No. 1 Ash Barty withdraws from French Open

FRANCE-PARIS-TENNIS-ROLAND GARROS-FRENCH OPEN-WOMEN'S SINGLES
Getty Images
0 Comments

PARIS — Bothered by a painful hip, top-ranked Ash Barty retired Thursday from her second-round match at the French Open, leaving the clay-court Grand Slam tournament without its top two women’s seeds and any of the top three women in the rankings.

The 2019 champion trailed 6-1, 2-2 when she signaled that she couldn’t continue against Polish opponent Magda Linette on Court Philippe Chatrier.

“I was battling the pain, and it just became too severe, and like I said, was becoming unsafe,” Barty said of the injury that had flared up during training before the tournament.

Top-ranked Novak Djokovic and Roger Federer, both former champions, advanced to the third round.

Federer beat Marin Cilic 6-2, 2-6, 7-6 (4), 6-2 for his ninth win in 10 meetings against the big-serving Croat and fifth in majors.

“I think I played a really good match, I surprised myself a bit. I didn’t think I could play at this level for 2 ½ hours against Marin,” Federer said. “I still think the level was high, I tried everything and I had some very good moments, notably in the tiebreak. I finished by serving really well. It shows I have something in reserve, I have some energy left and that’s really good for my confidence.”

FRENCH OPEN DRAWS: Men | Women | TV Schedule

The eighth-seeded Federer next faces unseeded Dominik Koepfer.

Federer looked sharp, and could even afford to get a little distracted, arguing with chair umpire Emmanuel Joseph after being given a time warning for slow play during the second set on Court Philippe Chatrier.

Federer even asked Cilic for his opinion.

“Marin, am I playing too slow?” he asked.

Cilic suggested he was.

But after winning in the first round on Monday, Federer spoke about the strange feeling of having to handle his own towel, because of coronavirus rules, and how it upset his rhythm. He argued the point to Emmanuel, and to Cilic.

“I understand the rule,” Federer protested to Cilic. ”(But) I’m going from one corner to the next trying to get my towel. I’m not doing it on purpose.”

Federer, whose 40th birthday is Aug. 8, hadn’t appeared on the Grand Slam stage since Jan. 30, 2020, when he lost to Djokovic in the Australian Open semifinals.

They could meet here, since they are in the same side of the draw along with defending champion Rafael Nadal — who is level all time on 20 major titles with Federer.

Djokovic made brief work of beating clay-court specialist Pablo Cuevas 6-3, 6-2, 6-4, saving eight of the nine break points he faced. The 18-time Grand Slam champion next plays unseeded Lithuanian Ricardas Berankis.

Nadal’s record against Richard Gasquet improved to 17-0 as he reached the third round with a 6-0, 7-5, 6-2 win.

The defending champion improved his Roland Garros record to 102-2. Nadal was celebrating his 35th birthday but had no fans there to watch him play during the night session because coronavirus rules required them all to leave by 9 p.m. The third-seeded Spaniard next plays unseeded British player Cameron Norrie.

Another defending champion, Iga Swiatek, trounced Rebecca Peterson 6-1, 6-1 on Court Simonne-Mathieu.

This is only the third time at any Grand Slam tournament in the professional era, which began in 1968, that the top two women’s seeds are gone before the third round. It also happened at the French Open in 2014 (No. 1 Serena Williams and No. 2 Li Na) and the U.S. Open in 2018 (No. 1 Simona Halep and No. 2 Caroline Wozniacki).

In addition to Barty’s departure, No. 2 Naomi Osaka withdrew after the first round, saying she is going to take a break from competition for mental health reasons. The third-ranked Halep pulled out before the tournament because of a leg injury.

In the buildup to this year’s French Open, Barty played 13 matches on clay and won 11. She posted a record of 27-5 and won three singles titles before Roland Garros. But she was forced to retire in the quarterfinals in Rome in May because of an injury to her right arm. She said that injury had healed and did not hamper her in Paris.

“It’s heartbreaking,” Barty said. “We have had such a brilliant clay-court season, and to kind of get a little bit unlucky with timing, more than anything, to have something kind of acute happen over the weekend and just kind of run out of time against the clock is disappointing.”

The Australian started the match with her left thigh bandaged and it was immediately clear she could not move properly. Too slow to chase her opponent’s shots, she struggled in long rallies and with her first serve.

Barty called for a medical timeout at the end of the opening set, then briefly left the court for treatment. She stopped after Linette hit an ace. Barty then walked to the net to shake the 45th-ranked player’s hand.

Already dealing with her hip problem in the first round, Barty had struggled through a 6-4, 3-6, 6-2 win over 70th-ranked Bernarda Pera.

“We did everything, absolutely everything we could, to give myself a chance,” Barty said. “It was a small miracle that we were able to get on court for that first round. Again, today it was no better and getting worse again.”

Barty decided not to defend her title last year because of the coronavirus pandemic, choosing instead to remain home in Australia.

After ending a four-match losing streak on clay in the previous round, 2020 runner-up Sofia Kenin advanced to the third round with a 7-5, 6-3 win over Hailey Baptiste.

Kenin has had a tough start to the season. The 2020 Australian Open champion from the United States underwent an emergency appendectomy in Melbourne in February and her record was 7-8 entering the clay-court Grand Slam.

Fifth-seeded Elina Svitolina beat Ann Li of the United States 6-0, 6-4.

