these sports not be possible in swimming, table tennis, wrestling or any other sport?” Bach said.

Bach then read a section of remarks that a United Nations cultural rights appointee made last week.

“We have to start from agreeing that these states [Russia and Belarus] are going to be excluded,” Bach read, in part. “The issue is what happens with individuals. … The blanket prohibition of Russian and Belarusian athletes and artists cannot continue. It is a flagrant violation of human rights. The idea is not that we are going to recognize human rights to people who are like us and with whom we agree on their actions and on their behavior. The idea is that anyone has the right not to be discriminated on the basis of their passport.”

The IOC’s Tuesday recommendations included not allowing “teams of athletes” from Russia and Belarus to return.

If Russia continues to be excluded from team sports and team events, it could further impact 2024 Olympic qualification.

The international basketball federation (FIBA) recently set an April 28 deadline to decide whether to allow Russia to compete in an Olympic men’s qualifying tournament. For women’s basketball, the draw for a European Olympic qualifying tournament has already been made without Russia.

In gymnastics, the ban has already extended long enough that, under current rules, Russian gymnasts cannot qualify for men’s and women’s team events at the Paris Games, but can still qualify for individual events if the ban is lifted.

Gymnasts from Russia swept the men’s and women’s team titles in Tokyo, where Russians in all sports competed for the Russian Olympic Committee rather than for Russia due to punishment for the nation’s doping violations. There were no Russian flags or anthems, conditions that the IOC also recommends for any return from the current ban for the war in Ukraine.

Seb Coe, the president of World Athletics, said last week that Russian and Belarusian athletes remain banned from track and field for the “foreseeable future.”

World Aquatics, the international governing body for swimming, diving and water polo, said after the IOC’s updated recommendations that it will continue to “consider developments impacting the situation” of Russian and Belarusian athletes and that “further updates will be provided when appropriate.”

The IOC’s sanctions against Russia and Belarus and their governments remain in place, including disallowing international competitions to be held in those countries.

On Monday, Ukraine’s sports minister said in a statement that Ukraine “strongly urges” that Russian and Belarusian athletes remain banned.

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