18-year-old Emma Raducanu joins 19-year-old Leylah Fernandez in U.S. Open semis

2021 US Open - Day 10
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NEW YORK — Emma Raducanu came to Flushing Meadows for her second Grand Slam tournament ranked so low that she needed to go through qualifying rounds just to get into the main draw. She’s just 18, so new to all of this, and yet no one has figured out a way to stop her.

Not even take a set off her.

Showing off the shots and poise of someone much more experienced, the 150th-ranked Raducanu became the first qualifier to get to the U.S. Open semifinals in the professional era — and, remarkably, the second teen in two days to secure a spot in the final four — by eliminating Tokyo Olympics gold medalist Belinda Bencic 6-3, 6-4 on Wednesday.

“To have so many young players here doing so well — it just shows how strong the next generation is,” said Britain’s Raducanu, who joins Canada’s Leylah Fernandez, 19, in the semifinals. “Everyone’s on their trajectory. … It’s my own journey at the end of the day.”

And what a ride she is on at the moment.

Raducanu won all 16 sets she has contested through eight matches over the past 1 1/2 weeks — three during the qualifying rounds and another five in the main draw. She next will face No. 4 seed Karolina Pliskova of the Czech Republic, a two-time major runner-up, or No. 17 seed Maria Sakkari of Greece, a semifinalist at this year’s French Open, on Thursday for a spot in the final.

The other women’s semifinal will be the 73rd-ranked Fernandez against No. 2 seed Aryna Sabalenka.

In Wednesday’s men’s quarterfinals, Novak Djokovic was scheduled to try to extend his bid for a calendar-year Grand Slam by facing Matteo Berrettini at night in a rematch of the Wimbledon final, while Olympic champion Alexander Zverev met Lloyd Harris.

Raducanu was ranked outside of the top 300 in late June when she got a chance to play at Wimbledon thanks to a wild-card invitation. In that Grand Slam debut, she reached the fourth round before stopping during that match when she had trouble breathing.

That tournament allowed the world to begin to get familiar with her style of crisp, clean tennis, managing to attack early in points from the baseline without sacrificing accuracy. By the end against the 11th-seeded Bencic, a U.S. Open semifinalist in 2019, Raducanu had nearly twice as many winners as unforced errors, 23-12.

She also showed gumption, particularly at the end, when she fell behind love-30 in each of her last two service games before pulling through.

At the outset, Raducanu trailed 3-1.

“Her ball speed definitely caught me off-guard,” Raducanu said about the hard-hitting Bencic. “I definitely had to try to adapt.”

She did just that. Quickly, too. From there, Raducanu reeled off five games in a row to take the opening set, the first dropped by Bencic all tournament.

Bencic only had been broken three times through four matches, but Raducanu equaled that total and became only the third woman ranked outside the top 100 to advance to the U.S. Open semifinals.

When Bencic double-faulted to get broken and fall behind 3-2 in the second set, she trudged, slow as can be, to a corner of the court to retrieve her towel. When she got to her sideline seat, she whacked her racket against her equipment bag, then plopped herself down and smacked the racket against the ground.

Raducanu jogged to the sideline, showered in applause and cheers from the Arthur Ashe Stadium crowd.

Just like the prior afternoon, the Ashe spectators lent their considerable support to a teenager whose name is not yet well-known and who’s not yet all that accustomed to gracing these stages.

On Tuesday, a day after turning 19 and sharing cupcakes with Raducanu and others in the locker room, it was Fernandez getting past No. 5 seed Elina Svitolina 6-3, 3-6, 7-6 (5) to become the youngest semifinalist at Flushing Meadows since Maria Sharapova in 2005.

On Wednesday, it was the even-younger Raducanu’s turn.

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Football takes significant step in Olympic push

Flag Football
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Football took another step toward possible Olympic inclusion with the IOC executive board proposing that the sport’s international federation — the IFAF — be granted full IOC recognition at a meeting in October.

IOC recognition does not equate to eventual Olympic inclusion, but it is a necessary early marker if a sport is to join the Olympics down the line. The IOC gave the IFAF provisional recognition in 2013.

Specific measures are required for IOC recognition, including having an anti-doping policy compliant with the World Anti-Doping Agency and having 50 affiliated national federations from at least three continents. The IFAF has 74 national federations over five continents with almost 4.8 million registered athletes, according to the IOC.

