Novak Djokovic faces Stefanos Tsitsipas in Australian Open final for Slam titles record

Novak Djokovic
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MELBOURNE, Australia — Novak Djokovic put aside some shaky play in the early going and took over his Australian Open semifinal against unseeded American Tommy Paul on Friday, winning 7-5, 6-1, 6-2 to close in on a 10th championship at Melbourne Park and 22nd Grand Slam title overall.

Djokovic’s parents and brother are in town for the tournament for the first time since he claimed major trophy No. 1 there back in 2008, but his father stayed away from this match after getting caught up in a flap connected to spectators who brought banned Russian flags on site earlier in the week.

Forget about that potential distraction. Forget about the heavily taped left hamstring that was an issue last week. Forget about how Djokovic produced twice as many unforced errors, 24, as winners, 12, in the opening set. Forget that he dropped four games in a row in one stretch. As usual, Djokovic summoned what it took to extend his Australian Open winning streak to 27 matches, the longest in the Open era, which dates to 1968.

There was a pause in that string of victories a year ago, of course, when Djokovic was deported from Australia before competition began because he was not vaccinated against COVID-19. He still has not gotten the shots, but the strict border controls established by the country during the pandemic have been eased.

AUSTRALIAN OPEN DRAWS: Women | Men

On Sunday, No. 4 seed Djokovic will take on No. 3 seed Stefanos Tsitsipas, who eliminated Karen Khachanov 7-6 (2), 6-4, 6-7 (6), 6-3 to reach his first final at Melbourne Park and second at a Slam.

Whoever wins the final will rise to No. 1 in the ATP rankings. For Djokovic, that would mark a return to a spot he has occupied for more weeks than anyone; for Tsitsipas, if would mark a debut there.

“I like that number. It’s all about you. It’s singular. It’s ‘1,’” said Tsitsipas, who was 0-3 in Australian Open semifinals before Friday. “These are the moments that I’ve been working hard for.”

Djokovic has never lost a semifinal or final in Melbourne, going a perfect 19-0, and his nine triumphs there already are a men’s record. If he can add one more to go alongside his seven titles at Wimbledon, three at the U.S. Open and two at the French Open, the 35-year-old from Serbia would equal Nadal for the most Grand Slam trophies earned by a man.

Djokovic is 10-2 against Tsitsipas, taking the last nine encounters in a row.

Tsitsipas’ other major final came at the 2021 French Open, when he grabbed the first two sets before blowing that big lead and losing to Djokovic in five.

Which was all related to an amusing moment this week, when Djokovic said about Tsitsipas: “He has never played a final, am I wrong?” Reminded by reporters about what happened at Roland Garros, Djokovic replied: “That’s right. Sorry, my bad.”

Asked about that exchange Friday, Tsitsipas responded with a deadpan expression and the words: “I don’t remember, either.”

Until this week, the 35th-ranked Paul never had been past the fourth round in 13 previous appearances at majors.

The 25-year-old was born in New Jersey and grew up in North Carolina, playing tennis at a club where the walls were festooned with posters of Andy Roddick — the last American man to win a Grand Slam singles title, way back at the 2003 U.S. Open. That drought will continue for now, because even though Djokovic was not at his best in the opening set, he was good enough at the end of it, breaking in the last game, and never relented.

The blips for Djokovic arrived right at the outset.

The footwork was not up to his usual reach-every-ball standard. The shotmaking was subpar. The serving was so-so.

He got into a bit of a discussion with the chair umpire. He started gesturing and shouting in the direction of coach Goran Ivanisevic and the rest of this entourage.

In the first game, Djokovic flubbed an overhead, a weakness he’s never solved. He dumped a backhand into the net. He double-faulted. And just like that, three minutes in, he offered up a break point to Paul. Djokovic saved that, but then another missed backhand provided another break chance to someone playing the biggest match of his life.

Djokovic saved that, too, collected that game and would race to a 5-1 lead. Then came the lull. He got broken when serving for the set there. And again at 5-3, when Paul walloped a down-the-line forehand and Djokovic’s backhand on a 29-stroke point landed out.

Paul held for 5-all. Might he be making a match of it?

Not for much longer. Djokovic, the greatest returner or his, or maybe any, generation, broke to close that set, when Paul sent a forehand wide. Serbian flags were displayed throughout the stands and Rod Laver Arena was filled with chants of Djokovic’s two-syllable nickname, “No-le! No-le!”

The contest was never much of a contest from there on out.

Tsitsipas had a harder time strictly following the rules governing the 25-second serve clock and foot-faults than he did outplaying Khachanov for nearly three full sets, then recovered after blowing two match points late in the third.

Tsitsipas regained his footing quickly, grabbing a 3-0 lead in the fourth and closing out the win about 40 minutes after his initial opportunity.

Looking ahead to Sunday, he declared: “Couldn’t be more ready for this moment.”

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Football takes significant step in Olympic push

Flag Football
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Football took another step toward possible Olympic inclusion with the IOC executive board proposing that the sport’s international federation — the IFAF — be granted full IOC recognition at a meeting in October.

