Helen Maroulis stars in wrestling documentary, with help from Chris Pratt

Helen Maroulis, Chris Pratt
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One of the remarkable recent Olympic comeback stories is the subject of a film that will be shown nationwide in theaters for one day only on Thursday.

“Helen | Believe” is a documentary about Helen Maroulis, the first U.S. Olympic women’s wrestling champion. It is produced by Religion of Sports, the venture founded by Gotham Chopra, Michael Strahan and Tom Brady. Showing details are here.

After taking gold at the 2016 Rio Games, Maroulis briefly retired in 2019 during a two-year stretch in which she dealt with concussions and post-traumatic stress disorder. The film focuses on that period and her successful bid to return and qualify for the Tokyo Games, where she took bronze.

In a poignant moment in the film, Maroulis described her “rock bottom” — being hospitalized for suicidal ideations.

In an interview, Maroulis said she was first approached about the project in 2018, the same year she had her first life-changing concussion that January. A wrestling partner’s mother was connected to director Dylan Mulick.

Maroulis agreed to the film in part to help spread mental health awareness in sports. Later, she cried while watching the 2020 HBO film, “The Weight of Gold,” on the mental health challenges that other Olympians faced, because it resonated with her so much.

“When you’re going through something, it sometimes gives you an anchor of hope to know that someone’s been through it before, and they’ve overcome it,” she said.

Maroulis’ comeback story hit a crossroads at the Olympic trials in April 2021, where the winner of a best-of-three finals series in each weight class made Team USA.

Maroulis won the opening match against Jenna Burkert, but then lost the second match. Statistically, a wrestler who loses the second match in a best-of-three series usually loses the third. But Maroulis pinned Burkert just 22 seconds into the rubber match to clinch the Olympic spot.

Shen then revealed that she tore an MCL two weeks earlier.

“They told me I would have to be in a brace for six weeks,” she said then. “I said, ‘I don’t have that. I have two and a half.’”

Maroulis said she later asked the director what would have happened if she didn’t make the team for Tokyo. She was told the film still have been done.

“He had mentioned this isn’t about a sports story or sports comeback story,” Maroulis said. “This is about a human story. And we’re using wrestling as the vehicle to tell this story of overcoming and healing and rediscovering oneself.”

Maroulis said she was told that, during filming, the project was pitched to the production company of actor Chris Pratt, who wrestled in high school in Washington. Pratt signed on as a producer.

“Wrestling has made an impact on his life, and so he wants to support these kinds of stories,” said Maroulis, who appeared at last month’s Santa Barbara Film Festival with Pratt.

Pratt said he knew about Maroulis before learning about the film, which he said “needed a little help to get it over the finish line,” according to a public relations company promoting the film.

The film also highlights the rest of the six-woman U.S. Olympic wrestling team in Tokyo. Four of the six won a medal, including Tamyra Mensah-Stock‘s gold.

“I was excited to be part of, not just (Maroulis’) incredible story, but also helping to further advance wrestling and, in particular, female wrestling,” Pratt said, according to responses provided by the PR company from submitted questions. “To me, the most compelling part of Helen’s story is the example of what life looks like after a person wins a gold medal. The inevitable comedown, the trauma around her injuries, the PTSD, the drive to continue that is what makes her who she is.”

Maroulis, who now trains in Arizona, hopes to qualify for this year’s world championships and next year’s Olympics.

“I try to treat every Games as my last,” she said. “Now I’m leaning toward being done [after 2024], but never say never.”

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Iga Swiatek wins third French Open title, fourth Grand Slam, but this final was not easy

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Iga Swiatek won her third French Open title and her fourth Grand Slam overall, pushed to a third set in a major final for the first time.

Swiatek, a 22-year-old Pole, outlasted unseeded Czech Karolina Muchova 6-2, 5-7, 6-4 on Saturday at Roland Garros. Muchova tested Swiatek, the only singles player in the Open Era to win their first seven major final sets. She became the first player to take a set off Swiatek in the tournament.

Swiatek looked en route to another major final sweep, up 3-0 in the second set. She then committed 11 unforced errors (versus four winners) over the rest of the set as Muchova rallied back (with 10 winners versus 11 unforced errors).

Muchova then won the first eight points of the third set. Swiatek, under the most pressure of her career on the sport’s biggest stages, passed the test. The players exchanged breaks of serve, and Muchova had another break point for a chance to serve for the championship, but Swiatek fended her off.

“After so many ups and downs, I kind of stopped thinking about the score,” Swiatek said. “I wanted to use my intuition more because I knew that I can play a little bit better if I’m going to get a little bit more loosened up.”

FRENCH OPEN DRAWS: Women | Men | Broadcast Schedule

No woman lower than the 14th seed has beaten both world Nos. 1 and 2 at a Grand Slam since the WTA rankings began in 1975. Muchova, ranked 43rd, nearly pulled it off.

“The feeling is a little bitter because I felt it was very close,” she said. “But overall, I mean, to call myself Grand Slam finalist, it’s amazing achievement.”