The NFL has helped lead the push for flag football to be added for the 2028 Los Angeles Games. Flag football had medal events for men and women at last year’s World Games, a multi-sport competition including Olympic and non-Olympic sports, in Birmingham, Alabama.

Football is one of nine sports that have been reported to be in the running to be proposed by LA 2028 to the IOC to be added for the 2028 Games only. LA 2028 has not announced which, if any sports, it plans to propose.

Under rules instituted before the Tokyo Games, Olympic hosts have successfully proposed to the IOC adding sports solely for their edition of the Games.

For Tokyo, baseball-softball, karate, skateboarding, sport climbing and surfing were added. For Paris, skateboarding, sport climbing and surfing were approved again, and breaking will make its Olympic debut. Those sports were added four years out from the Games.

For 2028, the other sports reportedly in the running for proposal are baseball and softball, breaking, cricket, karate, kickboxing, lacrosse, motorsports and squash.

All of the other eight sports reportedly in the running for 2028 proposal already have a federation with full IOC recognition (if one counts the international motorcycle racing federation for motorsports).

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Helen Maroulis stars in wrestling documentary, with help from Chris Pratt

Helen Maroulis, Chris Pratt
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One of the remarkable recent Olympic comeback stories is the subject of a film that will be shown nationwide in theaters for one day only on Thursday.

“Helen | Believe” is a documentary about Helen Maroulis, the first U.S. Olympic women’s wrestling champion. It is produced by Religion of Sports, the venture founded by Gotham Chopra, Michael Strahan and Tom Brady. Showing details are here.

After taking gold at the 2016 Rio Games, Maroulis briefly retired in 2019 during a two-year stretch in which she dealt with concussions and post-traumatic stress disorder. The film focuses on that period and her successful bid to return and qualify for the Tokyo Games, where she took bronze.

In a poignant moment in the film, Maroulis described her “rock bottom” — being hospitalized for suicidal ideations.

In an interview, Maroulis said she was first approached about the project in 2018, the same year she had her first life-changing concussion that January. A wrestling partner’s mother was connected to director Dylan Mulick.

Maroulis agreed to the film in part to help spread mental health awareness in sports. Later, she cried while watching the 2020 HBO film, “The Weight of Gold,” on the mental health challenges that other Olympians faced, because it resonated with her so much.

“When you’re going through something, it sometimes gives you an anchor of hope to know that someone’s been through it before, and they’ve overcome it,” she said.

Maroulis’ comeback story hit a crossroads at the Olympic trials in April 2021, where the winner of a best-of-three finals series in each weight class made Team USA.

Maroulis won the opening match against Jenna Burkert, but then lost the second match. Statistically, a wrestler who loses the second match in a best-of-three series usually loses the third. But Maroulis pinned Burkert just 22 seconds into the rubber match to clinch the Olympic spot.

Shen then revealed that she tore an MCL two weeks earlier.

“They told me I would have to be in a brace for six weeks,” she said then. “I said, ‘I don’t have that. I have two and a half.’”

Maroulis said she later asked the director what would have happened if she didn’t make the team for Tokyo. She was told the film still have been done.

“He had mentioned this isn’t about a sports story or sports comeback story,” Maroulis said. “This is about a human story. And we’re using wrestling as the vehicle to tell this story of overcoming and healing and rediscovering oneself.”

Maroulis said she was told that, during filming, the project was pitched to the production company of actor Chris Pratt, who wrestled in high school in Washington. Pratt signed on as a producer.

“Wrestling has made an impact on his life, and so he wants to support these kinds of stories,” said Maroulis, who appeared at last month’s Santa Barbara Film Festival with Pratt.

Pratt said he knew about Maroulis before learning about the film, which he said “needed a little help to get it over the finish line,” according to a public relations company promoting the film.

The film also highlights the rest of the six-woman U.S. Olympic wrestling team in Tokyo. Four of the six won a medal, including Tamyra Mensah-Stock‘s gold.

“I was excited to be part of, not just (Maroulis’) incredible story, but also helping to further advance wrestling and, in particular, female wrestling,” Pratt said, according to responses provided by the PR company from submitted questions. “To me, the most compelling part of Helen’s story is the example of what life looks like after a person wins a gold medal. The inevitable comedown, the trauma around her injuries, the PTSD, the drive to continue that is what makes her who she is.”

Maroulis, who now trains in Arizona, hopes to qualify for this year’s world championships and next year’s Olympics.

“I try to treat every Games as my last,” she said. “Now I’m leaning toward being done [after 2024], but never say never.”

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