IOC recognition does not equate to eventual Olympic inclusion, but it is a necessary early marker if a sport is to join the Olympics down the line. The IOC gave the IFAF provisional recognition in 2013.

Specific measures are required for IOC recognition, including having an anti-doping policy compliant with the World Anti-Doping Agency and having 50 affiliated national federations from at least three continents. The IFAF has 74 national federations over five continents with almost 4.8 million registered athletes, according to the IOC.

The NFL has helped lead the push for flag football to be added for the 2028 Los Angeles Games. Flag football had medal events for men and women at last year’s World Games, a multi-sport competition including Olympic and non-Olympic sports, in Birmingham, Alabama.

Football is one of nine sports that have been reported to be in the running to be proposed by LA 2028 to the IOC to be added for the 2028 Games only. LA 2028 has not announced which, if any sports, it plans to propose.

Under rules instituted before the Tokyo Games, Olympic hosts have successfully proposed to the IOC adding sports solely for their edition of the Games.

For Tokyo, baseball-softball, karate, skateboarding, sport climbing and surfing were added. For Paris, skateboarding, sport climbing and surfing were approved again, and breaking will make its Olympic debut. Those sports were added four years out from the Games.

For 2028, the other sports reportedly in the running for proposal are baseball and softball, breaking, cricket, karate, kickboxing, lacrosse, motorsports and squash.

All of the other eight sports reportedly in the running for 2028 proposal already have a federation with full IOC recognition (if one counts the international motorcycle racing federation for motorsports).

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Helen Maroulis stars in wrestling documentary, with help from Chris Pratt

Helen Maroulis, Chris Pratt
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One of the remarkable recent Olympic comeback stories is the subject of a film that will be shown nationwide in theaters for one day only on Thursday.

“Helen | Believe” is a documentary about Helen Maroulis, the first U.S. Olympic women’s wrestling champion. It is produced by Religion of Sports, the venture founded by Gotham Chopra, Michael Strahan and Tom Brady. Showing details are here.

After taking gold at the 2016 Rio Games, Maroulis briefly retired in 2019 during a two-year stretch in which she dealt with concussions and post-traumatic stress disorder. The film focuses on that period and her successful bid to return and qualify for the Tokyo Games, where she took bronze.

In a poignant moment in the film, Maroulis described her “rock bottom” — being hospitalized for suicidal ideations.

In an interview, Maroulis said she was first approached about the project in 2018, the same year she had her first life-changing concussion that January. A wrestling partner’s mother was connected to director Dylan Mulick.

Maroulis agreed to the film in part to help spread mental health awareness in sports. Later, she cried while watching the 2020 HBO film, “The Weight of Gold,” on the mental health challenges that other Olympians faced, because it resonated with her so much.

“When you’re going through something, it sometimes gives you an anchor of hope to know that someone’s been through it before, and they’ve overcome it,” she said.

Maroulis’ comeback story hit a crossroads at the Olympic trials in April 2021, where the winner of a best-of-three finals series in each weight class made Team USA.

Maroulis won the opening match against Jenna Burkert, but then lost the second match. Statistically, a wrestler who loses the second match in a best-of-three series usually loses the third. But Maroulis pinned Burkert just 22 seconds into the rubber match to clinch the Olympic spot.

Shen then revealed that she tore an MCL two weeks earlier.

“They told me I would have to be in a brace for six weeks,” she said then. “I said, ‘I don’t have that. I have two and a half.’”

Maroulis said she later asked the director what would have happened if she didn’t make the team for Tokyo. She was told the film still have been done.

“He had mentioned this isn’t about a sports story or sports comeback story,” Maroulis said. “This is about a human story. And we’re using wrestling as the vehicle to tell this story of overcoming and healing and rediscovering oneself.”

Maroulis said she was told that, during filming, the project was pitched to the production company of actor Chris Pratt, who wrestled in high school in Washington. Pratt signed on as a producer.

“Wrestling has made an impact on his life, and so he wants to support these kinds of stories,” said Maroulis, who appeared at last month’s Santa Barbara Film Festival with Pratt.

Pratt said he knew about Maroulis before learning about the film, which he said “needed a little help to get it over the finish line,” according to a public relations company promoting the film.

The film also highlights the rest of the six-woman U.S. Olympic wrestling team in Tokyo. Four of the six won a medal, including Tamyra Mensah-Stock‘s gold.

“I was excited to be part of, not just (Maroulis’) incredible story, but also helping to further advance wrestling and, in particular, female wrestling,” Pratt said, according to responses provided by the PR company from submitted questions. “To me, the most compelling part of Helen’s story is the example of what life looks like after a person wins a gold medal. The inevitable comedown, the trauma around her injuries, the PTSD, the drive to continue that is what makes her who she is.”

Maroulis, who now trains in Arizona, hopes to qualify for this year’s world championships and next year’s Olympics.

“I try to treat every Games as my last,” she said. “Now I’m leaning toward being done [after 2024], but never say never.”

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