Nathan Chen likely to skate 2019-20 programs at 2022 U.S. Championships

By Philip HershDec 20, 2021, 8:39 PM EST

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Three-time world champion Nathan Chen has gone back to the programs that produced his career best scores.

They are the short program to Charles Aznavour’s version of “La Bohème” and the free skate to an Elton John medley that Chen used in the 2019-20 season, which ended prematurely when the onset of the Covid pandemic forced cancellation of the 2020 World Championships in Montreal.

At the 2019 Grand Prix Final, Chen’s short program to the Aznavour earned him a personal best 110.38 points. With the Elton John free skate at that event, Chen scored a world record 224.92 for a world record total of 335.30.

Chen was to revisit them for the first time competitively at this season’s Grand Prix Final two weeks ago, but it was cancelled because of complications related to the new Covid variant. So the revival now is likely to come at the 2022 U.S. Championships, in which Chen will seek a sixth straight title in a men’s competition that begins Jan. 8.

Chen coyly said “yeah, probably” when asked in a Monday media Zoom call if he would use the 2019-20 programs at nationals. “Further on in the season, still TBD (to be determined),” he added.

He had not seemed comfortable with this season’s programs, each of which had a cut-and-paste feeling, and Chen’s performances to them were underwhelming by his standards: a third place at Skate America, his first loss since the 2018 Olympics, and an easy if unremarkable victory at Skate Canada.

The short, to music by Benjamin Clementine, tacked part of his signature “Nemesis” program from 2018 onto the end of “Eternity,” a piece of music new to his skating repertoire.

The free skate was a Mozart medley all new to him, but it finished with a jarring segue from Mozart’s version of the mournful Lacrimosa section in his Requiem to a hip-hop Apashe remix of the Lacrimosa.

Neither program resonated the way Chen and his team had hoped in this Olympic season.

“Just the connection,” Chen said of the reason for changing. “Every time you get to perform a program, you know whether or not it makes sense, feels right. The programs felt a little off. That’s not to say it might not feel off in the future, but there are other programs I feel more connected to.”

There is also hip-hop in the final 30 seconds of the Elton John program, which was choreographed by ice dance coach Marie-France Dubreuil and Samuel Chouinard, her collaborator at the renowned Ice Academy of Montreal.

Shae-Lynn Bourne, an ice dance world champion, choreographed the “La Bohème” program. She also did both of the programs Chen used earlier this season as well as the signature “Nemesis” program and the programs with which he won a third straight world title last season.

This will be the first time in Chen’s six seasons at the senior international level that he has re-used entire old programs. This season’s previous short program was the first time he had re-used any part of an old program.

“My coach and choreographer and I agreed that you need to have something new and different and something you find enjoyment in doing, but it also has to be something you are genuinely so comfortable in doing,” Chen told me before Skate America. “It’s not necessarily worth the risk to do something completely different that you don’t have any experience with.”

The “La Bohème” program has particular resonance for Chen’s coach, Rafael Arutunian, since both he and Aznavour are of Armenian descent.

“I really like the 2019-2020 programs,” Chen said. “I never got the chance to compete them at worlds.”

Philip Hersh, who has covered figure skating at the last 11 Winter Olympics, is a special contributor to NBCSports.com/figure-skating.

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Ilia Malinin eyed new heights at figure skating worlds, but a jump to gold requires more

By Philip HershMar 25, 2023, 1:10 PM EDT

At 18 years old, Ilia Malinin already has reached immortality in figure skating for technical achievement, being the first to land a quadruple Axel jump in competition.

The self-styled “Quadg0d” already has shown the chutzpah (or hubris?) to go for the most technically difficult free skate program ever attempted at the world championships, including that quad Axel, the hardest jump anyone has tried.

It helped bring U.S. champion Malinin the world bronze medal Saturday in Saitama, Japan, where he made more history as the first to land the quad Axel at worlds.

But it already had him thinking that the way to reach the tops of both the worlds and Olympus might be to acknowledge his mortal limits.