OlympicTalk is on Apple News. Favorite us!

Football takes significant step in Olympic push

Flag Football
Kirby Lee-USA TODAY Sports
0 Comments

Football took another step toward possible Olympic inclusion with the IOC executive board proposing that the sport’s international federation — the IFAF — be granted full IOC recognition at a meeting in October.

IOC recognition does not equate to eventual Olympic inclusion, but it is a necessary early marker if a sport is to join the Olympics down the line. The IOC gave the IFAF provisional recognition in 2013.

Specific measures are required for IOC recognition, including having an anti-doping policy compliant with the World Anti-Doping Agency and having 50 affiliated national federations from at least three continents. The IFAF has 74 national federations over five continents with almost 4.8 million registered athletes, according to the IOC.

The NFL has helped lead the push for flag football to be added for the 2028 Los Angeles Games. Flag football had medal events for men and women at last year’s World Games, a multi-sport competition including Olympic and non-Olympic sports, in Birmingham, Alabama.

Football is one of nine sports that have been reported to be in the running to be proposed by LA 2028 to the IOC to be added for the 2028 Games only. LA 2028 has not announced which, if any sports, it plans to propose.

Under rules instituted before the Tokyo Games, Olympic hosts have successfully proposed to the IOC adding sports solely for their edition of the Games.

For Tokyo, baseball-softball, karate, skateboarding, sport climbing and surfing were added. For Paris, skateboarding, sport climbing and surfing were approved again, and breaking will make its Olympic debut. Those sports were added four years out from the Games.

For 2028, the other sports reportedly in the running for proposal are baseball and softball, breaking, cricket, karate, kickboxing, lacrosse, motorsports and squash.

All of the other eight sports reportedly in the running for 2028 proposal already have a federation with full IOC recognition (if one counts the international motorcycle racing federation for motorsports).

OlympicTalk is on Apple News. Favorite us!

Helen Maroulis stars in wrestling documentary, with help from Chris Pratt

Helen Maroulis, Chris Pratt
Getty
0 Comments

One of the remarkable recent Olympic comeback stories is the subject of a film that will be shown nationwide in theaters for one day only on Thursday.

“Helen | Believe” is a documentary about Helen Maroulis, the first U.S. Olympic women’s wrestling champion. It is produced by Religion of Sports, the venture founded by Gotham Chopra, Michael Strahan and Tom Brady. Showing details are here.

After taking gold at the 2016 Rio Games, Maroulis briefly retired in 2019 during a two-year stretch in which she dealt with concussions and post-traumatic stress disorder. The film focuses on that period and her successful bid to return and qualify for the Tokyo Games, where she took bronze.

In a poignant moment in the film, Maroulis described her “rock bottom” — being hospitalized for suicidal ideations.

In an interview, Maroulis said she was first approached about the project in 2018, the same year she had her first life-changing concussion that January. A wrestling partner’s mother was connected to director Dylan Mulick.

Maroulis agreed to the film in part to help spread mental health awareness in sports. Later, she cried while watching the 2020 HBO film, “The Weight of Gold,” on the mental health challenges that other Olympians faced, because it resonated with her so much.

“When you’re going through something, it sometimes gives you an anchor of hope to know that someone’s been through it before, and they’ve overcome it,” she said.

Maroulis’ comeback story hit a crossroads at the Olympic trials in April 2021, where the winner of a best-of-three finals series in each weight class made Team USA.

Maroulis won the opening match against Jenna Burkert, but then lost the second match. Statistically, a wrestler who loses the second match in a best-of-three series usually loses the third. But Maroulis pinned Burkert just 22 seconds into the rubber match to clinch the Olympic spot.

Shen then revealed that she tore an MCL two weeks earlier.

“They told me I would have to be in a brace for six weeks,” she said then. “I said, ‘I don’t have that. I have two and a half.’”

Maroulis said she later asked the director what would have happened if she didn’t make the team for Tokyo. She was told the film still have been done.

“He had mentioned this isn’t about a sports story or sports comeback story,” Maroulis said. “This is about a human story. And we’re using wrestling as the vehicle to tell this story of overcoming and healing and rediscovering oneself.”

Maroulis said she was told that, during filming, the project was pitched to the production company of actor Chris Pratt, who wrestled in high school in Washington. Pratt signed on as a producer.

“Wrestling has made an impact on his life, and so he wants to support these kinds of stories,” said Maroulis, who appeared at last month’s Santa Barbara Film Festival with Pratt.

Pratt said he knew about Maroulis before learning about the film, which he said “needed a little help to get it over the finish line,” according to a public relations company promoting the film.

The film also highlights the rest of the six-woman U.S. Olympic wrestling team in Tokyo. Four of the six won a medal, including Tamyra Mensah-Stock‘s gold.

“I was excited to be part of, not just (Maroulis’) incredible story, but also helping to further advance wrestling and, in particular, female wrestling,” Pratt said, according to responses provided by the PR company from submitted questions. “To me, the most compelling part of Helen’s story is the example of what life looks like after a person wins a gold medal. The inevitable comedown, the trauma around her injuries, the PTSD, the drive to continue that is what makes her who she is.”

Maroulis, who now trains in Arizona, hopes to qualify for this year’s world championships and next year’s Olympics.

“I try to treat every Games as my last,” she said. “Now I’m leaning toward being done [after 2024], but never say never.”

OlympicTalk is on Apple News. Favorite us!