The French Open finishes Sunday with the men’s final. Novak Djokovic faces Casper Ruud, eyeing a 23rd major title to break his tie with Rafael Nadal for the men’s singles record. NBC, NBCSports.com/live, the NBC Sports app and Peacock air live coverage at 9 a.m. ET.

Go back to the fall 2020 French Open. Swiatek, a 54th-ranked teen, won the tournament without dropping a set for her first tour-level title.

Since, she climbed to the top of the rankings (and has stayed there for 62 weeks running), tied the longest WTA win streak in 32 years (37 matches in a row in 2022) and won majors on clay and hard courts.

She beat challengers from different categories in major finals: a Slam champ (Sofia Kenin), a teen phenom (Coco Gauff), an emerged rival (Ons Jabeur) and now an unseeded (because of injuries)-but-dangerous veteran in Muchova. Swiatek is the youngest woman to reach four major titles since Serena Williams in 2002.

Yet this French Open began with talk of a Big Three in women’s tennis rather than singular dominance. Since last year’s French Open, Belarusian Aryna Sabalenka and Russian-born Kazakh Elena Rybakina both won their first major and beat Swiatek multiple times.

Swiatek faced neither in Paris but still called it “a pretty stressful tournament,” noting a right thing injury that forced her to retire during her last match before the tournament.

Sabalenka was stunned by Muchova in Thursday’s semifinals, the erratic serving and nerves of her past reappearing. Rybakina had to withdraw earlier in the tournament due to illness.

Next up: the grass court season and Wimbledon, where Swiatek hasn’t made it past the fourth round in three tries. She did win the 2018 junior title at the All England Club. but Sabalenka and Rybakina have had more recent success there.

If Swiatek can lift the Venus Rosewater Dish, she will be an Australian Open shy of a career Grand Slam. Her chances of adding an Olympic gold medal to that collection are very high, given Roland Garros hosts tennis at the 2024 Paris Games.

“I’m not setting these crazy records or goals for myself,” she said. “I know that keeping it cool is the best way to do it for me.”

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Novak Djokovic into French Open final with records at stake after beating Carlos Alcaraz

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Novak Djokovic heads into Sunday’s French Open final with all sorts of history at stake after eliminating a cramping Carlos Alcaraz in a showdown semifinal.

Djokovic faces Casper Ruud, eyeing a 23rd major title to break his tie with Rafael Nadal for the men’s singles record. NBC, NBCSports.com/live, the NBC Sports app and Peacock air live coverage at 9 a.m. ET.

On Friday, Djokovic took out the top seed Alcaraz 6-3, 5-7, 6-1, 6-1, but the match was even when Alcaraz began showing signs of right leg cramping. The 20-year-old Spaniard attributed it to the “tension” of the match, saying he was nervous for his first time facing Djokovic at a major.

“I have never felt something like I did today,” he said, adding that it was full-body cramps. “If someone says that he get into the court with no nerves playing against Novak, he lies.”

Alcaraz stopped play at 1-all in the third set and had trouble walking. He forfeited the next game, stipulated by the rules for receiving medical treatment for severe muscle cramping when not at a change of ends or end of a set.

Djokovic then won the next nine games. Alcaraz played with limited mobility and without the charismatic magic that’s charmed the tennis world.

FRENCH OPEN DRAWS: Women | Men | Broadcast Schedule

“First and foremost, I have to say tough luck for Carlos. I feel for him. I feel sorry,” Djokovic said to begin an on-court interview. “I told him at the net he knows how young he is. He’s got plenty of time ahead of him, so he’s going to win this tournament, I’m sure, many, many times.”

Djokovic was told of Alcaraz’s reasoning for the cramps.

“I have experienced that several times,” he said. “Early in my career I was struggling quite a bit physically. I can understand the emotions and circumstances that affect you mentally and emotionally.”

The semi was billed as perhaps the greatest inter-generational match in men’s tennis history, the first time that Alcaraz played a member of the Big Three at a major.

Their 16-year age gap was the largest to take place for men this deep in a major since the 1991 U.S. Open (Jim Courier d. Jimmy Connors) and the largest age gap for any major match between Slam champs since 2006 Wimbledon (Rafael Nadal d. Andre Agassi).

Unlike Friday, most of the previous torch-passing meetings took place when one man was not yet at his peak or the other was past his prime.

Typically, the younger player wins these types of duels. Djokovic, by prevailing over a foe 16 years younger this late in a major, broke the Open Era men’s age gap record of 14-plus years set by Roger Federer, who beat Hyeon Chung at the 2018 Australian Open.

Now, Djokovic heads to Sunday’s final as an overwhelming favorite against the Norwegian Ruud, a 6-3, 6-4, 6-0 winner over German Alexander Zverev in the later semifinal. Ruud was runner-up to Nadal at last year’s French Open and runner-up to Alcaraz at last year’s U.S. Open.

Djokovic can become the first man to win all four majors at least three times. He can break Nadal’s record as the oldest French Open singles champion.

“I’ve been very fortunate that most of the matches in tournaments I’ve played in the last few years, there is history on the line,” he said. “The motivation is very high, as you can imagine.”

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