Yes, if Malinin (288.44 points) had cleanly landed all six quads he did instead of going clean on just three of the six, it would have closed or even overcome the gap between him and repeat champion Shoma Uno of Japan (301.14) and surprise silver medalist Cha Jun-Hwan (296.03), the first South Korean man to win a world medal.

That’s a big if, as no one ever has done six clean quads in a free skate.

And the energy needed for those quads, physical and mental, hurts Malinin’s chances of closing another big gap with the world leaders: the difference in their “artistic” marks, known as component scores.

Malinin’s technical scores led the field in both the short program and free skate. But his component scores were lower than at last year’s worlds, when he finished ninth, and they ranked 10th in the short program and 11th in the free this time. Uno had an 18.44-point overall advantage over Malinin in PCS, Cha a 13.47 advantage.

FIGURE SKATING WORLDS: Chock, Bates, and a long road to gold | Results

As usual in figure skating, some of the PCS difference owes to the idea of paying your dues. After all, at his first world championships, eventual Olympic champion Nathan Chen had PCS scores only slightly better than Malinin’s, and Chen’s numbers improved substantially by the next season.

But credit Malinin for quickly grasping the reality that his current skating has a lot of rough edges on the performance side.

“I’ve noticed that it’s really hard to go for a lot of risks,” he said in answer to a press conference question about what he had learned from this competition. “Sometimes going for the risks you get really good rewards, but I think that maybe sometimes it’s OK to lower the risks and go for a lot cleaner skate. I think it will be beneficial next season to lower the standards a bit.”

So could it be “been-there, done-that” with the quad Axel? (and the talk of quints and quad-quad combinations?)

Saturday’s was his fourth clean quad Axel in seven attempts this season, but it got substantially the lowest grade of execution (0.36) of the four with positive marks. It was his opening jump in the four-minute free, and, after a stopped-in-your tracks landing, his next two quads, flip and Lutz, were both badly flawed.

And there were still some three minutes to go.

Malinin did not directly answer about letting the quad Axel go now that he has definitively proved he can do it. What he did say could be seen as hinting at it.

“With the whole components factor … it’s probably because you know, after doing a lot of these jumps, (which) are difficult jumps, it’s really hard to try to perform for the audience,” he said.

“Even though some people might enjoy jumping, and it’s one of the things I enjoy, but I also like to perform to the audience. So I think next season, I would really want to focus on this performing side.”

Chen had told me essentially the same thing for a 2017 Ice Network story (reposted last year by NBCOlympics.com) about his several years of ballet training. He regretted not being able to show that training more because of the program-consuming athletic demands that come with being an elite figure skater.

“When I watch my skating when I was younger, I definitely see all this balletic movement and this artistry come through,” Chen said then. “When I watch my artistry now, it’s like, ‘Yes, it’s still there,’ but at the same time, I’m so focused on the jumps, it takes away from it.”

The artistry can still be developed and displayed, as Chen showed and as prolific and proficient quad jumpers like Uno and the now retired two-time Olympic champion Yuzuru Hanyu of Japan have proved.

For another perspective on how hard it is to combine both, look at the difficulty it posed for the consummate performer, Jason Brown, who had the highest PCS scores while finishing a strong fifth (280.84).

Since Brown dropped his Sisyphean attempts to do a clean quad after 26 tries (20 in a free skate), the last at the 2022 U.S. Championships, he has received the two highest international free skate scores of his career, at the 2022 Olympics and this world meet.

It meant Brown’s coming to terms with his limitations and the fact that in the sport’s current iteration, his lack of quads gives him little chance of winning a global championship medal. What he did instead was give people the chance to see the beauty of his blade work, his striking movement, his expressiveness.

He has, at 28, become an audience favorite more than ever. And the judges Saturday gave Brown six maximum PCS scores (10.0.)

“I’m so happy about today’s performance,” Brown told media in the mixed zone. “I did my best to go out there and skate my skate. And that’s what I did.”

The quadg0d is realizing that he, too, must accept limitations if he wants to achieve his goals. Ilia Malinin can’t simply jump his way onto the highest steps of the most prized podiums.

Philip Hersh, who has covered figure skating at the last 12 Winter Olympics, is a special contributor to NBCSports.com.

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Shoma Uno repeats as world figure skating champion; Ilia Malinin tries 6 quads for bronze

By OlympicTalkMar 25, 2023, 10:47 AM EDT

Japan’s Shoma Uno repeated as world figure skating champion, performing the total package of jumps and artistry immediately after 18-year-old American Ilia Malinin attempted a record-tying six quadruple jumps in his free skate to earn the bronze medal.

Uno, 25 and the leader after Thursday’s short program, prevailed with five quad attempts (one under-rotated) in Saturday’s free skate.

He finished, fell backward and lay on home ice in Saitama, soaking in a standing ovation amid a sea of Japanese flags. Japan won three of the four gold medals this week, and Uno capped it off with guts coming off a reported ankle injury.

He is the face of Japanese men’s skating after two-time Olympic champion Yuzuru Hanyu retired in July and Olympic silver medalist Yuma Kagiyama missed most of this season with leg and ankle injuries.

“There were many shaky jumps today, but I’m happy I was able to get a good result despite not being in a good condition these past two weeks,” Uno said, according to the International Skating Union (ISU). “I know I caused a lot of concerns to everyone around me, but I was able to pay them back and show my gratitude with my performance today.”

Silver medalist Cha Jun-Hwan became the first South Korean man to win a world championships medal. Cha, a 21-year-old who was fifth at the Olympics, had to change out broken skate boots before traveling to Japan, one year after withdrawing from worlds after a 17th-place short program, citing a broken skate boot.

FIGURE SKATING WORLDS: Results

Malinin, ninth in his senior worlds debut last year, planned the most difficult program of jumps in figure skating history — six quads, including a quad Axel. Malinin is the only person to land a quad Axel in competition and did so again Saturday. He still finished 12.7 points behind Uno and 7.59 behind Cha.

Malinin had the top technical score (jumps, spins, step sequences) in both programs, despite an under-rotation and two other negatively graded jumps among his seven jumping passes in the free skate.

His nemesis was the artistic score, placing 10th and 11th in that category in the two programs (18.44 points behind Uno). Unsurprising for the only teen in the top 13, who is still working on that facet of his skating, much like a young Nathan Chen several years ago.

“After doing a lot of these jumps — hard, difficult jumps — it’s really hard to try to perform for the audience,” said Malinin, who entered worlds ranked second in the field by best score this season behind Uno.

Chen, who is unlikely to compete again after winning last year’s Olympics, remains the lone skater to land six fully rotated quads in one program (though not all clean). Malinin became the youngest U.S. male singles skater to win a world medal since Scott Allen in 1965. He was proud of his performance, upping the ante after previously trying five quads in free skates this season, but afterward weighed whether the risk was worth it.

“Sometimes going for the risk, you get really good rewards, but I think that maybe sometimes it’s OK to lower the risks and try not to take as much risk and go for a lot cleaner skate,” he said. “I think that’ll be beneficial to do next season is to lower the standards a bit.”

Malinin was followed by Frenchman Kévin Aymoz, who before the pandemic was the world’s third-ranked skater behind Chen and Yuzuru Hanyu, then placed ninth, 11th and 12th at the last three global championships.

Jason Brown, a two-time U.S. Olympian, was fifth in his first international competition since last year’s Olympics. He was the lone man in the top 15 to not attempt a quad, a testament to his incredible artistic skills for which he received the most points between the two programs.

“I didn’t think at the beginning of the year that I even would be competing this year, so I’m really touched to be here,” the 28-year-old said, according to the ISU. “I still want to keep going [competing] a little longer, but we’ll see. I won’t do promises.”

Earlier Saturday, Madison Chock and Evan Bates became the oldest couple to win an ice dance world title and the second set of Americans to do so. More on that here.

World championships highlights air Saturday from 8-10 p.m. ET on NBC, NBCSports.com/live and the NBC Sports app.

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